Strollers, prams, wheeled walkers, walking-stick umbrellas, bags sized A3 (42 cm x 30 cm) or above, sport bags, backpacks and luggage must be checked in at the cloakroom.
Jackets and handbags may be taken into the hall.
2. Internationales Musikfest Hamburg
Philosopher and music theorist Theodor Adorno thought that writing a poem after the ordeal in Auschwitz was barbaric. Imre Kertész on the other hand, Nobel laureate in literature and one of the last Auschwitz survivors, had a different opinion. He inspired composers like Stefan Litwin to create works such as »..., die Hölle aber nicht.«
»I have always strived to understand why people are like this. It was about finding a way of expressing totalitarism in words.« And Imre Kertész found the right words. The Hungarian author’s texts form the basis of a spoken word and sound collage released on CD by Ensemble Resonanz in 2014, which includes Stefan Litwin’s »..., die Hölle aber nicht.«
Unlike Kertész, Gideon Klein did not survive the Nazi death camps. Many of his compositions, among them the deeply emotional Partita, originated during his imprisonment.
Mieczysław Weinberg was able to flee from the Nazis to Russia, but there he faced the terror of Stalin. His music, however, defiantly celebrates survival.
Ensemble Resonanz
Stefan Litwin piano
Johann-Michael Schneider narrator
conductor Gergely Madaras
Gideon Klein / Vojtěch Saudek
Partita für Streichorchester WV 23a
Stefan Litwin
»..., die Hölle aber nicht.« für Sprecher, Klavier und Streicher
– Interval –
Mieczysław Weinberg
Kammersinfonie Nr. 1 op. 145
Promoter: HamburgMusik gGmbH
Chamber music series, lieder recitals, children's concerts and jazz events seem to be made for the Recital Hall of the Laeiszhalle, which can accommodate up to 640 guests. (Please note: The Laeiszhalle is a separate concert hall located three kilometres away from the Elbphilharmonie.)
Strollers, prams, wheeled walkers, walking-stick umbrellas, bags sized A3 (42 cm x 30 cm) or above, sport bags, backpacks and luggage must be checked in at the cloakroom.
Jackets and handbags may be taken into the hall.
Facilities for guests of the Recital Hall are located to the right of the hall entrance. Barrier-free toilets are also available.
Laeiszhalle Hamburg
Johannes-Brahms-Platz
20355 Hamburg
The Laeiszhalle can be easily reached by bus, underground and bicycle.
The nearest stops include:
Underground line U2: Gänsemarkt / Messehallen
Underground line U1: Stephansplatz
Bus 3, X35, 112: Johannes-Brahms-Platz
Bus X3: U Gänsemarkt (Valentinskamp)
Bus 4, 5, 109: Stephansplatz
StadtRAD (public city bicycle) station: Sievekingplatz / Gorch-Fock-Wall
There are bicycle stands available in front of the Laeiszhalle.
Gänsemarkt multistorey car park: Dammtorwall / Welckerstrasse
Rate per hour or part thereof: €4.50
Night rate (18:00–06:00): maximum €11
24-hour rate: maximum €30
Please note: There are several construction sites in the immediate vicinity of the Laeiszhalle which may make it difficult to get to the concert. Please therefore plan enough time for your journey to the concert.
The Laeiszhalle is a separate concert hall located three kilometres away from the Elbphilharmonie.
We suggest visitors arrive at the Laeiszhalle main entrance not later than 30 minutes before the start of the concert or event. Late seating is not guaranteed and latecomers may not be admitted to the concert hall.
The entrance of the Recital Hall is located on Gorch-Fock-Wall.
Admission times Grand Hall and Recital Hall:
Events without pre-concert talk:
Foyer: 60 minutes before the start of the event
Hall: 30 minutes before the start of the event
Events with pre-concert talk:
Foyer: 90 minutes before the start of the event
Hall: 15 minutes before the start of the talk
If a pre-concert talk is offered for this event, it is noted above under PROGRAMME.
All halls and spaces are accessible for visitors with disabilities. More information at www.elbphilharmonie.de/en/accessibility.
Photography is permitted at the Laeiszhalle for private purposes only. Please respect the privacy of other visitors and help ensure an undisturbed concert experience for all guests and artists. Employees and artists may not be photographed.
Photography, audio or video recordings of concerts and events are strictly prohibited.
Event-related video recordings or photographs for editorial or commercial purposes must be authorised by the Press Office of the Elbphilharmonie and Laeiszhalle.
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