International Mendelssohn Festival
»Improvisations«
Admired masters
Variations, fantasies, rondos – while the time-honoured chamber-music genres of the First Viennese School seemed to have had their day in 1820s Vienna, their place was increasingly taken by different virtuoso genres. Franz Schubert’s »Introduction and Variations« of 1824 was to remain his sole work for the flute. He based it on his own song »Trockne Blumen«, taken from the cycle »Die schöne Müllerin« that he wrote the year before. Schubert wrote his »Rondo brillant«, a highly virtuoso piece for violin and piano, for the »Bohemian Paganini« Josef Slawjk. After the interval, the concert focuses on improvisations for the piano.
Performers
Arnaud Sussmann violin
José-Daniel Castellon flute
Wu Han piano
Cyprien Katsaris piano
Valeriya Myrosh piano
Programme
Franz Schubert
Introduction and Variations after »Trockne Blumen« for Flute and Piano in E minor, D 802
Claude Paul Taffanel
Andante pastoral et scherzettino für Flöte und Klavier
Franz Schubert
Rondo h-Moll D 895 für Violine und Klavier »Rondo brillant«
– Interval –
Franz Schubert
Klavierstück Es-Dur D 946/2
Cyprien Katsaris
Improvisation über Musik von
Felix Mendelssohn Bartholdy
Rondo capriccioso E-Dur op. 14
Frédéric Chopin
Polonaise As-Dur op. 53
Ludwig van Beethoven
Sechs Variationen D-Dur op. 76
Franz Liszt
Fantasie über Motive aus Ludwig van Beethovens »Ruinen von Athen« für Klavier
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