
The Halls
Sensuous modernity or elegant neo-Baroque – Hamburg has both. The Elbphilharmonie and Laeiszhalle concert halls have three main things in common: great music from all genres, openness and joint artistic direction.
The Elbphilharmonie

A visit to the Elbphilharmonie is a special experience for all the senses. The music, of course, takes centre stage. In the Grand Hall, this assumes a double meaning: the terraced rows of seats rise up high around the stage in a circle. This creates an extraordinary sense of proximity to the musical action, especially since Yasuhisa Toyota’s acoustics make every note ring out as clear as crystal.
As you make your way around the building, there are amazing views to discover at every turn. This is because the Elbphilharmonie – designed by the Swiss architects Herzog & de Meuron – was built right in the middle of the river Elbe.
A shimmering wave of glass on a solid brick warehouse from the 1960s, and between them a publicly accessible viewing platform that functions as a meeting place and launch pad for discovering the rest of the building: not only the Grand Hall and the Recital Hall, but also the hotel, restaurant and souvenir shop.
The special materials used in the interior design invite you to touch and feel them, especially the acoustic wall panelling in the Grand Hall and the Recital Hall. And hands-on experience is also provided in the Elbphilharmonie »World of Instruments« in the Kaistudios, where musical instruments from around the world await to be played and discovered.
The Laeiszhalle

The Laeiszhalle is a distinguished institution and a wonderful venue for early music, song recitals, chamber music and jazz.
When it first opened its doors on 4 June 1908, the Laeiszhalle was Germany’s biggest and most modern concert hall. It’s an important neo-Baroque landmark in Hamburg and a focal point of the city’s musical life.
Besides top international artists, the venue also provides a professional setting with an elegant, familiar atmosphere for Hamburg musicians – with the Symphoniker Hamburg, the Laeiszhalle’s resident orchestra, leading the way.
Music
»There is no serious music or unserious music, just good music and bad music.«
Leonard Bernstein
The programme at the Elbphilharmonie and Laeiszhalle is all about quality, diversity and breaking down genre boundaries. Lively interpretations of classical masterpieces are just as important as the discovery of contemporary music from various cultures – performed by the world’s best artists and the resident orchestras and ensembles of the two halls: the NDR Elbphilharmonie Orchestra, Ensemble Resonanz and Symphoniker Hamburg.
The great stars of jazz are a regular presence here, and they pave the way for the rising stars of the scene. The intensive »Reflektor« mini-festivals, in which exciting artists take charge of the programme and invite their favourite musical friends and colleagues to the Elbphilharmonie, are always a very special experience.
Architecture and Acoustics
The Elbphilharmonie is a total work of art comprised of breathtaking architecture, excellent acoustics and a unique location. The Swiss architects Herzog & de Meuron breathed new life into the traditional brick base, placing the concert hall on top of it like a glittering crown.
The Elbphilharmonie lifts the spirit and emboldens the senses, enabling you to enjoy new experiences.


Tube
This 82-metre-long, curved escalator begins at the main entrance of the Elbphilharmonie. It leads visitors up through the Elbphilharmonie building to a panorama window that offers a spectacular view of the harbour and docks. A second escalator then brings visitors up to the Plaza and the entrances to the concert halls.

Plaza
At a height of 37 metres above ground level, this public viewing platform is open all day long. Here visitors will find the staircases and lifts to the concert halls, the hotel lobby with access to the »Fang & Feld« restaurant and the »BLICK Bar«, the Elbphilharmonie Shop and the »Deck & Deli« bistro. The outer walkway of the Plaza offers visitors a breathtaking panoramic view of the inner city and the harbour.
Learn More About the Elbphilharmonie Plaza
Recital Hall
The Recital Hall is designed as an intimate, multipurpose space and is ideal for chamber music, lieder and solo recitals, jazz and world music. Equipped with flexible seating and stage elements, the space offers a variety of configurations and seating for up to 550 people.

Kaistudios
The Elbphilharmonie’s »World of Instruments« and wide-ranging music education programme are housed in the Kaistudios on floors 2 and 3 of the Elbphilharmonie building. Kaistudio 1 has a capacity of 150 seats and is ideal for experimental music, seminars, workshops and rehearsals.

Hotel
»The Westin Hamburg« hotel is located in the upper east part of the Elbphilharmonie and has 244 guest rooms and suites, a restaurant, bar, spa and event facilities.
More About the Hotel
Residential Apartments
Forty-five spacious apartments with glass fronts and balconies offer residents spectacular views of the river Elbe, the harbour and the inner city.
»I know that I have done my job as an acoustician well, when audiences no longer perceive the large distance to the music.« :Yasuhisa Toyota
An organ for everyone
The Grand Hall organ honours the idea of the Elbphilharmonie as a »concert hall for everyone«: rather than towering high up and out of reach, it is built into and around the terraced rows of seats, and is elegantly integrated into the architecture. Feeling and touching are expressly allowed! The surface of the pipes is coated with a custom-made protective layer to ensure they remain in optimal condition.
The sound of an organ is produced by the air flowing through the pipes. From the organ console, the organist can »pull out« individual stops to switch ranks on or off, producing different timbres. When playing, the organist can choose from several manuals – i.e. keyboards – and sets of pedals, which are played using the feet.
The Elbphilharmonie organ was built by the renowned Bonn-based organ building company Klais, and has 69 stops. There are also four registers integrated into the reflector above the stage.
In addition to the mechanical console located directly in front of the instrument, the Elbphilharmonie’s organ can also be played from a mobile console that is pushed onto the stage for concerts.
The Elbphilharmonie organ is made up of almost 5,000 pipes, varying in length from 11 millimetres to more than 10 metres. Most of the pipes are made of tin: around 400 of them are made of wood, some of which is more than 180 years old, guaranteeing outstanding, long-lasting quality.
From »cutting, smoky« to »bell-like, iridescent«: the tones of the Elbphilharmonie organ are manifold and create a warm sound that fills the Grand Hall. This organ is optimised for music from the 19th century onwards and for the requirements of contemporary music. The Elbphilharmonie’s titular organist is the Latvian star organist Iveta Apkalna.

One organ – many divisions
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(1) Wind Supply & (2) Console
The Wind Supply – the organ’s lungs: this grandest of instruments is comparable to a gigantic wind orchestra. No organist in the world has enough power to breathe air into all the pipes, so four large fan blowers with electric motors perform this task. The wind produced by the blowers is adjusted to the exact pressure required before being driven through wooden channels into the pipes.
The Console – the organ’s switchboard: from the seat of the console, the organist can operate every pipe individually or in combination. Each of the four manuals (the keyboards of the organ) and the pedalboard (the keyboard played with the feet) has been allocated specific sets of pipes. Each register – or rank of pipes – produces its own individual tone colour. Groups of registers are called divisions.
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(3) Choir & (4) The Great
The Choir: the bottom manual is used to play the pipes of the Choir. The division of pipes making up the Choir is stored in a large box with shutters. These can be opened and closed using a foot pedal found above the pedalboard to vary the volume, allowing the sound to swell and diminish. This division is intended to accompany the choir, since, of all the pipes, these pipes produce a sound nearest to the human voice.
The Great: as its name suggests, this manual controls the organ’s main division of pipes. One could say it is the very backbone of the organ’s sound. The Great is controlled by the second lowest manual.
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(5) Swell & (6) Solo
The Swell: just like the Choir, this division also has shutters that can be operated to vary the sound. Played from the third manual, the Swell division has many pipes that together create a convincing orchestral sound. The number and tone colour of the pipes in this division have been specially selected so that the sound can be very loud, but also very soft.
The Solo: played from the top keyboard, the Solo includes a range of unusual tone colours and also has some very loud registers. The pipes in this division are particularly suitable for accompanying solo voices and instruments.
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(7) Pedal Division and (8) Echo
The Pedal Division: wind passes through the pipes in this division when the pedalboard (keyboard played by the feet) is played. The deepest tones are produced via the pedals, so the longest and widest pipes, including the largest of the whole organ, can be found in this division. The biggest pipe is over 10 metres long. Since such large pipes require lots of storage space, they have been positioned at several different places. Registers containing shorter pipes for higher tones are placed together in the small pedal division behind the Solo division.
The Echo: It is integrated in the sound reflector hanging above the stage. The Echo division does not have its own specific keyboard but can be played from every keyboard of the organ console.

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