Strollers, prams, wheeled walkers, walking-stick umbrellas, bags sized A3 (42 cm x 30 cm) or above, sport bags, backpacks and luggage must be checked in at the cloakroom.
Jackets and handbags may be taken into the hall.
Wagner / Hisaishi / Mahler
A concert combining intimacy, new musical discoveries, and symphonic vision, beginning quietly, stirring the soul, and ending with a glimpse of light: under the baton of Long Yu, the Hamburg Symphony Orchestra embarks on a musical journey from private intimacy to musical renewal and on to a transcendent, comforting utopia.
The concert opens with Richard Wagner’s »Siegfried Idyll«, a deeply personal work in which chamber music transparency and lyrical intimacy combine to create a warm, floating soundscape. Wagner does not create a dramatic stage here, but rather a musical refuge that immediately transports the listener into an atmosphere of quiet enchantment.
The first part of the concert centers on Joe Hisaishi’s »Viola Saga«, which will be performed in Germany for the first time. In his work, the renowned film composer combines Western classical music and Japanese musical tradition to create unique soundscapes. He rediscovers what is probably the most underrated instrument in the (Western) orchestra and combines lyrical intensity with cinematic breadth to create a work that oscillates between meditative calm and dramatic departure. Diyang Mei, violist with the Berlin Philharmonic and internationally acclaimed soloist, lends this work a haunting presence with his warm, singing tone, placing the viola at the center as a poetic narrator.
The symphonic highlight is Gustav Mahler’s Fourth, a work of light-filled clarity and apparent simplicity, behind which lies existential depth. Mahler concludes the symphony with the visionary song “Himmlisches Leben” (Heavenly Life), sung by Katharina Konradi, whose subtle soprano voice harmonizes perfectly with the childlike, naive, yet touchingly serious perspective of this finale.At the podium is Long Yu, one of the most distinguished conductors of our time, who, with stylistic mastery and a keen sense of color, repeatedly succeeds in congenially connecting musical worlds.
Symphoniker Hamburg
Katharina Konradi soprano
Diyang Mei viola
conductor Long Yu
Richard Wagner
Siegfried Idyll in E major, WWV 103
Joe Hisaishi
Viola Saga für Orchester (Deutsche Erstaufführung)
Gustav Mahler
Symphony No. 4 in G major
with Dr. Johann Layer
18:00 / Laeiszhalle, Kleiner Saal
Promoter: Symphoniker Hamburg
Since 1908, the Laeiszhalle has been a meeting place for Hamburg's musical life. The neo-baroque Laeiszhalle Grand Hall accommodates over 2,000 guests. (Please note: The Laeiszhalle is a separate concert hall located three kilometres away from the Elbphilharmonie.)
Strollers, prams, wheeled walkers, walking-stick umbrellas, bags sized A3 (42 cm x 30 cm) or above, sport bags, backpacks and luggage must be checked in at the cloakroom.
Jackets and handbags may be taken into the hall.
Facilities for ladies are located behind the cloakrooms on all floors. Facilities for gentlemen can be found on the landing between the floors, also located behind the cloakrooms.
A fully accessible toilet for persons with mobility disabilities is located behind the cloakroom on the ground floor (Parkett links).
Laeiszhalle Hamburg
Johannes-Brahms-Platz
20355 Hamburg
The Laeiszhalle can be easily reached by bus, underground and bicycle.
The nearest stops include:
Underground line U2: Gänsemarkt / Messehallen
Underground line U1: Stephansplatz
Bus 3, X35, 112: Johannes-Brahms-Platz
Bus X3: U Gänsemarkt (Valentinskamp)
Bus 4, 5, 109: Stephansplatz
StadtRAD (public city bicycle) station: Sievekingplatz / Gorch-Fock-Wall
There are bicycle stands available in front of the Laeiszhalle.
Gänsemarkt multistorey car park: Dammtorwall / Welckerstrasse
Rate per hour or part thereof: €4.50
24-hour rate: maximum €50
Please note: There are several construction sites in the immediate vicinity of the Laeiszhalle which may make it difficult to get to the concert. Please therefore plan enough time for your journey to the concert.
The Laeiszhalle is a separate concert hall located three kilometres away from the Elbphilharmonie.
We suggest visitors arrive at the Laeiszhalle main entrance not later than 30 minutes before the start of the concert or event. Late seating is not guaranteed and latecomers may not be admitted to the concert hall.
The entrance of the Recital Hall is located on Gorch-Fock-Wall.
Admission times Grand Hall and Recital Hall:
Events without pre-concert talk:
Foyer: 60 minutes before the start of the event
Hall: 30 minutes before the start of the event
Events with pre-concert talk:
Foyer: 90 minutes before the start of the event
Hall: 15 minutes before the start of the talk
If a pre-concert talk is offered for this event, it is noted above under PROGRAMME.
All halls and spaces are accessible for visitors with disabilities. More information at www.elbphilharmonie.de/en/accessibility.
Photography is permitted at the Laeiszhalle for private purposes only. Please respect the privacy of other visitors and help ensure an undisturbed concert experience for all guests and artists. Employees and artists may not be photographed.
Photography, audio or video recordings of concerts and events are strictly prohibited.
Event-related video recordings or photographs for editorial or commercial purposes must be authorised by the Press Office of the Elbphilharmonie and Laeiszhalle.
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