Strollers, prams, wheeled walkers, walking-stick umbrellas, bags sized A3 (42 cm x 30 cm) or above, sport bags, backpacks and luggage must be checked in at the cloakroom.
Jackets and handbags may be taken into the hall.
»Ich bin« – 75 years anniversary concert
After graduating from secondary school in 1967, Klaus Hoffmann completed an apprenticeship as a wholesale merchant for steel and iron with no prospect of escaping his bourgeois existence. But he had discovered the guitar, learned a few chords, was fascinated by Bob Dylan, wrote his first lyrics and melodies, and eventually made his way through the clubs of West Berlin. Visually, the young Hoffmann had no interest in the fashion dictates of the time, which dictated a bushy beard. Nor did he care for the politically fashionable partisan songs. He dispensed with any facial hair and instead perfected his songwriting. After completing his training, however, he first embarked on a real adventure in 1969, wanting to travel to Goa in a VW Beetle, but ended up in the war zone in Afghanistan, returning emaciated and broke.
In 1970, he began training as an actor at the renowned Max Reinhardt School in West Berlin and was soon celebrated as a rising star of the acting scene. He had engagements at major theaters such as the Freie Volksbühne Berlin, the Hamburger Schauspielhaus, and the Thalia Theater in Hamburg, and worked with top-class directors such as Kurt Hübner and Boy Gobert. But he also worked with film greats such as Ingmar Bergman, in whose drama »The Serpent’s Egg« he appeared on camera alongside the crème de la crème of European cinema. For the title role in the film adaptation of Ulrich Plenzdorf’s »The New Sufferings of Young W.«, he was awarded the Golden Camera and the Bambi, among other prizes.
He also worked intensively on his career as a songwriter and singer, releasing his self-titled debut album in 1975, which has since been followed by over four dozen more. His name is inextricably linked with Jacques Brel, his kindred spirit. Remaining down-to-earth, the musician now lives with his wife Malene and various cats in Kladow.
Klaus Hoffmann guitar, vocals
Nikolai Orloff piano
Michael Brandt guitar
Peter Keiser bass
Walter Keiser drums
»Flügel«
Promoter: Karsten Jahnke Konzertdirektion
Since 1908, the Laeiszhalle has been a meeting place for Hamburg's musical life. The neo-baroque Laeiszhalle Grand Hall accommodates over 2,000 guests. (Please note: The Laeiszhalle is a separate concert hall located three kilometres away from the Elbphilharmonie.)
Strollers, prams, wheeled walkers, walking-stick umbrellas, bags sized A3 (42 cm x 30 cm) or above, sport bags, backpacks and luggage must be checked in at the cloakroom.
Jackets and handbags may be taken into the hall.
Facilities for ladies are located behind the cloakrooms on all floors. Facilities for gentlemen can be found on the landing between the floors, also located behind the cloakrooms.
A fully accessible toilet for persons with mobility disabilities is located behind the cloakroom on the ground floor (Parkett links).
Laeiszhalle Hamburg
Johannes-Brahms-Platz
20355 Hamburg
The Laeiszhalle can be easily reached by bus, underground and bicycle.
The nearest stops include:
Underground line U2: Gänsemarkt / Messehallen
Underground line U1: Stephansplatz
Bus 3, X35, 112: Johannes-Brahms-Platz
Bus X3: U Gänsemarkt (Valentinskamp)
Bus 4, 5, 109: Stephansplatz
StadtRAD (public city bicycle) station: Sievekingplatz / Gorch-Fock-Wall
There are bicycle stands available in front of the Laeiszhalle.
Gänsemarkt multistorey car park: Dammtorwall / Welckerstrasse
Rate per hour or part thereof: €4.50
Night rate (18:00–06:00): maximum €11
24-hour rate: maximum €30
Please note: There are several construction sites in the immediate vicinity of the Laeiszhalle which may make it difficult to get to the concert. Please therefore plan enough time for your journey to the concert.
The Laeiszhalle is a separate concert hall located three kilometres away from the Elbphilharmonie.
We suggest visitors arrive at the Laeiszhalle main entrance not later than 30 minutes before the start of the concert or event. Late seating is not guaranteed and latecomers may not be admitted to the concert hall.
The entrance of the Recital Hall is located on Gorch-Fock-Wall.
Admission times Grand Hall and Recital Hall:
Events without pre-concert talk:
Foyer: 60 minutes before the start of the event
Hall: 30 minutes before the start of the event
Events with pre-concert talk:
Foyer: 90 minutes before the start of the event
Hall: 15 minutes before the start of the talk
If a pre-concert talk is offered for this event, it is noted above under PROGRAMME.
All halls and spaces are accessible for visitors with disabilities. More information at www.elbphilharmonie.de/en/accessibility.
Photography is permitted at the Laeiszhalle for private purposes only. Please respect the privacy of other visitors and help ensure an undisturbed concert experience for all guests and artists. Employees and artists may not be photographed.
Photography, audio or video recordings of concerts and events are strictly prohibited.
Event-related video recordings or photographs for editorial or commercial purposes must be authorised by the Press Office of the Elbphilharmonie and Laeiszhalle.
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