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Elbphilharmonie Jazz Academy 2025

An overview of the participants in the international jazz masterclass taking place in summer 2025.

»Wow, so that's how it can sound!«

Composer-conductor Esa-Pekka Salonen about the »Multiversum« in the Elbphilharmonie, swarm intelligence in orchestras and the difficulties of the classical repertoire.

Elegie am Balkan

Sevdalinka und Rembetiko sind die melancholischen National­genres Bosnien-Herzegowinas und Griechenlands.

Umgehört: Wege nach oben

Eine Frage, sieben Antworten: »Was war Ihr bisher größter Karriereschritt?«

Interview with Rufus Wainwright

»I believe in the big melody«: Singer-songwriter and composer Rufus Wainwright on his »Dream Requiem« and how pop and opera differ.

Creator in Residence: Derrick Gee

As Creator in Residence, the Australian content creator, moderator and DJ is taking his millions of followers to the Elbphilharmonie in the 2024/25 season.

Donny McCaslin – A Portrait

Discovering the renowned New York saxophonist who is at the forefront of the Elbphilharmonie Jazz Academy in 2025.

Nick Cave – A Portrait

Almost entirely alone, Nick Cave shows us the value of artistic endeavour.

Umgehört: Music oracle

One question, seven answers: »What does the future sound like?«

Interview mit Antoine Tamestit

»Der Raum zwischen Künstler und Publikum ist spirituell« – der Bratschist über den besonderen Charakter seines Instruments, das Zentrum der Harmonie und atemlos gespannte Stille.

Music and the future

Music about the future, the future of music, music of the future – an essay.

Pierre Boulez – A Portrait

A look back at the life and legacy of the revolutionary composer and sought-after conductor, who would have celebrated his 100th birthday in 2025.

Alban Berg’s »Wozzeck«: a key work of modernism

Alban Berg broke new ground with his opera, which premiered in 1925 – both in terms of content and music.

Interview with Matthias Goerne

Baritone Matthias Goerne on the enduring relevance of Alban Berg’s »Wozzeck« and the future of classical music.

Musical Futurism

The song of the turbines: musical diversity meets political simplicity. A hundred years ago, Futurism came to an abrupt end.

»The future can always be understood as renewal too«

Discussing the music festival theme »Future«: A conversation with Barbara Lebitsch, Artistic Director of the Elbphilharmonie

The future potential of AI in music

Art is considered as an example of a profoundly human quality: creativity. What’s happening to this creativity in the age of artificial intelligence?

A body of light and sound

Philip Glass’ film score for »Koyaanisqatsi« redefined the interplay between visual and acoustic spheres. This civilisation-critical »Gesamtkunstwerk« remains frighteningly relevant today.

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: Community project »Futur X – When is Tomorrow?«

The Elbphilharmonie community project sees 85 people from Hamburg bring their visions of the future to the stage.

Iván Fischer: A Portrait

A shining force from the shadows: with his Budapest Festival Orchestra, Iván Fischer brings new life to beloved classics.