Amatis Piano Trio / Thomas Quasthoff
»Humanity in War« – Hamburg International Music Festival
Humanity in the midst of war
The horrors of the First World War have often been described in literature. Books such as Erich Maria Remarque’s »All Quiet on the Western Front« speak of the brutality of trench warfare and the deadening effect of being surrounded by death. However, there are also more optimistic accounts, such as the Christmas truce when enemies laid down their weapons and sang carols together. With his legendary baritone voice, Thomas Quasthoff reads from First World War letters and diaries. In alternation, the award-winning young Amatis Piano Trio performs excerpts from the Romantic and modern chamber music repertoire, reflecting the mood of the individual texts.
Young soldiers of various nationalities are represented, as are relatives writing to the front from back home. The texts bear witness to the barbarism of war, and to youthful blue-eyed enthusiasm turning into disillusionment and horror in the face of the bloody reality. But they also reveal humanity and mutual respect – even between enemies. The stories speak of individual fates and give a face to the bare figures. They are accompanied by slow movements from piano trios by composers such as Schubert and Shostakovich, who composed his Piano Trio No. 2 while mourning the death of a friend in the Second World War. Works such as Korngold’s »Dogberry and Verges – March of the Watch«, which caricature the initial enthusiasm of young soldiers for war, lighten the mood.
Performers
Amatis Piano Trio
Lea Hausmann violin
Samuel Shepherd violoncello
Mengjie Han piano
Thomas Quasthoff reading
Programme
»Die Menschlichkeit im Krieg« (Humanity in War)
with works by Erich Wolfgang Korngold, Dmitri Shostakovich, Fritz Kreisler, Franz Schubert, Robert Schumann, Anton Webern and Rebecca Clarke, and excerpts from letters and diaries from the time of the First World War
Auszug aus dem Tagebuch des Gefreiten Charles Blackmore vom 16. Januar 1917
Erich Wolfgang Korngold
Dogberry and Verges (March of the Watch) / from: Suite from »Much Ado About Nothing«, Op. 11
Auszug aus dem Tagebuch des Gefreiten Charles Blackmore vom 19. Januar 1917
Auszug aus dem Tagebuch des Gefreiten Charles Blackmore vom 24. Januar 1917
Anton Webern
Sehr bewegt / from: Three Short Pieces for Violoncello and Piano, Op. 11
Äußerst ruhig / from: Three Short Pieces for Violoncello and Piano, Op. 11
Auszug aus dem Tagebuch des Gefreiten Charles Blackmore vom 29. Januar 1917
Franz Schubert
Andante con moto / from: Piano Trio in E-flat major, D 929
Hauptmann Reginald John Armes an seine Frau
Robert Schumann
Abendlied / from: Twelve Four-Handed Pieces for Clavier for Small and Big Children, Op. 85 (adaptation for piano trio)
Hauptmann Reginald John Armes setzte seinen Brief am Folgetag fort
Franz Schubert
Piano Trio in E-flat major, D 897 »Notturno«
– Interval –
Leutnant Wolfgang Panzer an seine Eltern und Geschwister am 18. Januar 1918
Dmitri Schostakowitsch
Allegro con brio / from: Piano Trio No. 2 in E minor, Op. 67
Frau S. an den befehlshabenden Offizier ihres Ehemannes
Fritz Kreisler
Liebesleid
Leutnant Wolfgang Panzer an seine Eltern und Geschwister am 22. November 1918
Robert Schumann
Humoreske / from: Fantasiestücke for Piano Trio, Op. 88
Lazare Silbermann an seine vier Kinder am 7. August 1914
Anton Webern
Langsam / from: Twelve Pieces for Violoncello and Piano
Brief von Emil Merkelbach an Sallie Maxwell Bennet
Rebecca Clarke
Andante molto semplice / from: Trio for Violin, Violoncello and Piano
Ein offener Brief der deutschen und österreichischen Suffragetten
Estimated end time
21:30
Promoter: HamburgMusik
Location
:
Elbphilharmonie
Kleiner Saal
The Recital Hall, designed in contrast to the Grand Hall in the classic »shoebox« style, offers seating for up to 550 people.
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Arrival time
The Elbphilharmonie is a special building situated in a special place. Allow for plenty of time for getting to the Elbphilharmonie and the way to the concert area. We suggest visitors arrive at the Elbphilharmonie Plaza not later than 30 minutes before the start of the concert or event. Late seating is not guaranteed and latecomers may not be admitted to the concert hall.
Concert tickets for the Grand and Recital Halls authorise a visit to the Plaza from two hours before the start of the concert or event. Visitors to the Kaistudios require a separate Plaza ticket to visit the Plaza.
Admission times:
Events without pre-concert talk:
Recital Hall Foyer: 60 minutes before the start of the event
Recital Hall: 30 minutes before the start of the eventEvents with pre-concert talk:
Recital Hall Foyer: 90 minutes before the start of the event
Recital Hall: 15 minutes before the start of the talkIf a pre-concert talk is offered for this event, it is noted above under PROGRAMME.
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Finding your seat
All visitors enter the building via the main entrance; access to the concert hall is via the Plaza, the public viewing platform on the 8th floor of the Elbphilharmonie. The Plaza can be reached from the entrance area via the Tube (long escalator) or lifts. Your tickets will be checked twice: at admissions in the main entrance area and on the Plaza in front of the staircase to the Grand or Rcital Hall. Stairs and lifts lead from the Plaza to the concert hall foyers.
The Recital Hall is situated on the 10th floor and can be accessed via a stairway or lift.
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Cloakroom
The cloakrooms are located in the foyer (fee: € 2). Jackets and handbags may be taken into the hall.
Walking-stick umbrellas, bags sized A3 (42 x 30 cm) or above, luggage and other bulky items must be stored in the lockers (largest size 27 x 87 x 47 cm) located in the corridor leading to the ticket shop on the ground floor (on the right-hand side of the entrance area).
Strollers and prams can be left with the admissions personnel on the Plaza. Wheeled walkers can be handed in at the hall entrances.
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Toilet Facilities
Facilities for guests of the Recital Hall are located in the Recital Hall Foyer.
An accessible toilet is located in the foyer.
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Photography and video recordings
It is forbidden to take photographs or record videos during a concert or event. Video recordings and photography are permitted for private purposes only on the Plaza and in the foyers as well as before the start or following an event in the concert hall, provided that you respect the privacy of other visitors and do not interfere with regular business operations. Employees may not be photographed or filmed.
Photography, audio or video recordings of concerts and events are strictly prohibited.
Event-related video recordings or photographs for editorial or commercial purposes must be authorised by the Press Office of the Elbphilharmonie.
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Getting here
Elbphilharmonie Hamburg
Platz der Deutschen Einheit
20457 HamburgThe Elbphilharmonie can be easily reached by bus, underground, bicycle and ferry.
The nearest stops include:
Underground line U3: Baumwall
Underground line U4: Überseequartier
Bus 2, 111: Am Kaiserkai (Elbphilharmonie)
Bus 6: Auf dem Sande (Speicherstadt)
Ferry 72 (from Landungsbrücken pier): »Elbphilharmonie« pier
StadtRAD (bicycle sharing system) stations: U Baumwall (Elbphilharmonie) and Am Kaiserkai / Großer GrasbrookMultistorey car park in the Elbphilharmonie (open 24/7, 435 parking spaces):
Please note that visitors to the Elbphilharmonie should use the entrance marked »Elbphilharmonie«. The entrance »Elbphilharmonie Hotel« is reserved for »The Westin Hamburg« hotel guests.Please find more information about prices and advance booking of the discounted flat rate on this page: arrival by car
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Toilet Facilities
Foyers
Toilet facilities are located in the foyer areas of each respective hall.
Grand Hall: The central toilet facility is located on the 13th floor of the Grand Hall Foyer. Further facilities can be found on floors 11, 12 and 15. Fully accessible toilets for persons with mobility disabilities are located on floors 12 and 13.
Recital Hall: Facilities for guests of the Recital Hall are located in the Recital Hall Foyer.
Kaistudio: Facilities for guests of the Kaistudio are located in the Kaistudio Foyer on the third floor.
Plaza
Free public toilets are located on the western tip of the Plaza, adjacent to the Elbphilharmonie Shop, and are accessible via stairs.
Main Entrance
Further toilets are located behind the ticket shop at the main entrance of the Elbphilharmonie.
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Accessibility
All halls and spaces are accessible for visitors with disabilities. More information at www.elbphilharmonie.de/en/accessibility.
Lifts to the Plaza are located in the tunnel on the right-hand side of the Tube (long escalator). From the Plaza, access to the Grand and Recital Hall foyers is via lifts, also located to the right. Please note: cloakrooms for visitors to the Grand Hall are only located on the 11th floor. From there, the upper floors can be accessed via further lifts.
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Coughing, clapping, chatting – Tips for your concert visit
A concert at the Elbphilharmonie is a unique experience for both audience and artists. Guests and musicians alike rave about the precise acoustics in the Grand Hall. You can hear every note, even from the highest balcony.
Unfortunately, the opposite is also true: even presumably quiet noises from the audience are clearly audible in the entire hall. We therefore ask our visitors to take the following recommendations into consideration: Tips for your concert visit
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