Strollers, prams, wheeled walkers, walking-stick umbrellas, bags sized A3 (42 cm x 30 cm) or above, sport bags, backpacks and luggage must be checked in at the cloakroom.
Jackets and handbags may be taken into the hall.
Zelenka: Magnificat / Bach: Orchestral Suite No. 3 / Vivaldi: Gloria
At least since his time as chief conductor of the NDR Elbphilharmonie Orchestra, the name Thomas Hengelbrock has, for Hamburg music lovers, been a synonym for lively interpretations and profound concert experiences. Together with the Balthasar Neumann Choir and Ensemble, which he founded himself, Hengelbrock presents a programme featuring three Baroque works with soundscapes of incredible expressive diversity.
Jan Dismas Zelenka’s work is not widely known even though he was responsible for writing some of the most exciting music of the Baroque age. But Zelenka’s music continues to fascinate Baroque aficionados with its unconventionality and intensity, and his compact Magnificat can send newcomers and die-hard fans alike into raptures.
More familiar sounds follow with Johann Sebastian Bach’s exhilarating, dance-like Orchestral Suite No. 3, which elegantly segues into Antonio Vivaldi’s Gloria.
The piece shows Vivaldi, who is better known for his operas and concertos, as a great composer of sacred works. With compositional mastery, he transforms all the facets of the Gloria text into music – from the most delicate solo passages to the triumphant jubilation of the great chorus.
Balthasar-Neumann-Chor und -Solisten
Balthasar-Neumann-Orchester
director Thomas Hengelbrock
Jan Dismas Zelenka
Magnificat in D major, ZWV 108
Johann Sebastian Bach
Orchestral Suite No. 3 in D major, BWV 1068
– Interval –
Antonio Vivaldi
Gloria for two female voices, choir and orchestra, RV 589
Encore:
Felix Mendelssohn Bartholdy
Denn Er hat seinen Engeln befohlen über dir / aus »Elias« op. 70
Michael Praetorius
Es ist ein Ros entsprungen
Promoter: HamburgMusik
Supported by Freundeskreis Elbphilharmonie + Laeiszhalle e.V. and Stiftung Elbphilharmonie
Since 1908, the Laeiszhalle has been a meeting place for Hamburg's musical life. The neo-baroque Laeiszhalle Grand Hall accommodates over 2,000 guests. (Please note: The Laeiszhalle is a separate concert hall located three kilometres away from the Elbphilharmonie.)
Strollers, prams, wheeled walkers, walking-stick umbrellas, bags sized A3 (42 cm x 30 cm) or above, sport bags, backpacks and luggage must be checked in at the cloakroom.
Jackets and handbags may be taken into the hall.
Facilities for ladies are located behind the cloakrooms on all floors. Facilities for gentlemen can be found on the landing between the floors, also located behind the cloakrooms.
A fully accessible toilet for persons with mobility disabilities is located behind the cloakroom on the ground floor (Parkett links).
Laeiszhalle Hamburg
Johannes-Brahms-Platz
20355 Hamburg
The Laeiszhalle can be easily reached by bus, underground and bicycle.
The nearest stops include:
Underground line U2: Gänsemarkt / Messehallen
Underground line U1: Stephansplatz
Bus 3, X35, 112: Johannes-Brahms-Platz
Bus X3: U Gänsemarkt (Valentinskamp)
Bus 4, 5, 109: Stephansplatz
StadtRAD (public city bicycle) station: Sievekingplatz / Gorch-Fock-Wall
There are bicycle stands available in front of the Laeiszhalle.
Gänsemarkt multistorey car park: Dammtorwall / Welckerstrasse
Rate per hour or part thereof: €4.50
Night rate (18:00–06:00): maximum €11
24-hour rate: maximum €30
Please note: There are several construction sites in the immediate vicinity of the Laeiszhalle which may make it difficult to get to the concert. Please therefore plan enough time for your journey to the concert.
The Laeiszhalle is a separate concert hall located three kilometres away from the Elbphilharmonie.
We suggest visitors arrive at the Laeiszhalle main entrance not later than 30 minutes before the start of the concert or event. Late seating is not guaranteed and latecomers may not be admitted to the concert hall.
The entrance of the Recital Hall is located on Gorch-Fock-Wall.
Admission times Grand Hall and Recital Hall:
Events without pre-concert talk:
Foyer: 60 minutes before the start of the event
Hall: 30 minutes before the start of the event
Events with pre-concert talk:
Foyer: 90 minutes before the start of the event
Hall: 15 minutes before the start of the talk
If a pre-concert talk is offered for this event, it is noted above under PROGRAMME.
All halls and spaces are accessible for visitors with disabilities. More information at www.elbphilharmonie.de/en/accessibility.
Photography is permitted at the Laeiszhalle for private purposes only. Please respect the privacy of other visitors and help ensure an undisturbed concert experience for all guests and artists. Employees and artists may not be photographed.
Photography, audio or video recordings of concerts and events are strictly prohibited.
Event-related video recordings or photographs for editorial or commercial purposes must be authorised by the Press Office of the Elbphilharmonie and Laeiszhalle.
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