Strollers, prams, wheeled walkers, walking-stick umbrellas, bags sized A3 (42 cm x 30 cm) or above, sport bags, backpacks and luggage must be checked in at the cloakroom.
Jackets and handbags may be taken into the hall.
Ives / Bernstein / Elgar
Musical works that raise questions, reveal secrets and may not provide answers, but open the heart with their intensity. A concert programme that is not least about doubt and searching, but above all about the joy of being able to ask questions – this is what the Hamburg Symphony Orchestra presents in its last concert before Christmas.
The concert opens with Charles Ives’ visionary work »The Unanswered Question«, in which a lonely trumpet poses its questions to the room while strings and woodwinds lose themselves in different dimensions. A piece that has been regarded as a musical metaphor for the search for meaning since its creation. This is followed by Leonard Bernstein’s Serenade after Plato’s »Symposium«, a passionate musical exploration of the great ideas about love. The demanding solo part is performed by violinist Josef Špaček, a welcome guest with the symphony orchestra and celebrated for his flawless technique and expressive playing.
The concert concludes with Edward Elgar’s famous »Enigma Variations« – a work full of personal dedications, hidden messages and orchestral splendour. Between British humour and deeply felt introspection, the music unfolds, preserving its mysteries while touching the listener directly. Under their former principal conductor Jeffrey Tate, who died in 2017, the symphony orchestra regularly devoted itself to music from the United Kingdom – a tradition they are happy to continue today. British conductor Adam Hickox, who combines analytical clarity with passionate energy in his interpretations, makes his concert debut with the Hamburg Symphony Orchestra with this multi-layered programme.
Symphoniker Hamburg
Josef Špaček violin
conductor Adam Hickox
Charles Ives
The Unanswered Question / aus: Two Contemplations
Leonard Bernstein
Serenade nach Platons »Symposion«
Edward Elgar
Enigma Variations, Op. 36
Symphoniker Hamburg / VielHarmonie Subscription
Symphoniker Hamburg / Combi-VH-MM Subscription
Promoter: Symphoniker Hamburg
Since 1908, the Laeiszhalle has been a meeting place for Hamburg's musical life. The neo-baroque Laeiszhalle Grand Hall accommodates over 2,000 guests. (Please note: The Laeiszhalle is a separate concert hall located three kilometres away from the Elbphilharmonie.)
Strollers, prams, wheeled walkers, walking-stick umbrellas, bags sized A3 (42 cm x 30 cm) or above, sport bags, backpacks and luggage must be checked in at the cloakroom.
Jackets and handbags may be taken into the hall.
Facilities for ladies are located behind the cloakrooms on all floors. Facilities for gentlemen can be found on the landing between the floors, also located behind the cloakrooms.
A fully accessible toilet for persons with mobility disabilities is located behind the cloakroom on the ground floor (Parkett links).
Laeiszhalle Hamburg
Johannes-Brahms-Platz
20355 Hamburg
The Laeiszhalle can be easily reached by bus, underground and bicycle.
The nearest stops include:
Underground line U2: Gänsemarkt / Messehallen
Underground line U1: Stephansplatz
Bus 3, X35, 112: Johannes-Brahms-Platz
Bus X3: U Gänsemarkt (Valentinskamp)
Bus 4, 5, 109: Stephansplatz
StadtRAD (public city bicycle) station: Sievekingplatz / Gorch-Fock-Wall
There are bicycle stands available in front of the Laeiszhalle.
Gänsemarkt multistorey car park: Dammtorwall / Welckerstrasse
Rate per hour or part thereof: €4.50
Night rate (18:00–06:00): maximum €11
24-hour rate: maximum €30
Please note: There are several construction sites in the immediate vicinity of the Laeiszhalle which may make it difficult to get to the concert. Please therefore plan enough time for your journey to the concert.
The Laeiszhalle is a separate concert hall located three kilometres away from the Elbphilharmonie.
We suggest visitors arrive at the Laeiszhalle main entrance not later than 30 minutes before the start of the concert or event. Late seating is not guaranteed and latecomers may not be admitted to the concert hall.
The entrance of the Recital Hall is located on Gorch-Fock-Wall.
Admission times Grand Hall and Recital Hall:
Events without pre-concert talk:
Foyer: 60 minutes before the start of the event
Hall: 30 minutes before the start of the event
Events with pre-concert talk:
Foyer: 90 minutes before the start of the event
Hall: 15 minutes before the start of the talk
If a pre-concert talk is offered for this event, it is noted above under PROGRAMME.
All halls and spaces are accessible for visitors with disabilities. More information at www.elbphilharmonie.de/en/accessibility.
Photography is permitted at the Laeiszhalle for private purposes only. Please respect the privacy of other visitors and help ensure an undisturbed concert experience for all guests and artists. Employees and artists may not be photographed.
Photography, audio or video recordings of concerts and events are strictly prohibited.
Event-related video recordings or photographs for editorial or commercial purposes must be authorised by the Press Office of the Elbphilharmonie and Laeiszhalle.
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