From the not-so-new world
The composers on the programme are not any of the well-known classical ones – and unjustly so, as cello star Sterling Elliott would like to demonstrate. He has chosen three African-American composers and a female composer, also from the USA. Together with Gabriele Strata, an exceptional piano talent from Italy, he presents expressive music which sometimes sounds very romantic, sometimes with a hint of jazz and sometimes highly relevant. What a start to the Teatime Classics series!
Culinary offerings before the concert
Enjoy the concert with the young talents even more after savouring some refreshments beforehand. Head to the Brahms Foyer from 15:00 to 15:45 for coffee, tea and cake. Please note that the way from the Recital Hall to the Brahms Foyer is not wheelchair accessible and that the number of seats is limited.
American cellist Sterling Elliott was born into a musical family and initially wanted to play the violin like his older siblings. After some encouragement, he then, however, completed the Elliott Family String Quartet as a cellist, which shaped his childhood. Although he is still in the final stages of his studies at the prestigious New York Juilliard School, Sterling has already given concerts with large American symphony orchestras, such as the Philadelphia Orchestra, the New York Philharmonic, the Boston Symphony and the Los Angeles Philharmonic. In 2023, the London-based Young Classical Artists Trust designated him as the YCAT-Music Masters Robey Artist, a two-year programme, within which YCAT undertakes the booking and management in the UK and conducts Sterling Workshops for school children.
Italian pianist Gabriele Strata is also here to establish himself on the big international stages after his studies at the famous Yale University. Apart from awards such as the first prize at the prestigious Italian competition XXXV Premio Venezia, performances with the Deutsches Symphonie-Orchester Berlin at the Berliner Philharmonie, London’s Barbican Centre and at the Cadogan Hall and with the La Fenice Orchestra at the Teatro la Fenice in Venice already demonstrate this. He has also already celebrated successes with solo recitals and chamber music.
Performers
Sterling Elliott violoncello
Gabriele Strata piano
Programme
Amy Beach
Dreaming / from: Four Sketches, Op. 15
Kevin Day
Sonata for Violoncello and Piano
Amy Beach
Romance, Op. 23
George Walker
Sonata for Violoncello and Piano
William Grant Still
Mother and Child
Supporting programme
Sat, 2 Nov 2024 15:00
Coffee, tea and cake before the concert,
Laeiszhalle, Brahms-Foyer
Promoter: HamburgMusik
Supported by Cyril und Jutta A. Palmer Stiftung
Location
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Laeiszhalle
Kleiner Saal
Chamber music series, lieder recitals, children's concerts and jazz events seem to be made for the Recital Hall of the Laeiszhalle, which can accommodate up to 640 guests. (Please note: The Laeiszhalle is a separate concert hall located three kilometres away from the Elbphilharmonie.)
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Cloakrooms
Strollers, prams, wheeled walkers, walking-stick umbrellas, bags sized A3 (42 cm x 30 cm) or above, sport bags, backpacks and luggage must be checked in at the cloakroom.
Jackets and handbags may be taken into the hall.
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Toilet Facilities
Facilities for guests of the Recital Hall are located to the right of the hall entrance. Barrier-free toilets are also available.
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Getting here & parking
Laeiszhalle Hamburg
Johannes-Brahms-Platz
20355 HamburgThe Laeiszhalle can be easily reached by bus, underground and bicycle.
The nearest stops include:
Underground line U2: Gänsemarkt / Messehallen
Underground line U1: Stephansplatz
Bus 3, X35, 112: Johannes-Brahms-Platz
Bus X3: U Gänsemarkt (Valentinskamp)
Bus 4, 5, 109: StephansplatzStadtRAD (public city bicycle) station: Sievekingplatz / Gorch-Fock-Wall
There are bicycle stands available in front of the Laeiszhalle.Gänsemarkt multistorey car park: Dammtorwall / Welckerstrasse
Rate per hour or part thereof: €4.50
Night rate (18:00–06:00): maximum €11
24-hour rate: maximum €30Please note: There are several construction sites in the immediate vicinity of the Laeiszhalle which may make it difficult to get to the concert. Please therefore plan enough time for your journey to the concert.
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Laeiszhalle is not at the Elbphilharmonie
The Laeiszhalle is a separate concert hall located three kilometres away from the Elbphilharmonie.
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Arrival time
We suggest visitors arrive at the Laeiszhalle main entrance not later than 30 minutes before the start of the concert or event. Late seating is not guaranteed and latecomers may not be admitted to the concert hall.
The entrance of the Recital Hall is located on Gorch-Fock-Wall.
Admission times Grand Hall and Recital Hall:
Events without pre-concert talk:
Foyer: 60 minutes before the start of the event
Hall: 30 minutes before the start of the eventEvents with pre-concert talk:
Foyer: 90 minutes before the start of the event
Hall: 15 minutes before the start of the talkIf a pre-concert talk is offered for this event, it is noted above under PROGRAMME.
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Accessibility
All halls and spaces are accessible for visitors with disabilities. More information at www.elbphilharmonie.de/en/accessibility.
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Photography and video recordings
Photography is permitted at the Laeiszhalle for private purposes only. Please respect the privacy of other visitors and help ensure an undisturbed concert experience for all guests and artists. Employees and artists may not be photographed.
Photography, audio or video recordings of concerts and events are strictly prohibited.
Event-related video recordings or photographs for editorial or commercial purposes must be authorised by the Press Office of the Elbphilharmonie and Laeiszhalle.
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