Strollers, prams, wheeled walkers, walking-stick umbrellas, bags sized A3 (42 cm x 30 cm) or above, sport bags, backpacks and luggage must be checked in at the cloakroom.
Jackets and handbags may be taken into the hall.
Lieder Recital / Hamburg International Music Festival
The Romantic-era art song is a strange gem from another time. Franz Schubert, perhaps the best-known composer of the genre, wrote a huge body of lieder in his short life, and colleagues like Robert Schumann, Johannes Brahms and Gustav Mahler took up the baton from him. Schubert’s idea of love consisted of a long and precise look at the landscape of the human soul. The group Musicbanda Franui from East Tyrol has a reputation for revealing unknown facets in familiar repertoire; together with baritone Florian Boesch, they have selected a series of songs that explore a single moment, the duration of a second, under the burning-glass of eternity, as it were. Songs about pausing and remembering, and also about standstill. To accompany these contemplations, Swedish artist Jonas Dahlberg has created a vivid film installation, a »transitory stage set«, that makes us aware of how fleeting life is.
Florian Boesch bass baritone
Musicbanda Franui
Johannes Eder clarinet, bass clarinet
Andreas Fuetsch tuba
Romed Hopfgartner soprano saxophone, alto saxophone, clarinet
Markus Kraler double bass, accordion
Angelika Rainer harp, zither, vocals
Bettina Rainer dulcimer, vocals
Markus Rainer trumpet
Andreas Schett trumpet
Martin Senfter trombone, vocals
Nikolai Tunkowitsch violin
Andreas Schett & Markus Kraler composition / arrangement
Jonas Dahlberg stage, video
Liederabend mit einem vergänglichen Bühnenbild von
Franz Schubert
Die Vögel D 691
Heidenröslein D 257
Trockne Blumen aus: Die schöne Müllerin D 795
Gustav Mahler
Die zwei blauen Augen / Lieder eines fahrenden Gesellen
Robert Schumann
Es fiel ein Reif in der Frühlingsnacht / from: Romances and Ballads IV, Op. 64
Gustav Mahler
Ging heute morgen übers Feld / Lieder eines fahrenden Gesellen
Johannes Brahms
Die Sonne scheint nicht mehr / Deutsche Volkslieder 1894 Nr. 5
Gustav Mahler
Wenn mein Schatz Hochzeit macht / Lieder eines fahrenden Gesellen
Robert Schumann
Der arme Peter / from: Romances and Ballads III, Op. 53
Franz Schubert
Du bist die Ruh D 776
Johannes Brahms
Da unten im Tale / aus: 42 Deutsche Volkslieder WoO 33
Franz Schubert
Abendstern, D 806
Johannes Brahms
Über die Heide hallet op. 86/4
Franz Schubert
Am Tage Aller Seelen D 343 »Litanei auf das Fest Aller Seelen«
Gustav Mahler
Ich hab ein glühend Messer / Lieder eines fahrenden Gesellen
Ich bin der Welt abhanden gekommen / aus: Rückert-Lieder
Promoter: HamburgMusik
Since 1908, the Laeiszhalle has been a meeting place for Hamburg's musical life. The neo-baroque Laeiszhalle Grand Hall accommodates over 2,000 guests. (Please note: The Laeiszhalle is a separate concert hall located three kilometres away from the Elbphilharmonie.)
Strollers, prams, wheeled walkers, walking-stick umbrellas, bags sized A3 (42 cm x 30 cm) or above, sport bags, backpacks and luggage must be checked in at the cloakroom.
Jackets and handbags may be taken into the hall.
Facilities for ladies are located behind the cloakrooms on all floors. Facilities for gentlemen can be found on the landing between the floors, also located behind the cloakrooms.
A fully accessible toilet for persons with mobility disabilities is located behind the cloakroom on the ground floor (Parkett links).
Laeiszhalle Hamburg
Johannes-Brahms-Platz
20355 Hamburg
The Laeiszhalle can be easily reached by bus, underground and bicycle.
The nearest stops include:
Underground line U2: Gänsemarkt / Messehallen
Underground line U1: Stephansplatz
Bus 3, X35, 112: Johannes-Brahms-Platz
Bus X3: U Gänsemarkt (Valentinskamp)
Bus 4, 5, 109: Stephansplatz
StadtRAD (public city bicycle) station: Sievekingplatz / Gorch-Fock-Wall
There are bicycle stands available in front of the Laeiszhalle.
Gänsemarkt multistorey car park: Dammtorwall / Welckerstrasse
Rate per hour or part thereof: €4.50
Night rate (18:00–06:00): maximum €11
24-hour rate: maximum €30
Please note: There are several construction sites in the immediate vicinity of the Laeiszhalle which may make it difficult to get to the concert. Please therefore plan enough time for your journey to the concert.
The Laeiszhalle is a separate concert hall located three kilometres away from the Elbphilharmonie.
We suggest visitors arrive at the Laeiszhalle main entrance not later than 30 minutes before the start of the concert or event. Late seating is not guaranteed and latecomers may not be admitted to the concert hall.
The entrance of the Recital Hall is located on Gorch-Fock-Wall.
Admission times Grand Hall and Recital Hall:
Events without pre-concert talk:
Foyer: 60 minutes before the start of the event
Hall: 30 minutes before the start of the event
Events with pre-concert talk:
Foyer: 90 minutes before the start of the event
Hall: 15 minutes before the start of the talk
If a pre-concert talk is offered for this event, it is noted above under PROGRAMME.
All halls and spaces are accessible for visitors with disabilities. More information at www.elbphilharmonie.de/en/accessibility.
Photography is permitted at the Laeiszhalle for private purposes only. Please respect the privacy of other visitors and help ensure an undisturbed concert experience for all guests and artists. Employees and artists may not be photographed.
Photography, audio or video recordings of concerts and events are strictly prohibited.
Event-related video recordings or photographs for editorial or commercial purposes must be authorised by the Press Office of the Elbphilharmonie and Laeiszhalle.
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