Strollers, prams, wheeled walkers, walking-stick umbrellas, bags sized A3 (42 cm x 30 cm) or above, sport bags, backpacks and luggage must be checked in at the cloakroom.
Jackets and handbags may be taken into the hall.
Kennst du das Land?
Viola da braccio – niemand versteht es besser, für die Eleganz und Wärme der Bratsche zu werben, als Tabea Zimmermann. Die deutsche Bratschistin ist Residenzkünstlerin bei den Elbphilharmonie Konzerten 2009/10. Und das bedeutet: vier Kammerkonzerte, die die Vielseitigkeit dieses wunderbaren Instrumentes unterstreichen. Ein Sonatenabend, ein Quartettabend (mit Tabea Zimmermanns Arcanto Quartett), eine ausgreifende Bratschennacht (garantiert ohne Bratschenwitze aber mit viel Dialog) und – als Einstand – ein Konzert mit dem Ensemble Resonanz. Den Rahmen dieses Konzertes bilden zwei Werke für Streichorchester, in denen Fernweh ganz unterschiedlich durchklingt. Die Symphonie Nr. 9 des 13-jährigen Wunderknaben Mendelssohn ist eine unbeschwerte Reminiszenz an die Schweizer Bergwelt, die Serenade op. 39 des 51-jährigen Ex-Wunderkindes Korngold ein sehr emotionales Dokument des Heimwehs eines Vertriebenen. Demgegenüber stehen im Zentrum des Abends zwei kurze »Solokonzerte« für Viola und Streichorchester, deren Schöpfer in der Emigration ihr Glück suchten und fanden.
Ensemble Resonanz
Tabea Zimmermann viola
director Tabea Zimmermann
Felix Mendelssohn Bartholdy
Streichersinfonie Nr. 9 C-Dur »Schweizer«
Alfred Schnittke
Monolog für Viola und Orchester
– Interval –
Mark Kopytman
Kaddish für Viola und Streichorchester
Erich Wolfgang Korngold
Sinfonische Serenade B-Dur op. 39
Promoter: HamburgMusik
Chamber music series, lieder recitals, children's concerts and jazz events seem to be made for the Recital Hall of the Laeiszhalle, which can accommodate up to 640 guests. (Please note: The Laeiszhalle is a separate concert hall located three kilometres away from the Elbphilharmonie.)
Strollers, prams, wheeled walkers, walking-stick umbrellas, bags sized A3 (42 cm x 30 cm) or above, sport bags, backpacks and luggage must be checked in at the cloakroom.
Jackets and handbags may be taken into the hall.
Facilities for guests of the Recital Hall are located to the right of the hall entrance. Barrier-free toilets are also available.
Laeiszhalle Hamburg
Johannes-Brahms-Platz
20355 Hamburg
The Laeiszhalle can be easily reached by bus, underground and bicycle.
The nearest stops include:
Underground line U2: Gänsemarkt / Messehallen
Underground line U1: Stephansplatz
Bus 3, X35, 112: Johannes-Brahms-Platz
Bus X3: U Gänsemarkt (Valentinskamp)
Bus 4, 5, 109: Stephansplatz
StadtRAD (public city bicycle) station: Sievekingplatz / Gorch-Fock-Wall
There are bicycle stands available in front of the Laeiszhalle.
Gänsemarkt multistorey car park: Dammtorwall / Welckerstrasse
Rate per hour or part thereof: €4.50
Night rate (18:00–06:00): maximum €11
24-hour rate: maximum €30
Please note: There are several construction sites in the immediate vicinity of the Laeiszhalle which may make it difficult to get to the concert. Please therefore plan enough time for your journey to the concert.
The Laeiszhalle is a separate concert hall located three kilometres away from the Elbphilharmonie.
We suggest visitors arrive at the Laeiszhalle main entrance not later than 30 minutes before the start of the concert or event. Late seating is not guaranteed and latecomers may not be admitted to the concert hall.
The entrance of the Recital Hall is located on Gorch-Fock-Wall.
Admission times Grand Hall and Recital Hall:
Events without pre-concert talk:
Foyer: 60 minutes before the start of the event
Hall: 30 minutes before the start of the event
Events with pre-concert talk:
Foyer: 90 minutes before the start of the event
Hall: 15 minutes before the start of the talk
If a pre-concert talk is offered for this event, it is noted above under PROGRAMME.
All halls and spaces are accessible for visitors with disabilities. More information at www.elbphilharmonie.de/en/accessibility.
Photography is permitted at the Laeiszhalle for private purposes only. Please respect the privacy of other visitors and help ensure an undisturbed concert experience for all guests and artists. Employees and artists may not be photographed.
Photography, audio or video recordings of concerts and events are strictly prohibited.
Event-related video recordings or photographs for editorial or commercial purposes must be authorised by the Press Office of the Elbphilharmonie and Laeiszhalle.
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