All visitors enter the building via the main entrance. The Kaistudio on floors 2 and 3 are not accessible via the Tube (long escalator), but rather using the group B lifts. Please follow the signs provided in the tunnel on right-hand side of the Tube. Admission is by concert ticket only.
Yearning for an experience of God / panel discussion
On the spiritual poetry of Rumi and other Sufi poets / Elbphilharmonie+
Rumi forever
»Sufi woman, read me Rumi ’til I fall asleep upon your bosom (yeah, yeah)« sings the American rapper Jidenna on one track from his latest album »85 To Africa« that has millions of listens on Spotify. It’s not the first reference to the Sufi poet Rumi in contemporary popular culture. Quite the contrary: if there is one poet from the past that speaks to the spiritually inclined from our present age between yoga classes, latte macchiatos and transcendental dance, then that is Jalāl al-Dīn Rumi. The 750th anniversary of his death next year will be a welcome opportunity for all sorts of tributes. What is it that makes Rumi’s verse so enchanting, even for those outside Sufi circles? Do we really understand it, or are we westerners simply scratching the surface?
Entry to this event is free when you present a ticket for any Sufi Festival concert as long as free seats are available.
The approaching memorial year should also bring a great deal of attention to a magnificent new publication in two volumes by Chalice Verlag this year: the first full German verse translation of Rumi’s »Masnavi«, a didactic poem which the German-Swiss author and translator Otto Höschle has now rendered in blank verse. In this panel discussion, Höschle talks with the Cologne-based Islamic studies scholar, Sufi expert and writer Stefan Weidner, who has also conducted research on numerous other aspects of the Arabic cultural world.
Starting with Rumi’s special fame, the two experts discuss the continuing enthusiastic reception of Rumi’s spiritual love poetry in the west, as well as the very different themes and form found in his »Masnavi«. The pair will also be discussing the work of other Sufi poets such as Attar and Hafiz. A reading of selected passages rounds off the programme.
Programme (booklet)
Performers
Otto Höschle talk
Stefan Weidner talk
Tom R. Schulz moderation
Benita Rinne narrator
Programme
»Sehnsucht nach Gotteserfahrung: Zur spirituellen Poesie Rumis und anderer sufischer Dichter«
Promoter: HamburgMusik
Supported by the Stiftung Elbphilharmonie
Location
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Elbphilharmonie
Kaistudio 1
Located within the base section of the Elbphilharmonie building on floors 2 and 3 are the Kaistudios, home to the Elbphilharmonie’s World of Instruments and extensive music education programme. The largest Kaistudio is the Elbphilharmonie’s third concert hall – ideal for concerts, experimental music, seminars and workshops for up to 150 guests.
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Getting to the Kaistudios
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Cloakroom
A cloakroom for the Kaistudio located on the second floor is offered free of charge to visitors. Jackets may be taken to the Kaistudio.
Baby carriages, wheeled walkers, walking-stick umbrellas, handbags larger than DIN A3 (42 cm x 30 cm) as well as sport bags, backpacks and suitcases must be checked in at the cloakroom. If required, wheeled walkers can be parked in the immediate vicinity of the hall entrances. Our front of house staff is happy to assist you in this regard.
Please note that you will be required to deposit your checked in items yourself and house staff is only able to partially guard the cloakroom. Checked in items are left at the owner's own risk.
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Toilet Facilities
Facilities for guests of the Kaistudio are located in the Kaistudio Foyer on the third floor.
An accessible toilet is located in the foyer on the third floor.
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Photography and video recordings
It is forbidden to take photographs or record videos during a concert or event. Video recordings and photography are permitted for private purposes only on the Plaza and in the foyers as well as before the start or following an event in the concert hall, provided that you respect the privacy of other visitors and do not interfere with regular business operations. Employees may not be photographed or filmed.
Photography, audio or video recordings of concerts and events are strictly prohibited.
Event-related video recordings or photographs for editorial or commercial purposes must be authorised by the Press Office of the Elbphilharmonie.
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Accessibility
All halls and spaces are accessible for visitors with disabilities. More information at www.elbphilharmonie.de/en/accessibility.
Lifts to the Plaza are located in the tunnel on the right-hand side of the Tube (long escalator). From the Plaza, access to the Grand and Recital Hall foyers is via lifts, also located to the right. Please note: cloakrooms for visitors to the Grand Hall are only located on the 11th floor. From there, the upper floors can be accessed via further lifts.
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