Wed, 1 Apr 2026 20:00

Elbphilharmonie Großer Saal

Orchester der Oper Zürich / Regula Mühlemann / Gianandrea Noseda

Haydn / Pergolesi / Mozart

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Ticket sale starts on 13 May 2025 at 11:00 €17 | 41 | 76 | 112 | 135

Doors open 19:00
Start 20:00
Interval
End ca. 22:10

Panoptikum der Passion(en)

Gianandrea Noseda und das Orchester der Oper Zürich – ein bestens eingespieltes Team, das sich meisterhaft auf die intensive Darstellung großer Gefühle und die Unterstützung berühmter Stimmen versteht. Gemeinsam mit Starsopranistin Regula Mühlemann präsentieren sie in der Elbphilharmonie zu Ostern eine Collage von Werken mit Passionsbezug, die die Figur der leidenden Gottesmutter in den Blick nimmt.

Joseph Haydns rein instrumentale Vertonung der »Sieben Letzten Worte« Jesu am Kreuze trifft auf die barocken Schmerzensbilder von Giovanni Battista Pergolesis »Stabat mater«. Die Auszüge aus beiden Werken werden mit Musik von Wolfgang Amadeus Mozart ergänzt. Sein groß angelegtes »Exultate, jubilate« steht am Ende der ersten Hälfte und setzt einen freudvollen und stimmgewaltigen Schlusspunkt.

Nach der Pause geht es mit Sergej Prokofjews Ballettmusik »Romeo und Julia« um ganz andere, aber nicht weniger heftige Passionen. Die wohl berühmteste Liebesgeschichte der Weltliteratur inspirierte Prokofjew wiederum zu seinem wohl berühmtesten Werk. Kein Wunder, stand ihm von tänzerischer Verve über scharfkantige Dramatik bis zum lyrischen Herzschmerz alle Mittel zur Verfügung, die eine ergreifende Darstellung von Shakespeares Tragödie erfordern. Die faszinierende Originalität und Frische seiner Tonsprache verhindert jede billige Gefühlsduselei und lässt die Geschichte in ihrer ungefilterten Dramatik erleben.

Performers

Orchester der Oper Zürich

Regula Mühlemann soprano

conductor Gianandrea Noseda

Programme

Giovanni Battista Pergolesi
Stabat mater (Auszüge)

Joseph Haydn
L'Introduzione / aus: Die sieben letzten Worte unseres Erlösers am Kreuze Hob. XX:1A

Wolfgang Amadeus Mozart
Great Mass in C minor, K.427 / aus: Große Messe c-Moll KV 427

Joseph Haydn
Il terremoto / aus: Die sieben letzten Worte unseres Erlösers am Kreuze Hob. XX:1A

Giovanni Battista Pergolesi
Cuius animam gementem / aus: Stabat mater

Antonio Vivaldi
Sinfonia h-Moll RV 169 »a Santo Sepolcro«

Giovanni Battista Pergolesi
Aria: / aus: Stabat mater

Joseph Haydn
Consummatum est! / aus: Die sieben letzten Worte unseres Erlösers am Kreuze Hob. XX:1A

Wolfgang Amadeus Mozart
Exsultate, jubilate / Motette für Sopran F-Dur KV 158a

– Interval –

Sergej Prokofjew
Suites from the ballet »Romeo and Juliet«, Op. 64

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Series

Easter at the Elbphilharmonie

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Promoter: HamburgMusik

Location : Elbphilharmonie
Großer Saal

Heart of the Elbphilharmonie: the Grand Hall seats 2,100 guests in the »vineyard« style. The stage for artists and orchestras is situated at the centre of the concert hall and is surrounded by terraced seating.

Arrival time

The Elbphilharmonie is a special building situated in a special place. Allow for plenty of time for getting to the Elbphilharmonie and the way to the concert area. We suggest visitors arrive at the Elbphilharmonie Plaza not later than 30 minutes before the start of the concert or event. Late seating is not guaranteed and latecomers may not be admitted to the concert hall.

Concert tickets for the Grand and Recital Halls authorise a visit to the Plaza from two hours before the start of the concert or event. Visitors to the Kaistudios require a separate Plaza ticket to visit the Plaza.

Admission times:

Events without pre-concert talk:
Grand Hall Foyer: 60 minutes before the start of the event
Grand Hall: 30 minutes before the start of the event

Events with pre-concert talk:
Grand Hall Foyer: 90 minutes before the start of the event
Grand Hall: 15 minutes before the start of the talk

If a pre-concert talk is offered for this event, it is noted above under PROGRAMME.
Getting here

Elbphilharmonie Hamburg
Platz der Deutschen Einheit
20457 Hamburg

The Elbphilharmonie can be easily reached by bus, underground, bicycle and ferry.

The nearest stops include:
Underground line U3: Baumwall
Underground line U4: Überseequartier
Bus 2, 111: Am Kaiserkai (Elbphilharmonie)
Bus 6: Auf dem Sande (Speicherstadt)
Ferry 72 (from Landungsbrücken pier): »Elbphilharmonie« pier
StadtRAD (bicycle sharing system) stations: U Baumwall (Elbphilharmonie) and Am Kaiserkai / Großer Grasbrook

Multistorey car park in the Elbphilharmonie (open 24/7, 435 parking spaces):
Please note that visitors to the Elbphilharmonie should use the entrance marked »Elbphilharmonie«. The entrance »Elbphilharmonie Hotel« is reserved for »The Westin Hamburg« hotel guests.

Please find more information about prices and advance booking of the discounted flat rate on this page: arrival by car
Finding your seat

All visitors enter the building via the main entrance; access to the concert hall is via the »Plaza«, the viewing platform on the 8th floor of the Elbphilharmonie. The Plaza can be reached from the entrance area via the long escalator. Your tickets will be checked twice, at the access control in the entrance area and on the Plaza in front of the staircase to the Great Hall.

The hall entrances are on floors 12, 13, 15 and 16.
Cloakroom

The cloakrooms are located on the 11th floor (fee: € 2). Jackets and handbags may be taken into the hall.

Walking-stick umbrellas, bags sized A3 (42 x 30 cm) or above, luggage and other bulky items must be stored in the lockers (largest size 27 x 87 x 47 cm) located in the corridor leading to the ticket shop on the ground floor (on the right-hand side of the entrance area).

Strollers and prams can be left with the admissions personnel on the Plaza. Wheeled walkers can be handed in at the hall entrances.
Toilet Facilities

The central toilet facility is located on the 13th floor of the Grand Hall Foyer. Further facilities can be found on floors 11, 12 and 15.

Fully accessible toilets are located on floors 12 (north side) and 13 (right-hand side of the large bar). Our front-of-house staff is happy to assist you in this regard.
Photography and video recordings

It is forbidden to take photographs or record videos during a concert or event. Video recordings and photography are permitted for private purposes only on the Plaza and in the foyers as well as before the start or following an event in the concert hall, provided that you respect the privacy of other visitors and do not interfere with regular business operations. Employees may not be photographed or filmed.

Photography, audio or video recordings of concerts and events are strictly prohibited.

Event-related video recordings or photographs for editorial or commercial purposes must be authorised by the Press Office of the Elbphilharmonie.
Accessibility

All halls and spaces are accessible for visitors with disabilities. More information at www.elbphilharmonie.de/en/accessibility.

Lifts to the Plaza are located in the tunnel on the right-hand side of the Tube (long escalator). From the Plaza, access to the Grand and Recital Hall foyers is via lifts, also located to the right. Please note: cloakrooms for visitors to the Grand Hall are only located on the 11th floor. From there, the upper floors can be accessed via further lifts.
Coughing, clapping, chatting – Tips for your concert visit

A concert at the Elbphilharmonie is a unique experience for both audience and artists. Guests and musicians alike rave about the precise acoustics in the Grand Hall. You can hear every note, even from the highest balcony.

Unfortunately, the opposite is also true: even presumably quiet noises from the audience are clearly audible in the entire hall. We therefore ask our visitors to take the following recommendations into consideration: Tips for your concert visit

Orchester der Oper Zürich / Regula Mühlemann / Gianandrea Noseda

Panoptikum der Passion(en)

Performers

Programme

Subscription

Series

During your visit

The Music of Tomorrow

Elbphilharmonie Plaza

Food and Drink

Coughing, clapping, chatting