Zuzana Ferjenčíková, organ
Mozart / Liszt / Rachmaninov
In a new guise
When a composer writes a work they have a clear idea or vision of how they want it to sound. Sometimes though, other tonal ideas emerge in retrospect, or history decides that a work can, in fact, sound quite different. That is the moment for the arranger to step in and tailor a new »tonal garment« for the piece, as it were.
In the case of Franz Liszt’s symphonic poems, for instance, this was done by his contemporary Alexander Winterberger and the modern visionary Jean Guillou. Winterberger turned the piano variations on »Weinen, Klagen, Sorgen, Zagen« into a veritable organ work – so successfully, in fact, that the original piano version is hardly ever played nowadays. Guillou, on the other hand, himself a first-rate virtuoso, took Liszt’s vision of the Orpheus saga and expanded on it to create a fabulous orgy of sound for organ.
Now the Slovak organist and former Guillou student Zuzana Ferjenčíková is just the right person to perform this repertoire. Blessed with a phenomenal technique and driven by an incessant inner passion, she breathes new life into these arrangements at her Elbphilharmonie debut – which includes Sergei Rachmaninov’s famous »Isle of the Dead« and keyboard works by Mozart, one of which Ferjenčíková has arranged herself. Finally, Guillou’s truly titanic fantasy on Hyperion, the divine messenger of light, is an original work written for the organ.
>Programme (booklet)
Performers
Zuzana Ferjenčíková organ
Programme
Wolfgang Amadeus Mozart
Adagio und Fuge c-Moll KV 546
Franz Liszt
Weinen, Klagen, Sorgen, Zagen, S 179 / prelude after Johann Sebastian Bach (arrangement for organ by Alexander Winterberger)
Sergej Rachmaninow
The Isle of the Dead / symphonic poem, Op. 29 (arrangement for organ by Louis Robilliard)
– Interval –
Wolfgang Amadeus Mozart
Adagio in B minor, KV 540 (arrangement for organ by Zuzana Ferjenčíková)
Franz Liszt
Orpheus / symphonic poem No. 4, S 98 (arrangement for organ by Jean Guillou)
Jean Guillou
Hypérion ou la rhétorique du feu, Op. 45
Encore:
Franz Liszt
Valse oubliée S 215/1
Robert Schumann
Träumerei / aus: Kinderszenen op. 15
Pre-Concert Talk
with Thomas Cornelius (in German)
19:00 / Elbphilharmonie, Großer Saal
Estimated end time
22:15
Supporting programme
Tue, 5 Mar 2024 19:00
Insight Organ with Thomas Cornelius,
KörberHaus, Körber Saal
Promoter: HamburgMusik
Supported by Stiftung Elbphilharmonie
Location
:
Elbphilharmonie
Großer Saal
Heart of the Elbphilharmonie: the Grand Hall seats 2,100 guests in the »vineyard« style. The stage for artists and orchestras is situated at the centre of the concert hall and is surrounded by terraced seating.
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Arrival time
The Elbphilharmonie is a special building situated in a special place. Allow for plenty of time for getting to the Elbphilharmonie and the way to the concert area. We suggest visitors arrive at the Elbphilharmonie Plaza not later than 30 minutes before the start of the concert or event. Late seating is not guaranteed and latecomers may not be admitted to the concert hall.
Concert tickets for the Grand and Recital Halls authorise a visit to the Plaza from two hours before the start of the concert or event. Visitors to the Kaistudios require a separate Plaza ticket to visit the Plaza.
Admission times:
Events without pre-concert talk:
Grand Hall Foyer: 60 minutes before the start of the event
Grand Hall: 30 minutes before the start of the eventEvents with pre-concert talk:
Grand Hall Foyer: 90 minutes before the start of the event
Grand Hall: 15 minutes before the start of the talkIf a pre-concert talk is offered for this event, it is noted above under PROGRAMME.
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Finding your seat
All visitors enter the building via the main entrance; access to the concert hall is via the »Plaza«, the viewing platform on the 8th floor of the Elbphilharmonie. The Plaza can be reached from the entrance area via the long escalator. Your tickets will be checked twice, at the access control in the entrance area and on the Plaza in front of the staircase to the Great Hall.
The hall entrances are on floors 12, 13, 15 and 16.
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Cloakroom
The cloakrooms are located on the 11th floor (fee: € 2). Jackets and handbags may be taken into the hall.
Walking-stick umbrellas, bags sized A3 (42 x 30 cm) or above, luggage and other bulky items must be stored in the lockers (largest size 27 x 87 x 47 cm) located in the corridor leading to the ticket shop on the ground floor (on the right-hand side of the entrance area).
Strollers and prams can be left with the admissions personnel on the Plaza. Wheeled walkers can be handed in at the hall entrances.
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Toilet Facilities
The central toilet facility is located on the 13th floor of the Grand Hall Foyer. Further facilities can be found on floors 11, 12 and 15.
Fully accessible toilets are located on floors 12 (north side) and 13 (right-hand side of the large bar). Our front-of-house staff is happy to assist you in this regard.
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Photography and video recordings
It is forbidden to take photographs or record videos during a concert or event. Video recordings and photography are permitted for private purposes only on the Plaza and in the foyers as well as before the start or following an event in the concert hall, provided that you respect the privacy of other visitors and do not interfere with regular business operations. Employees may not be photographed or filmed.
Photography, audio or video recordings of concerts and events are strictly prohibited.
Event-related video recordings or photographs for editorial or commercial purposes must be authorised by the Press Office of the Elbphilharmonie.
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Getting here
Elbphilharmonie Hamburg
Platz der Deutschen Einheit
20457 HamburgThe Elbphilharmonie can be easily reached by bus, underground, bicycle and ferry.
The nearest stops include:
Underground line U3: Baumwall
Underground line U4: Überseequartier
Bus 2, 111: Am Kaiserkai (Elbphilharmonie)
Bus 6: Auf dem Sande (Speicherstadt)
Ferry 72 (from Landungsbrücken pier): »Elbphilharmonie« pier
StadtRAD (bicycle sharing system) stations: U Baumwall (Elbphilharmonie) and Am Kaiserkai / Großer GrasbrookMultistorey car park in the Elbphilharmonie (open 24/7, 435 parking spaces):
Please note that visitors to the Elbphilharmonie should use the entrance marked »Elbphilharmonie«. The entrance »Elbphilharmonie Hotel« is reserved for »The Westin Hamburg« hotel guests.Please find more information about prices and advance booking of the discounted flat rate on this page: arrival by car
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Toilet Facilities
Foyers
Toilet facilities are located in the foyer areas of each respective hall.
Grand Hall: The central toilet facility is located on the 13th floor of the Grand Hall Foyer. Further facilities can be found on floors 11, 12 and 15. Fully accessible toilets for persons with mobility disabilities are located on floors 12 and 13.
Recital Hall: Facilities for guests of the Recital Hall are located in the Recital Hall Foyer.
Kaistudio: Facilities for guests of the Kaistudio are located in the Kaistudio Foyer on the third floor.
Plaza
Free public toilets are located on the western tip of the Plaza, adjacent to the Elbphilharmonie Shop, and are accessible via stairs.
Main Entrance
Further toilets are located behind the ticket shop at the main entrance of the Elbphilharmonie.
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Accessibility
All halls and spaces are accessible for visitors with disabilities. More information at www.elbphilharmonie.de/en/accessibility.
Lifts to the Plaza are located in the tunnel on the right-hand side of the Tube (long escalator). From the Plaza, access to the Grand and Recital Hall foyers is via lifts, also located to the right. Please note: cloakrooms for visitors to the Grand Hall are only located on the 11th floor. From there, the upper floors can be accessed via further lifts.
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Coughing, clapping, chatting – Tips for your concert visit
A concert at the Elbphilharmonie is a unique experience for both audience and artists. Guests and musicians alike rave about the precise acoustics in the Grand Hall. You can hear every note, even from the highest balcony.
Unfortunately, the opposite is also true: even presumably quiet noises from the audience are clearly audible in the entire hall. We therefore ask our visitors to take the following recommendations into consideration: Tips for your concert visit
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