Strollers, prams, wheeled walkers, walking-stick umbrellas, bags sized A3 (42 cm x 30 cm) or above, sport bags, backpacks and luggage must be checked in at the cloakroom.
Jackets and handbags may be taken into the hall.
Elgar / Bach / Skoryk
Vom schrecklichen Angriffskrieg Russlands gegen die Ukraine sind vor allem Frauen und Kinder betroffen – auch die Künstlerinnen der Spitzenorchester aus den ukrainischen Großstädten. Nach der Flucht fanden sich die jungen Frauen zu einem Kammerensemble zusammen, um sich eine neue künstlerische Heimat im Exil aufzubauen: Das Exil-Ensemble Mriya, getragen vom Förderverein Culture Connects e.V. aus Hamburg. Nun können sie sich endlich als Orchester mit gleich vier Solistinnen erstmalig präsentieren und bieten ein mitreißendes Programm mit vielen ukrainischen Werken, die hierzulande wohl noch nie gehört wurden.
Als Solistinnen zu erleben sind die ukrainische Star-Pianistin Kateryna Titova, die berühmte Bratschistin Kateryna Suprun sowie die Violinistinnen Varvara Vasylieva und Hanna Tsurkan.
Spenden werden für Hilfsleistungen in ihrer geliebten Heimat gesammelt und für die Hilfsplattform www.mriya.de, die von Geflüchteten aufgebaut worden ist, um umfassend im Kulturbereich zu helfen.
Ukrainisches Exilorchester Mriya (der Traum)
Hanna Tsurkan violin
Varvara Vasylieva violin
Daria Tarasova violin
Kateryna Suprun viola
Kateryna Titova piano
Roman Ohem moderation
Edward Elgar
Serenade für Streichorchester e-Moll op. 20
Johann Sebastian Bach
Konzert für Violine, Streicher und Basso continuo a-Moll BWV 1041
Myroslaw Skoryk
Huzulen-Triptychon
Yuriy Shevchenko
Buvay mi Zdorova (Batiars Lied)
Aleksandr Gonobolin
Betrachtung für Violine und Orchester
– Interval –
Domenico Scarlatti
Sonate d-Moll K 213
Frédéric Chopin
Ballade Nr. 1 g-Moll op. 23
Valse e-Moll op. posth. BI 56
Johann Sebastian Bach
Largo aus Konzert für Cembalo, Streicher und Basso Continuo f-Moll BWV 1056 / Bearbeitung für Klavier solo
Myroslaw Skoryk
Karpatská Rapsodie für Violine und Streicher
Yevhen Stankovych
Berglegende
Fast eine Serenade
Viktor Rekalo
Plive Kacha po Tisini / Bearbeitung von einem Volkslied für Streicher
Yuriy Shevchenko
Sche / Bearbeitung der Ukrainischen Nationalhymne für Streichorchester
Promoter: Förderverein Culture Connects e.V.
Since 1908, the Laeiszhalle has been a meeting place for Hamburg's musical life. The neo-baroque Laeiszhalle Grand Hall accommodates over 2,000 guests. (Please note: The Laeiszhalle is a separate concert hall located three kilometres away from the Elbphilharmonie.)
Strollers, prams, wheeled walkers, walking-stick umbrellas, bags sized A3 (42 cm x 30 cm) or above, sport bags, backpacks and luggage must be checked in at the cloakroom.
Jackets and handbags may be taken into the hall.
Facilities for ladies are located behind the cloakrooms on all floors. Facilities for gentlemen can be found on the landing between the floors, also located behind the cloakrooms.
A fully accessible toilet for persons with mobility disabilities is located behind the cloakroom on the ground floor (Parkett links).
Laeiszhalle Hamburg
Johannes-Brahms-Platz
20355 Hamburg
The Laeiszhalle can be easily reached by bus, underground and bicycle.
The nearest stops include:
Underground line U2: Gänsemarkt / Messehallen
Underground line U1: Stephansplatz
Bus 3, X35, 112: Johannes-Brahms-Platz
Bus X3: U Gänsemarkt (Valentinskamp)
Bus 4, 5, 109: Stephansplatz
StadtRAD (public city bicycle) station: Sievekingplatz / Gorch-Fock-Wall
There are bicycle stands available in front of the Laeiszhalle.
Gänsemarkt multistorey car park: Dammtorwall / Welckerstrasse
Rate per hour or part thereof: €4.50
Night rate (18:00–06:00): maximum €11
24-hour rate: maximum €30
Please note: There are several construction sites in the immediate vicinity of the Laeiszhalle which may make it difficult to get to the concert. Please therefore plan enough time for your journey to the concert.
The Laeiszhalle is a separate concert hall located three kilometres away from the Elbphilharmonie.
We suggest visitors arrive at the Laeiszhalle main entrance not later than 30 minutes before the start of the concert or event. Late seating is not guaranteed and latecomers may not be admitted to the concert hall.
The entrance of the Recital Hall is located on Gorch-Fock-Wall.
Admission times Grand Hall and Recital Hall:
Events without pre-concert talk:
Foyer: 60 minutes before the start of the event
Hall: 30 minutes before the start of the event
Events with pre-concert talk:
Foyer: 90 minutes before the start of the event
Hall: 15 minutes before the start of the talk
If a pre-concert talk is offered for this event, it is noted above under PROGRAMME.
All halls and spaces are accessible for visitors with disabilities. More information at www.elbphilharmonie.de/en/accessibility.
Photography is permitted at the Laeiszhalle for private purposes only. Please respect the privacy of other visitors and help ensure an undisturbed concert experience for all guests and artists. Employees and artists may not be photographed.
Photography, audio or video recordings of concerts and events are strictly prohibited.
Event-related video recordings or photographs for editorial or commercial purposes must be authorised by the Press Office of the Elbphilharmonie and Laeiszhalle.
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