Chiaroscuro Quartet / Cédric Tiberghien
Haydn: String Quartet in D minor / Schumann: Piano Quintet in E-flat major / Brahms: Piano Quintet in F minor
Brilliant thrills
Founded while its members were all still studying at the renowned Royal College of Music in London, the Chiaroscuro Quartet will be celebrating its 20th anniversary next year. After all that time it is no wonder that Alina Ibragimova, Charlotte Saluste-Bridoux, Emilie Hörnlund and Claire Thirion share an implicit trust when making music together. One particular thing that makes them so special is the historical instruments they play on, which gives many well-known works an unexpected, fresh sound. They are joined by the world-class pianist Cédric Tiberghien, who has been Alina Ibragimova’s piano partner for many years now. He too is playing an historical grand piano for the evening’s programme.
From his Op. 9 onwards, Joseph Haydn regarded his string quartets as part of the genre that he would go down in music history as having founded. Rather than writing divertimentos, commissioned by aristocratic patrons as a distracting amusement, he was now set on writing music to be listened to. And the Chiaroscuro Quartet, whose Haydn recordings were described by BR as a »sprightly, irresistibly brilliant attack on the ear – thrilling in the best sense of the word«, certainly demand to be listened to with a captivated attention.
It promises to be equally lively when the quartet applies its playing style to the Romantics Schumann and Brahms, accompanied by the pianist Cédric Tiberghien, who won the German Record Critics’ Award with a Brahms chamber music album. Robert Schumann’s Piano Quintet is at times tumultuous and at other times extremely tender, written to involve his wife, the piano virtuoso Clara Schumann, in the recent successes of his chamber music. Being a close friend of Johannes Brahms, she in turn encouraged him to rewrite a sonata for two pianos as a piano quintet, fearing that otherwise »many of the most beautiful ideas would be lost«. Brahms took her advice and went on to create chamber music filled with magnificent, almost orchestral tonal colours.
Programme (booklet)
Performers
Chiaroscuro Quartet
Alina Ibragimova violin
Charlotte Saluste-Bridoux violin
Emilie Hörnlund viola
Claire Thirion violoncello
Cédric Tiberghien piano
Programme
Joseph Haydn
String Quartet in D minor, Op. 9/4
Robert Schumann
Piano Quintet in E-flat major, Op. 44
– Interval –
Johannes Brahms
Piano Quintet in F minor, Op. 34
Pre-Concert Talk
with Lars Entrich (in German)
19:00 / Laeiszhalle, Kleiner Saal
Promoter: HamburgMusik
Supported by Stiftung Elbphilharmonie
Location
:
Laeiszhalle
Kleiner Saal
Chamber music series, lieder recitals, children's concerts and jazz events seem to be made for the Recital Hall of the Laeiszhalle, which can accommodate up to 640 guests. (Please note: The Laeiszhalle is a separate concert hall located three kilometres away from the Elbphilharmonie.)
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Cloakrooms
Strollers, prams, wheeled walkers, walking-stick umbrellas, bags sized A3 (42 cm x 30 cm) or above, sport bags, backpacks and luggage must be checked in at the cloakroom.
Jackets and handbags may be taken into the hall.
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Toilet Facilities
Facilities for guests of the Recital Hall are located to the right of the hall entrance. Barrier-free toilets are also available.
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Getting here & parking
Laeiszhalle Hamburg
Johannes-Brahms-Platz
20355 HamburgThe Laeiszhalle can be easily reached by bus, underground and bicycle.
The nearest stops include:
Underground line U2: Gänsemarkt / Messehallen
Underground line U1: Stephansplatz
Bus 3, X35, 112: Johannes-Brahms-Platz
Bus X3: U Gänsemarkt (Valentinskamp)
Bus 4, 5, 109: StephansplatzStadtRAD (public city bicycle) station: Sievekingplatz / Gorch-Fock-Wall
There are bicycle stands available in front of the Laeiszhalle.Gänsemarkt multistorey car park: Dammtorwall / Welckerstrasse
Rate per hour or part thereof: €4.50
Night rate (18:00–06:00): maximum €11
24-hour rate: maximum €30Please note: There are several construction sites in the immediate vicinity of the Laeiszhalle which may make it difficult to get to the concert. Please therefore plan enough time for your journey to the concert.
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Laeiszhalle is not at the Elbphilharmonie
The Laeiszhalle is a separate concert hall located three kilometres away from the Elbphilharmonie.
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Arrival time
We suggest visitors arrive at the Laeiszhalle main entrance not later than 30 minutes before the start of the concert or event. Late seating is not guaranteed and latecomers may not be admitted to the concert hall.
The entrance of the Recital Hall is located on Gorch-Fock-Wall.
Admission times Grand Hall and Recital Hall:
Events without pre-concert talk:
Foyer: 60 minutes before the start of the event
Hall: 30 minutes before the start of the eventEvents with pre-concert talk:
Foyer: 90 minutes before the start of the event
Hall: 15 minutes before the start of the talkIf a pre-concert talk is offered for this event, it is noted above under PROGRAMME.
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Accessibility
All halls and spaces are accessible for visitors with disabilities. More information at www.elbphilharmonie.de/en/accessibility.
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Photography and video recordings
Photography is permitted at the Laeiszhalle for private purposes only. Please respect the privacy of other visitors and help ensure an undisturbed concert experience for all guests and artists. Employees and artists may not be photographed.
Photography, audio or video recordings of concerts and events are strictly prohibited.
Event-related video recordings or photographs for editorial or commercial purposes must be authorised by the Press Office of the Elbphilharmonie and Laeiszhalle.

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