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Elbphilharmonie Organ: The Pipe Cleaners

How do you get the dust off 4,765 pipes? Watch the videos to find out how the Elbphilharmonie organ is cleaned.

Necessity is the mother of invention: While the concert halls remain closed, the Elbphilharmonie is using the compulsory coronavirus break to clean the huge organ in the Grand Hall, which measures 15 metres square and weighs some 25 tons. And that's easier said than done: the 4,765 pipes are arranged in and alongside the terraced rows of audience seating, and a large part of the instrument is even concealed behind the walls of the hall, the so-called »white skin«. A spectacle without an audience – but those interested can watch the proceedings on video, almost in real time.

The pipe cleaners :Cleaning the organ in stages

Part 1: The organ is dismantled

If you want to clean an organ, you need to begin by carefully taking it apart. This is a particularly tricky exercise with the Elbphilharmonie instrument: unlike church organs, which are usually free-standing, the organ in the Grand Hall was meticulously integrated into the architecture. In order to get to the individual pipes, wall panels need to be removed, exposing the instrument’s interior. Quite a feat of logistics…

Part 2: Vacuuming and dusting

Once the pipes have been taken out, they are carefully vacuumed and any dust that has accumulated is wiped off. Here, too, caution is the watchword: while the wooden pipes can be dusted without any trouble, the cleaning specialists use gloves when dusting the metal pipes. This way, they avoid liquids on the skin such as perspiration reacting with the metal and altering the shape (and in turn the sound) of the pipes.

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»What makes the organ complicated is that it doesn’t stand alone like in a church. At the Elbphilharmonie, the organ is integrated into the seating rows, and all the big pipes, the windchests, the fans and the bellows are concealed behind them.«

Dominik Haubrichs (team leader during installation)

Part 3: The console

The organ consists not only of pipes; there is also the console, the instrument’s control centre. And the manuals, stops, electronics and 344 keys likewise need freeing from cold sweat and construction dust.

Part 4: The intonation

Once the instrument has been cleaned, it’s time for the intonation experts from organ builder Klais to work their magic. They check the volume, the pitch and the timbre of every single one of the 4765 pipes. Is there a pipe that sounds too high or too low? Is there any undesirable background noise? Is the ratio to the other pipes correct?

Impressions of the cleaning work
Organ pipes Organ pipes © Gilda Fernandez
Bernd Reinartz voices a reed pipe Bernd Reinartz voices a reed pipe © Gilda Fernandez
Organ pipes Organ pipes © Gilda Fernandez
Cleaning the organ Cleaning the organ © Gilda Fernandez
An organ builder inside the Elbphilharmonie organ An organ builder inside the Elbphilharmonie organ © Gilda Fernandez
Cleaning the organ Cleaning the organ © Gilda Fernandez
Organ pipes Organ pipes © Gilda Fernandez
Cleaning the organ in the Grand Hall Cleaning the organ in the Grand Hall © Gilda Fernandez
Cables in the Elbphilharmonie organ Cables in the Elbphilharmonie organ © Gilda Fernandez
Organ pipes Organ pipes © Gilda Fernandez
Elbphilharmonie organ Elbphilharmonie organ © Gilda Fernandez
An organ hole is narrowed An organ hole is narrowed © Gilda Fernandez
Bernd Reinartz on his way to the organ’s echo division in the sound reflector above the Grand Hall Bernd Reinartz on his way to the organ’s echo division in the sound reflector above the Grand Hall © Gilda Fernandez

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