Strollers, prams, wheeled walkers, walking-stick umbrellas, bags sized A3 (42 cm x 30 cm) or above, sport bags, backpacks and luggage must be checked in at the cloakroom.
Jackets and handbags may be taken into the hall.
Beethoven: Symphony No. 9
Beethoven’s world-embracing Ninth Symphony, which has been a part of the core repertoire of the Symphoniker Hamburg and chief conductor Sylvain Cambreling for many years, should actually have been premiered in London. That’s because it was London’s Philharmonic Society that commissioned Symphonies No. 9 and No. 10 in 1817. Beethoven’s surviving sketchbooks from this period provide a lively picture of a composer who was expecting to travel to England. However, health issues, depressive moods and financial problems forced Beethoven to rethink those plans. It wasn’t until 1822 that the composer was able to turn his attention to »Project London«. Work on other major compositions continued to impede progress, however, and he kept putting off the Philharmonic Society in London.
It wasn’t until February 1824 that Beethoven sent his Ninth, »at least«, to London, where it was given its English premiere on 21 May 1825, with Sir George Smart conducting. However, the symphony had already had its world premiere in Vienna on 7 May 1824. After the premiere, the Allgemeine Musikalische Zeitung featured only effusive praise. The anonymous reviewer describes the first movement as a »defiantly audacious Allegro in D minor« that is »intellectually stimulating and composed with genuine athletic power«. And after the symphony had come to an end, the »author of these words, now sitting at the writing desk, has collected themselves, but that moment will never be forgotten; here, art and truth celebrate their most brilliant triumph – and one could justifiably say: non plus ultra!«
Symphoniker Hamburg
CPE.Bach.Chor.Hamburg
Mandy Fredrich soprano
Stine Marie Fischer alto
Daniel Kluge tenor
Markus Eiche bass
conductor Sylvain Cambreling
Ludwig van Beethoven
Symphony No. 9 in D minor, Op. 125
Promoter: Symphoniker Hamburg
Since 1908, the Laeiszhalle has been a meeting place for Hamburg's musical life. The neo-baroque Laeiszhalle Grand Hall accommodates over 2,000 guests. (Please note: The Laeiszhalle is a separate concert hall located three kilometres away from the Elbphilharmonie.)
Strollers, prams, wheeled walkers, walking-stick umbrellas, bags sized A3 (42 cm x 30 cm) or above, sport bags, backpacks and luggage must be checked in at the cloakroom.
Jackets and handbags may be taken into the hall.
Facilities for ladies are located behind the cloakrooms on all floors. Facilities for gentlemen can be found on the landing between the floors, also located behind the cloakrooms.
A fully accessible toilet for persons with mobility disabilities is located behind the cloakroom on the ground floor (Parkett links).
Laeiszhalle Hamburg
Johannes-Brahms-Platz
20355 Hamburg
The Laeiszhalle can be easily reached by bus, underground and bicycle.
The nearest stops include:
Underground line U2: Gänsemarkt / Messehallen
Underground line U1: Stephansplatz
Bus 3, X35, 112: Johannes-Brahms-Platz
Bus X3: U Gänsemarkt (Valentinskamp)
Bus 4, 5, 109: Stephansplatz
StadtRAD (public city bicycle) station: Sievekingplatz / Gorch-Fock-Wall
There are bicycle stands available in front of the Laeiszhalle.
Gänsemarkt multistorey car park: Dammtorwall / Welckerstrasse
Rate per hour or part thereof: €4.50
Night rate (18:00–06:00): maximum €11
24-hour rate: maximum €30
Please note: There are several construction sites in the immediate vicinity of the Laeiszhalle which may make it difficult to get to the concert. Please therefore plan enough time for your journey to the concert.
The Laeiszhalle is a separate concert hall located three kilometres away from the Elbphilharmonie.
We suggest visitors arrive at the Laeiszhalle main entrance not later than 30 minutes before the start of the concert or event. Late seating is not guaranteed and latecomers may not be admitted to the concert hall.
The entrance of the Recital Hall is located on Gorch-Fock-Wall.
Admission times Grand Hall and Recital Hall:
Events without pre-concert talk:
Foyer: 60 minutes before the start of the event
Hall: 30 minutes before the start of the event
Events with pre-concert talk:
Foyer: 90 minutes before the start of the event
Hall: 15 minutes before the start of the talk
If a pre-concert talk is offered for this event, it is noted above under PROGRAMME.
All halls and spaces are accessible for visitors with disabilities. More information at www.elbphilharmonie.de/en/accessibility.
Photography is permitted at the Laeiszhalle for private purposes only. Please respect the privacy of other visitors and help ensure an undisturbed concert experience for all guests and artists. Employees and artists may not be photographed.
Photography, audio or video recordings of concerts and events are strictly prohibited.
Event-related video recordings or photographs for editorial or commercial purposes must be authorised by the Press Office of the Elbphilharmonie and Laeiszhalle.
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