Grand feelings when beholding exceptional natural phenomena, the beauty of nature as well as its menacing and endangered side have been a source of inspiration for composers for centuries: Ensemble Resonanz creates a musical hothouse of nature mysticism and melancholy intermezzos to join Milica Djordjevic in voicing anger and protest. Have we lost our grasp of the world?
Supporting programme: »bunkersalon« / 16 January 2024, 19:30, resonanzraum St. Paul Thinking with open ears – talks about hearing. The »bunkersalon« series of talks organised by Ensemble Resonanz focuses on our sense of hearing with guests from philosophy, art, politics and science. The music itself always has its say: all information & tickets
Andrzej Panufnik, father of the Polish avant-garde, watches the branches dancing and swaying in the wind and listens with pleasure to the sighing and rustling leaves that whisper their own secrets. His composition »Arbor Cosmica« dates from the 1980s, when the ecological movement was just gathering momentum. Panufnik translates his contemplative experience into a wide variety of emotions and moods. Dvořák’s »Notturno« carries us off to an atmospheric musical landscape, to a dream world full of melancholy and yearning. And Puccini, first and foremost an opera composer, takes on the role of spoilsport: the chrysanthemums in his instrumental music remind us of the transience of all earthly beauty.
The Serbian composer Milica Djordjević expresses intense protest against the exploitation of nature: she dedicates her piece »Jadarit« »to all the ›little people‹ who are the real heroes in the attempt to give lasting protection to nature and life on our planet, in the struggle against global corporate empires and governmental machinery«.
Dirk Rothbrust percussion
conductor Friederike Scheunchen
Annette Kurz scenography
Waldstück Nr. 24 Schlagzeug solo
Nokturno für Streichorchester H-Dur op. 40
Arbor cosmica (Auszüge)
Crisantemi (Fassung für Streichorchester) / Alla memoria di Amedeo di Savoia, Duca d’Aosta (Fassung für Streichorchester)
– Interval –
Arbor cosmica (Auszüge)
Meet the Artist
Milica Djordjević in conversation
18:30 / Elbphilharmonie, Kleiner Saal
Promoter: Ensemble Resonanz
The Recital Hall, designed in contrast to the Grand Hall in the classic »shoebox« style, offers seating for up to 550 people.
The Elbphilharmonie is a special building situated in a special place. Allow for plenty of time for getting to the Elbphilharmonie and the way to the concert area. We suggest visitors arrive at the Elbphilharmonie Plaza not later than 30 minutes before the start of the concert or event. Late seating is not guaranteed and latecomers may not be admitted to the concert hall.
Concert tickets for the Grand and Recital Halls authorise a visit to the Plaza from two hours before the start of the concert or event. Visitors to the Kaistudios require a separate Plaza ticket to visit the Plaza.
Events without pre-concert talk:
Recital Hall Foyer: 60 minutes before the start of the event
Recital Hall: 30 minutes before the start of the event
Events with pre-concert talk:
Recital Hall Foyer: 90 minutes before the start of the event
Recital Hall: 15 minutes before the start of the talk
If a pre-concert talk is offered for this event, it is noted above under PROGRAMME.
Finding your seat
All visitors enter the building via the main entrance; access to the concert hall is via the Plaza, the public viewing platform on the 8th floor of the Elbphilharmonie. The Plaza can be reached from the entrance area via the Tube (long escalator) or lifts. Your tickets will be checked twice: at admissions in the main entrance area and on the Plaza in front of the staircase to the Grand or Rcital Hall. Stairs and lifts lead from the Plaza to the concert hall foyers.
The Recital Hall is situated on the 10th floor and can be accessed via a stairway or lift.
The cloakrooms are located in the foyer (fee: € 2). Jackets and handbags may be taken into the hall.
Walking-stick umbrellas, bags sized A3 (42 x 30 cm) or above, luggage and other bulky items must be stored in the lockers (largest size 27 x 87 x 47 cm) located in the corridor leading to the ticket shop on the ground floor (on the right-hand side of the entrance area).
Strollers and prams can be left with the admissions personnel on the Plaza. Wheeled walkers can be handed in at the hall entrances.
Facilities for guests of the Recital Hall are located in the Recital Hall Foyer.
An accessible toilet is located in the foyer.
Photography and video recordings
It is forbidden to take photographs or record videos during a concert or event. Video recordings and photography are permitted for private purposes only on the Plaza and in the foyers as well as before the start or following an event in the concert hall, provided that you respect the privacy of other visitors and do not interfere with regular business operations. Employees may not be photographed or filmed.
Photography, audio or video recordings of concerts and events are strictly prohibited.
Event-related video recordings or photographs for editorial or commercial purposes must be authorised by the Press Office of the Elbphilharmonie.
The Elbphilharmonie can be easily reached by bus, underground, bicycle and ferry.
The nearest stops include:
Underground line U3: Baumwall
Underground line U4: Überseequartier
Bus 2, 111: Am Kaiserkai (Elbphilharmonie)
Bus 6: Auf dem Sande (Speicherstadt)
Ferry 72 (from Landungsbrücken pier): »Elbphilharmonie« pier
StadtRAD (bicycle sharing system) stations: U Baumwall (Elbphilharmonie) and Am Kaiserkai / Großer Grasbrook
Multistorey car park in the Elbphilharmonie (open 24/7, 435 parking spaces):
Please note that visitors to the Elbphilharmonie should use the entrance marked »Elbphilharmonie«. The entrance »Elbphilharmonie Hotel« is reserved for »The Westin Hamburg« hotel guests.
Please find more information about prices and advance booking of the discounted flat rate on this page: arrival by car
Toilet facilities are located in the foyer areas of each respective hall.
Grand Hall: The central toilet facility is located on the 13th floor of the Grand Hall Foyer. Further facilities can be found on floors 11, 12 and 15. Fully accessible toilets for persons with mobility disabilities are located on floors 12 and 13.
Recital Hall: Facilities for guests of the Recital Hall are located in the Recital Hall Foyer.
Kaistudio: Facilities for guests of the Kaistudio are located in the Kaistudio Foyer on the third floor.
Free public toilets are located on the western tip of the Plaza, adjacent to the Elbphilharmonie Shop, and are accessible via stairs.
Further toilets are located behind the ticket shop at the main entrance of the Elbphilharmonie.
All halls and spaces are accessible for visitors with disabilities. More information at www.elbphilharmonie.de/en/accessibility.
Lifts to the Plaza are located in the tunnel on the right-hand side of the Tube (long escalator). From the Plaza, access to the Grand and Recital Hall foyers is via lifts, also located to the right. Please note: cloakrooms for visitors to the Grand Hall are only located on the 11th floor. From there, the upper floors can be accessed via further lifts.
Coughing, clapping, chatting – Tips for your concert visit
A concert at the Elbphilharmonie is a unique experience for both audience and artists. Guests and musicians alike rave about the precise acoustics in the Grand Hall. You can hear every note, even from the highest balcony.
Unfortunately, the opposite is also true: even presumably quiet noises from the audience are clearly audible in the entire hall. We therefore ask our visitors to take the following recommendations into consideration: Tips for your concert visit
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