This concert has already taken place!
Laeiszhalle Hamburg Brahms-Foyer
Sat, 30 Mar 2019 16:00
Bach / Saint-Saëns / Beethoven
The popular »Teatime Classics« series comes to an end with a performance by two exceptional young musicians. The Swiss-Japanese violinist Sumina Studer has won countless awards, most recently the chamber music prize at the TONALi Violin Competition in 2017. Russian pianist Boris Kusnezow made his breakthrough by winning First Prize at the German Music Competition in 2009, before going on to perform in New York’s Carnegie Hall and the Berlin Philharmonie. Their chamber music calibre is reflected in the diverse and challenging programme they have selected for their concert in the »Teatime Classics« series: Johann Sebastian Bach’s first solo violin sonata, with its virtuosic challenges, is one of the masterpieces of the violin repertoire, while Saint-Saëns’s Havanaise for Violin and Piano is melodious and lyrical. Finally, in Beethoven’s Violin Sonata in G major, the playful humour for which the composer was famous shines through.
Sumina Studer violin
Boris Kusnezow piano
Ludwig van Beethoven
Sonate G-Dur op. 30/3 für Violine und Klavier
- Pause -
Johann Sebastian Bach
Sonate Nr. 1 g-Moll BWV 1001 für Violine solo
Havanaise E-Dur op. 83 für Violine und Orchester
15:00 / Gastronomie, Laeiszhalle Hamburg, Brahms-Foyer
Supported by the Cyril und Jutta A. Palmer Stiftung
Chamber music concerts and receptions are accommodated in the festive foyer located on the first floor. The Brahms Foyer is also the gastronomic centre of the Laeiszhalle.
The Brahms Foyer can be reached via the main entrance on Johannes-Brahms-Platz.
The accessible entrance to the Grand Hall and Brahms Foyer is located on Gorch-Fock-Wall. The Brahms Foyer is only accessible to folding wheelchairs or wheelchairs under 75 cm in width.
The accessible entrance to the Recital Hall is located at Dammtorwall 46 (Artists’ Entrance). The Recital Hall is only accessible to folding wheelchairs or wheelchairs under 68 cm in width.
Three parking spaces for visitors with disabilities are located at the entrance on Gorch-Fock-Wall. Six parking spaces for visitors with disabilities are available in front of the Artists’ Entrance on Dragonerstall.
All halls and spaces are accessible for visitors with disabilities. The Grand Hall has space for six wheelchairs, while the Recital Hall has space for four wheelchairs (audience seats can be dismounted to make space for two further wheelchair spaces). Space for wheelchairs in the Brahms Foyer is available. Further information
The Laeiszhalle can be easily reached by bus, underground and bicycle.
The nearest stops include:
Underground line U2: Gänsemarkt / Messehallen
Underground line U1: Stephansplatz
Bus 4, 5, 109, Schnellbus 34, 36: Stephansplatz
Bus 3, 112, Schnellbus 35, 36: Johannes-Brahms-Platz
City bicycle (Stadtrad) station: Sievekingplatz / Gorch-Fock-Wall
Gänsemarkt multistorey car park: Dammtorwall / Welckerstrasse, 20355 Hamburg
First 30 minutes: €2.00
First 60 minutes: €4.00
Rate per further hour or part thereof: €4.00
Night Rate (18:00–06:00): maximum €11.00
24-Hour Rate: maximum €30.00
Photography and Video Recordings
Photography is permitted at the Laeiszhalle for private purposes only. Please respect the privacy of other visitors and help ensure an undisturbed concert experience for all guests and artists. Employees and artists may not be photographed.
Photography, audio or video recordings of concerts and events are strictly prohibited.
Event-related video recordings or photographs for editorial or commercial purposes must be authorised by the Press Office of the Elbphilharmonie and Laeiszhalle.
Smoking is prohibited throughout the entire premises of the Laeiszhalle.
All halls and spaces are accessible for visitors with disabilities. More information at www.elbphilharmonie.de/en/accessibility.
The foyers of the Grand and Recital Halls open their doors 90 minutes before the start of the concert or event. The bars in each foyer open simultaneously.
Admission into the halls begins 30 minutes before the start of the concert or event; for events offering pre-concert talks, admission into the halls begins 60 minutes before the start of the concert.