Laeiszhalle A hub for Hamburg’s musical life since 1908: a portrait and history of the Laeiszhalle.

A DISTINGUISHED INSTITUTION

When it comes to music, the Laeiszhalle was the first port of call in Hamburg for more than 100 years. The concert hall was opened in 1908 and has a proud history of guest performances by composers such as Richard Strauss, Sergei Prokofiev, Igor Stravinsky and Paul Hindemith, all of whom conducted their own works here. Audiences also enjoyed epoch-making performances by emerging global stars such as a 12-year-old Yehudi Menuhin and a young Vladimir Horowitz, and later by legends such as Maria Callas.

Although the Elbphilharmonie opened in 2017, the Laeiszhalle Grand Hall remains one of Europe’s best philharmonic concert halls. The Symphoniker Hamburg regularly give concerts here as the resident orchestra, and a number of other regional orchestras, choirs and promoters use the hall. World-class pianists such as Grigory Sokolov and Martha Argerich, and singers such as Cecilia Bartoli and Jonas Kaufmann have said that they love the hall and its excellent acoustics.

The Elbphilharmonie and the Laeiszhalle operate under one general director.

Want to discover the hidden corners of the Laeiszhalle? Tour the concert hall online in entertaining videos.

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Jordi Savall Jordi Savall © Daniel Dittus
Balthasar-Neumann-Ensemble Balthasar-Neumann-Ensemble © Claudia Höhne
Laeiszhalle Laeiszhalle © Thies Rätzke
Laeiszhalle Grand Hall Laeiszhalle Grand Hall © Gilda Fernandez
Workshop zu Orchesterinstrumenten Workshop zu Orchesterinstrumenten © Claudia Höhne
Laeiszhalle Studio E Laeiszhalle Studio E © Gilda Fernandez
»ZukunftsMusik« mit David Helbock »ZukunftsMusik« mit David Helbock © Claudia Höhne
None © Thies Rätzke
Laeiszhalle Brahms Foyer Laeiszhalle Brahms Foyer © Thies Rätzke
Uri Caine Trio Uri Caine Trio © Sebastian Madej

HARD TO SPELL, EASY TO SAY: It’s Laeisz like »ice«

The concert hall is named after the Hamburg shipowner Carl Heinrich Laeisz (1828–1901). In his will, he decreed that his company F. Laeisz would donate 1.2 million marks to build »a magnificent venue for the performance and enjoyment of fine, serious music«.

His widow Sophie Christine Laeisz raised the figure to 2 million marks and, as the developer, conducted the negotiations with the city authorities. The Laeiszhalle was designed in a neo-Baroque style by the architects Martin Haller and Emil Meerwein, who had previously made a name for themselves with the construction of Hamburg City Hall.

Laeiszhalle
Laeiszhalle © Firma Laeisz

CAREER START FOR A RADIO DJ

The Laeiszhalle miraculously survived the Second World War unscathed. The British occupying forces temporarily used the building as the Broadcasting House for their military radio station British Forces Network. Chris Howland – who became one of the early NDR presenter legends because of his charm and wonderful English accent when speaking German – started his career as a radio DJ here. Besides all things classical, the music hall also became home to beat, rock, pop and jazz over the following decades.

Beekeepers climbing around on the roof of the Laeiszhalle and a singer crashing onto the stage on a fully fuelled Harley Davidson: the venerable concert hall has these and many more curious stories to offer.

»Something magical happens«

An encounter with Lea Desandre, Thomas Dunford and his fantastic early music ensemble, Jupiter

Lea Desandre / Ensemble Jupiter Lea Desandre / Ensemble Jupiter © Daniel Dittus
JAZZ IN THE RECITAL HALL

Pianist Fred Hersch and his trio perform an »Elbphilharmonie Session«

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»La Callas« in Hamburg

A gem from the NDR archive: the legendary soprano Maria Callas singing Rossini and Verdi

Maria Callas Maria Callas
GREAT ACOUSTICS FOR CHAMBER MUSIC TOO

The Szymanowski Quartet performs Mieczysław Weinberg’s Piano Quintet Op. 18

Szymanowski Quartet Szymanowski Quartet © Daniel Dittus
CLASSICS & CAKE IN THE BRAHMS FOYER

With the »Teatime Classics« series, eating and drinking in the concert hall is expressly allowed!

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Halls and Spaces at the Laeiszhalle

Laeiszhalle Grand Hall
Laeiszhalle Grand Hall © Thies Rätzke

The Grand Hall

The Laeiszhalle Grand Hall has a capacity of 2,000 seats. With its unique glass ceiling and magnificent neo-Baroque interior, it is famous not only for its excellent acoustics, but also for its architecture and ambience. Built into the rear wall of the stage is an organ that was installed by the Beckerath company in 1951. This organ was sold in 2021 and will be replaced in 2023 by a new, more sonorous reconstruction of the original 1908 organ, built by the Walcker company.

Laeiszhalle Recital Hall © Daniel Dittus

The Recital Hall

The Laeiszhalle Recital Hall is the perfect venue for chamber music, song recitals, children’s concerts and jazz events. After the Second World War it was used for a time as a dance hall, before later being refurbished. In 2009 it was lovingly restored to how it was in 1954. Today, it is one of the few concert halls still boasting authentic 1950s design. It has a capacity of 640 seats.

© Thies Rätzke

Studio E

Studio E is a charming little stage with natural daylight and slightly ascending stalls with an encircling balustrade. The room is terraced and offers seating for an audience of 150.

© Thies Rätzke

Brahms Foyer

The Brahms Foyer takes its name from the symbolist marble sculpture of Johannes Brahms, which the Leipzig artist Max Klinger created for the Laeiszhalle in 1909. The festive foyer on the first floor is perfect for chamber music concerts, receptions, and film and photo shoots. It is also the culinary centre of the Laeiszhalle.

© Gilda Fernandez

The Organ

In the Grand Hall you can still see the original organ facade – that is to say, the external shell – of the Walcker organ of 1908. That organ was replaced in the 1950s by an instrument made by the renowned organ builder Rudolf von Beckerath. The Beckerath organ was sold in 2021 to a Bavarian church and will be replaced in 2023 by a reconstruction of the original 1908 organ. The listed organ facade will remain unchanged.