Experience the sound of the present in the Grand Hall: the »Elbphilharmonie Visions« festival throws the spotlight exclusively on contemporary music. This promises both an exciting musical treat and a unique chance to engage directly with the composers, asking them about the works and composing itself. How do they approach the composing process? Do they envision an entire work before they start, or does it only emerge as they write? How does their environment influence their work? And what aspirations do they have for their music?
The festival’s composers share insights into their work in a series short interviews. This edition is with in this edition with the Austrian composer Bernd Richard Deutsch, whose brand new composition of Goethe's poem »Urworte« is on the programme for the opening night.
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What inspires you as a composer? How important is the extra-musical to you?
Inspiration can come from virtually anything, including non-musical things. I find particular inspiration in literature and the visual arts, but also in nature, everyday occurrences, and even sounds or noises, all of which can spark creative ideas.
Do you have a fully formed idea for a work in your head before you set about composing it?
Not down to the last detail. I start with a vision of the piece’s overall sound, along with some specific ideas such as motifs, harmonies, and so on. Often, I can hear extended sections in my mind beforehand, and I always try to establish a clear sense of the work’s overall structure as early as possible.
How would you describe the sound of our time?
It is incredibly diverse and vibrant, as there is no longer a universally accepted aesthetic. Individuality is key.
What does contemporary music need to resonate with audiences?
A deep sense of passion, physicality, rhythm, harmony, melody, and an architecture that is coherent.
What do you hope audiences take away from your work after a concert?
The lamp waits for the flame that lights it. (Goethe)
