Zuzana Ferjenčíková, organ

Mozart / Liszt / Rachmaninov

This concert has already taken place! 12 | 15 | 26 | 38 | 44
This concert has already taken place! 12 | 15 | 26 | 38 | 44
Zuzana Ferjenčíková
Zuzana Ferjenčíková © Britt Schier

In a new guise

When a composer writes a work they have a clear idea or vision of how they want it to sound. Sometimes though, other tonal ideas emerge in retrospect, or history decides that a work can, in fact, sound quite different. That is the moment for the arranger to step in and tailor a new »tonal garment« for the piece, as it were.

In the case of Franz Liszt’s symphonic poems, for instance, this was done by his contemporary Alexander Winterberger and the modern visionary Jean Guillou. Winterberger turned the piano variations on »Weinen, Klagen, Sorgen, Zagen« into a veritable organ work – so successfully, in fact, that the original piano version is hardly ever played nowadays. Guillou, on the other hand, himself a first-rate virtuoso, took Liszt’s vision of the Orpheus saga and expanded on it to create a fabulous orgy of sound for organ.

Now the Slovak organist and former Guillou student Zuzana Ferjenčíková is just the right person to perform this repertoire. Blessed with a phenomenal technique and driven by an incessant inner passion, she breathes new life into these arrangements at her Elbphilharmonie debut – which includes Sergei Rachmaninov’s famous »Isle of the Dead« and keyboard works by Mozart, one of which Ferjenčíková has arranged herself. Finally, Guillou’s truly titanic fantasy on Hyperion, the divine messenger of light, is an original work written for the organ.

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Performers

Zuzana Ferjenčíková organ

Programme

Wolfgang Amadeus Mozart
Adagio und Fuge c-Moll KV 546

Franz Liszt
Weinen, Klagen, Sorgen, Zagen, S 179 / prelude after Johann Sebastian Bach (arrangement for organ by Alexander Winterberger)

Sergej Rachmaninow
The Isle of the Dead / symphonic poem, Op. 29 (arrangement for organ by Louis Robilliard)

– Interval –

Wolfgang Amadeus Mozart
Adagio in B minor, KV 540 (arrangement for organ by Zuzana Ferjenčíková)

Franz Liszt
Orpheus / symphonic poem No. 4, S 98 (arrangement for organ by Jean Guillou)

Jean Guillou
Hypérion ou la rhétorique du feu, Op. 45


Encore:

Franz Liszt
Valse oubliée S 215/1

Robert Schumann
Träumerei / aus: Kinderszenen op. 15

Pre-Concert Talk

with Thomas Cornelius (in German)

19:00 / Elbphilharmonie, Großer Saal

Estimated end time

22:15

Supporting programme

Tue, 5 Mar 2024 19:00
Insight Organ with Thomas Cornelius, KörberHaus, Körber Saal

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Series

The Elbphilharmonie Organ

Promoter: HamburgMusik

Supported by Stiftung Elbphilharmonie

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