Mariam Batsashvili / Piano Recital

»Pianomania« – works and transcription by Bach, Liszt and Thalberg

This concert has already taken place! 13 | 19 | 30 | 48
This concert has already taken place! 13 | 19 | 30 | 48
Mariam Batsashvili
Mariam Batsashvili © Roland Breitschuh
  • Doors open 18:30

  • Start 19:30

  • Interval

  • End ca. 21:20

Opera for the piano

Franz Liszt is a recurrent theme throughout Mariam Batsashvili’s life. For example, the Georgian pianist not only studied at the University of Music in Weimar named after Liszt, she also successfully took part in the International Franz Liszt Competition for Young Pianists there and won the Franz Liszt Piano Competition in Utrecht in 2024. And, besides Frédéric Chopin, her debut album from 2019 is also dedicated to the Austro-Hungarian composer. So, there is no question that she has now brought along several works by Liszt to kick off the »Pianomania« series in which this time everything revolves around the theme of »Transcriptions« – and with him probably one of the most ingenious arrangers in the history of music.

In her programme, Batsashvili reveals what kind of magnificent new music Liszt created from opera melodies by Handel, Mozart and Gounod. Also, the Austrian composer Sigismund Thalberg took a Bellini opera as a template when he wrote his virtuoso »Grande Caprice«. With a concerto in the style of Alessandro Marcello, Batsashvili also demonstrates that even a genius like Johann Sebastian Bach was not afraid of re-arranging works by others before he then became the template for numerous arrangements himself. One of the most famous works in this respect is surely the rendering of Bach’s Chaconne in D minor. Originally composed for solo violin, it was arranged for the piano by Ferruccio Busoni. Batsashvili also presents Busoni’s version in her concert.

Auftakt: Die Audio-Einführung

Performers

Mariam Batsashvili piano

Programme

Johann Sebastian Bach
Concerto in D minor, BWV 974

Franz Liszt
Sarabande und Chaconne from Handel’s opera »Almira«, S.181

Sigismund Thalberg
Grande caprice based on themes from Bellini’s opera »La sonnambula«, Op. 46

Franz Liszt
Valse from Gounod’s opera »Faust«, S.407

– Interval –

Johann Sebastian Bach / Ferruccio Busoni
Chaconne / from: Partita No. 2 in D minor, BWV 1004

Franz Liszt
Fantasy based on themes from Mozart’s operas »Le nozze di Figaro« and »Don Giovanni«, S.697 / vervollständigt von Leslie Howard


Encore:

Franz Liszt
Erlkönig / aus: Zwölf Lieder von Schubert S 558

Gioachino Rossini
Petite Caprice C-Dur / Style Offenbach

Subscription

Pianomania

Promoter: HamburgMusik

Supported by the Cyril und Jutta A. Palmer Stiftung

From the Mediatheque : Videos, Podcasts, Articles

Transcriptions

From 17th-century salon music to contemporary pop covers: good music has always been re-interpreted for other constellations of instruments.

Play Video

: Elbphilharmonie Sessions: Alexandre Kantorow

»The reincarnated Liszt« – Alexandre Kantorow in the Elbphilharmonie’s piano storeroom.

Play Video

: How is a concert grand piano made?

From the lumber yard to the Elbphilharmonie stage: pianist and YouTube sensation Nahre Sol pays a visit to the Steinway factory in Hamburg.

Stories with the hashtag #Piano

Videos, streams, interviews and backgrounds - all about the piano in the Elbphilharmonie Mediatheque.

During your visit

Elbphilharmonie Plaza

A public viewing platform on the 8th floor of the Elbphilharmonie

More about the Plaza

Food and Drink

Before the concert and in the interval

Find out more

Coughing, clapping, chatting

Tips for your concert visit

Read now