Strollers, prams, wheeled walkers, walking-stick umbrellas, bags sized A3 (42 cm x 30 cm) or above, sport bags, backpacks and luggage must be checked in at the cloakroom.
Jackets and handbags may be taken into the hall.
Works by Sergej Rachmaninow, Sergej Prokofjew, Alexey Shor
Two extraordinary artistic personalities and a chamber concert program of great inner coherence and emotional range, which repeatedly presents the violin as a singing, narrative voice: violinist Giuseppe Gibboni and pianist Arsenii Moon open up a musical panorama that ranges from romantic dialogue to the existential climax of the 20th century.
The program begins with the first violin sonata by contemporary composer Alexey Shor, whose catchy musical language deliberately draws on the Romantic tradition. Here, melody and accompaniment meet in lyrical immediacy, laying the foundation for a look back that bridges the present with historical programmaticism.
The centerpiece of the evening is the famous »F.A.E. Sonata«, a collaborative work for violin and piano by Albert Dietrich, Johannes Brahms, and Robert Schumann. The shared motif of friendship, »Free but Lonely«, gives rise to a fascinating dialogue between three styles, which focuses on the violin as a confessional narrative voice and celebrates the intimate interplay between the two instruments.
Rachmaninoff’s »Vocalise« condenses the idea of the musical narrative voice into pure sound speech without words. In the arrangement for violin and piano, a floating, timeless melodiousness unfolds, inviting the listener to pause and reflect, and bringing together the emotional depth of the evening.
Sergei Prokofiev’s Violin Sonata No. 1 provides a dramatic conclusion to the concert evening. With its sombre expressiveness and rugged modernity, it takes the dialogue between violin and piano to existential limits. Shadows, unrest, and quiet menace are juxtaposed with a haunting sensitivity. It forms a powerful contrast to the preceding works and at the same time consistently continues the program’s previously established theme, which is characterized by the idea of the violin as a quasi-human voice and its partnership with the piano.
Giuseppe Gibboni violin
Arsenii Moon piano
Alexey Shor
Sonata for Violin and Piano No. 1
Albert Dietrich, Robert Schumann, Johannes Brahms
Sonate für Violine und Klavier »F.A.E.-Sonate«
Sergej Rachmaninow
Vocalise / from: 14 Songs, Op. 34
Sergej Prokofjew
Sonate Nr. 1 f-Moll op. 80 für Violine und Klavier
Promoter: Symphoniker Hamburg
Chamber music series, lieder recitals, children's concerts and jazz events seem to be made for the Recital Hall of the Laeiszhalle, which can accommodate up to 640 guests. (Please note: The Laeiszhalle is a separate concert hall located three kilometres away from the Elbphilharmonie.)
Strollers, prams, wheeled walkers, walking-stick umbrellas, bags sized A3 (42 cm x 30 cm) or above, sport bags, backpacks and luggage must be checked in at the cloakroom.
Jackets and handbags may be taken into the hall.
Facilities for guests of the Recital Hall are located to the right of the hall entrance. Barrier-free toilets are also available.
Laeiszhalle Hamburg
Johannes-Brahms-Platz
20355 Hamburg
The Laeiszhalle can be easily reached by bus, underground and bicycle.
The nearest stops include:
Underground line U2: Gänsemarkt / Messehallen
Underground line U1: Stephansplatz
Bus 3, X35, 112: Johannes-Brahms-Platz
Bus X3: U Gänsemarkt (Valentinskamp)
Bus 4, 5, 109: Stephansplatz
StadtRAD (public city bicycle) station: Sievekingplatz / Gorch-Fock-Wall
There are bicycle stands available in front of the Laeiszhalle.
Gänsemarkt multistorey car park: Dammtorwall / Welckerstrasse
Rate per hour or part thereof: €4.50
Night rate (18:00–06:00): maximum €11
24-hour rate: maximum €30
Please note: There are several construction sites in the immediate vicinity of the Laeiszhalle which may make it difficult to get to the concert. Please therefore plan enough time for your journey to the concert.
The Laeiszhalle is a separate concert hall located three kilometres away from the Elbphilharmonie.
We suggest visitors arrive at the Laeiszhalle main entrance not later than 30 minutes before the start of the concert or event. Late seating is not guaranteed and latecomers may not be admitted to the concert hall.
The entrance of the Recital Hall is located on Gorch-Fock-Wall.
Admission times Grand Hall and Recital Hall:
Events without pre-concert talk:
Foyer: 60 minutes before the start of the event
Hall: 30 minutes before the start of the event
Events with pre-concert talk:
Foyer: 90 minutes before the start of the event
Hall: 15 minutes before the start of the talk
If a pre-concert talk is offered for this event, it is noted above under PROGRAMME.
All halls and spaces are accessible for visitors with disabilities. More information at www.elbphilharmonie.de/en/accessibility.
Photography is permitted at the Laeiszhalle for private purposes only. Please respect the privacy of other visitors and help ensure an undisturbed concert experience for all guests and artists. Employees and artists may not be photographed.
Photography, audio or video recordings of concerts and events are strictly prohibited.
Event-related video recordings or photographs for editorial or commercial purposes must be authorised by the Press Office of the Elbphilharmonie and Laeiszhalle.
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