John Zorn: Sacred Music

Bill Frisell, Julian Lage, Gyan Riley, vocal ensemble – Reflektor John Zorn

This concert has already taken place! 10 | 15 | 30 | 41 | 47
This concert has already taken place! 10 | 15 | 30 | 41 | 47
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Angelic tongues

In »The Holy Visions« John Zorn created what is, despite the formal austerity, a wonderfully vibrant vocal work for five female voices. There is something medieval to his »mystery play in eleven strophes« about the life, work and philosophy of the nun Hildegard von Bingen (1098–1179), but there is also a connection to the compositional language of Meredith Monk. Zorn’s music approaches the cosmos of the holy Hildegard – who was a composer, healer, herbalist, mystic and author – with the requisite reverie.

Listen to »The Holy Visions«

Performers

Kirsten Sollek vocals

Eliza Bagg vocals

Elizabeth Bates vocals

Sarah Brailey vocals

Rachel Calloway vocals

Bill Frisell guitar

Julian Lage guitar

Gyan Riley guitar

Programme

John Zorn: Religious Music

John Zorn
The Holy Visions
Nove Cantici / Teresa de Avila

Estimated end time

21:15

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Festival

Reflektor John Zorn

Promoter: HamburgMusik

Supported by Stiftung Elbphilharmonie

From the Mediatheque : Videos, Podcasts, Articles

Reflektor John Zorn

A look back at the festival in pictures and comments.

John Zorn and the downtown scene

Radical, eccentric, experimental: the fascinating artists’ scene of downtown New York.

»John Zorn turned my world upside down«

The musicians who appear at the »Reflektor John Zorn« talk about their collaboration with this exceptional artist and their love for his music.

»John Zorn always has a very clear vision«

Spotlight on John Zorn and his music: an interview with the Hamburg-based Zorn expert Axel Zielke.

John Zorn: The Master of Change

Between all the different stools of contemporary music, John Zorn remains true to himself in one respect: constant change.

During your visit

Elbphilharmonie Plaza

A public viewing platform on the 8th floor of the Elbphilharmonie

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Food and Drink

Before the concert and in the interval

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