Kampnagel
Jarrestrasse 20
22303 Hamburg
Bus 172, 173: Jarrestraße (Kampnagel)
Hamburg International Music Festival
In many of his works, the pan-religious composer Karlheinz Stockhausen chose the everlasting struggle between good and evil as his central theme. This applies to his monumental opera cycle »Licht«, whose total running time exceeds even that of Wagner’s »Ring« at 29 hours, and which has never been performed in its entirety. In seven sections named after the days of the week, Stockhausen uses the three archetypal figures of Eve, St Michael and Lucifer to tell the story of human existence and humanity’s relationship with the divine. Peter Eötvös, this year’s Artist in Residence at the Elbphilharmonie, conducts a semi-staged performance of the third act of »Donnerstag« with a team of well-known Stockhausen specialists, the EuropaChorAkademie and the orchestra of the Musikhochschule in Hamburg.
Karlheinz Stockhausen was a great utopian, hence the decision to devote an extensive retrospective to him at the Hamburg International Music Festival. As head of the studio for electronic music at West German Radio (WDR), he used early forms of the synthesizer to create an entire cosmos of thitherto-unprecedented sounds, advancing into new musical dimensions in the process. His works breathe the rhythm of the stars, and get lost in the spiral nebulas of infinity.
»If we tax our mind to the utmost and arrive at the limits of what can be analysed and described, that’s where mysticism begins. That’s my home as a musician, that’s where I want to go.«
Towards the end, the eccentric esoteric even claimed that he was from the planet Sirius. Notwithstanding, Stockhausen was the best-known and most important post-war German composer, influencing artists as diverse as the Beatles, Björk, Brian Eno, Pink Floyd, Amon Düül, Aphex Twin, Kraftwerk and Frank Zappa. Stockhausen believed firmly in a higher plane of human existence, and he believed that music was the key to it. It’s worth following him on this path: the utopia of music lives on.
Symphonieorchester der Hochschule für Musik und Theater Hamburg
EuropaChorAkademie
Anu Komsi soprano
Rolf Romei tenor
Michael Leibundgut bass
Evelyn Angela Gugolz Eva dancer
Emmanuelle Grach Michael dancer
Jamil Attar lucifer dancer
Merve Kazokoğlu basset
Paul Hübner trumpet
Kevin Austin trombone
Lena Schmidt synthesizer
Solveig Krebs Old Woman
Ricarda Schnoor lights
Jakob Hütter video
Julia B. Nowikowa costume
Cornelius Bohn Tontechnik
Kathinka Pasveer sound
conductor Peter Eötvös
Karlheinz Stockhausen
Dritter Akt Donnerstag aus Licht / aus: Donnerstag aus Licht
Promoter: HamburgMusik
In cooperation with Kampnagel
Germany's largest independent performance venue. Since 1984 this multifunctional stage complex has made the former crane factory its home: six stages, a cinema, nine rehearsal rooms and a restaurant.
Kampnagel
Jarrestrasse 20
22303 Hamburg
Bus 172, 173: Jarrestraße (Kampnagel)
There is a parking garage with staircase (approx. 50 m) on the Kampnagel site. Unfortunately there is no lift available. Entrance in Barmbeker Straße or Jarrestraße. The parking garage costs €2 / hour. The discount machine (flat rate €5) is available in the exit area of the foyer.
Behind the halls in front of the administration building (Jarrestraße 20) there are two parking spaces for visitors with sensory or physical impairments and a corresponding parking permit. From there, Kampnagel can be reached at ground level (approx. 100 m). Enter at Jarrestraße 20, then keep left.
There are parking spaces for people with disabilities located on the Kampnagel premises. Furthermore, ramps to the box office and foyer as well as disabled toilets (with hand rails and automatic doors) are available. Stalls are only accessible via steps, therefore persons with mobility disabilities are kindly asked to announce their arrival in advance – the in-house service team will be happy to assist you.
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