Strollers, prams, wheeled walkers, walking-stick umbrellas, bags sized A3 (42 cm x 30 cm) or above, sport bags, backpacks and luggage must be checked in at the cloakroom.
Jackets and handbags may be taken into the hall.
»Improvisations«
Variations, fantasies, rondos – while the time-honoured chamber-music genres of the First Viennese School seemed to have had their day in 1820s Vienna, their place was increasingly taken by different virtuoso genres. Franz Schubert’s »Introduction and Variations« of 1824 was to remain his sole work for the flute. He based it on his own song »Trockne Blumen«, taken from the cycle »Die schöne Müllerin« that he wrote the year before. Schubert wrote his »Rondo brillant«, a highly virtuoso piece for violin and piano, for the »Bohemian Paganini« Josef Slawjk. After the interval, the concert focuses on improvisations for the piano.
Arnaud Sussmann violin
José-Daniel Castellon flute
Wu Han piano
Cyprien Katsaris piano
Valeriya Myrosh piano
Franz Schubert
Introduction and Variations after »Trockne Blumen« for Flute and Piano in E minor, D 802
Claude Paul Taffanel
Andante pastoral et scherzettino für Flöte und Klavier
Franz Schubert
Rondo h-Moll D 895 für Violine und Klavier »Rondo brillant«
– Interval –
Franz Schubert
Klavierstück Es-Dur D 946/2
Cyprien Katsaris
Improvisation über Musik von
Felix Mendelssohn Bartholdy
Rondo capriccioso in E major, Op. 14
Frédéric Chopin
Polonaise As-Dur op. 53
Ludwig van Beethoven
Sechs Variationen D-Dur op. 76
Franz Liszt
Fantasie über Motive aus Ludwig van Beethovens »Ruinen von Athen« für Klavier
Promoter: International Mendelssohn Festival c/o Niklas Schmidt
Chamber music series, lieder recitals, children's concerts and jazz events seem to be made for the Recital Hall of the Laeiszhalle, which can accommodate up to 640 guests. (Please note: The Laeiszhalle is a separate concert hall located three kilometres away from the Elbphilharmonie.)
Strollers, prams, wheeled walkers, walking-stick umbrellas, bags sized A3 (42 cm x 30 cm) or above, sport bags, backpacks and luggage must be checked in at the cloakroom.
Jackets and handbags may be taken into the hall.
Facilities for guests of the Recital Hall are located to the right of the hall entrance. Barrier-free toilets are also available.
Laeiszhalle Hamburg
Johannes-Brahms-Platz
20355 Hamburg
The Laeiszhalle can be easily reached by bus, underground and bicycle.
The nearest stops include:
Underground line U2: Gänsemarkt / Messehallen
Underground line U1: Stephansplatz
Bus 3, X35, 112: Johannes-Brahms-Platz
Bus X3: U Gänsemarkt (Valentinskamp)
Bus 4, 5, 109: Stephansplatz
StadtRAD (public city bicycle) station: Sievekingplatz / Gorch-Fock-Wall
There are bicycle stands available in front of the Laeiszhalle.
Gänsemarkt multistorey car park: Dammtorwall / Welckerstrasse
Rate per hour or part thereof: €4.50
Night rate (18:00–06:00): maximum €11
24-hour rate: maximum €30
Please note: There are several construction sites in the immediate vicinity of the Laeiszhalle which may make it difficult to get to the concert. Please therefore plan enough time for your journey to the concert.
The Laeiszhalle is a separate concert hall located three kilometres away from the Elbphilharmonie.
We suggest visitors arrive at the Laeiszhalle main entrance not later than 30 minutes before the start of the concert or event. Late seating is not guaranteed and latecomers may not be admitted to the concert hall.
The entrance of the Recital Hall is located on Gorch-Fock-Wall.
Admission times Grand Hall and Recital Hall:
Events without pre-concert talk:
Foyer: 60 minutes before the start of the event
Hall: 30 minutes before the start of the event
Events with pre-concert talk:
Foyer: 90 minutes before the start of the event
Hall: 15 minutes before the start of the talk
If a pre-concert talk is offered for this event, it is noted above under PROGRAMME.
All halls and spaces are accessible for visitors with disabilities. More information at www.elbphilharmonie.de/en/accessibility.
Photography is permitted at the Laeiszhalle for private purposes only. Please respect the privacy of other visitors and help ensure an undisturbed concert experience for all guests and artists. Employees and artists may not be photographed.
Photography, audio or video recordings of concerts and events are strictly prohibited.
Event-related video recordings or photographs for editorial or commercial purposes must be authorised by the Press Office of the Elbphilharmonie and Laeiszhalle.
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