Strollers, prams, wheeled walkers, walking-stick umbrellas, bags sized A3 (42 cm x 30 cm) or above, sport bags, backpacks and luggage must be checked in at the cloakroom.
Jackets and handbags may be taken into the hall.
Benny Goodman’s Original Carnegie Hall Concert 1938
A great moment in jazz: on 16 January 1938, a young man and his musicians took to the stage of the sold-out Carnegie Hall, visibly nervous. Benny Goodman had not wanted to give this concert. The famous patron John Hammond, whose sister Alice would later marry Benny Goodman, and some eager agents had persuaded him to do so. This was the first performance by a jazz band in the New York concert hall, where otherwise only classical music could be heard. In front of an audience of more than 2,000, Benny Goodman, dressed in a tailcoat, played the concert of his life. His big band had reached its zenith in those days, and Goodman would never have such a high-calibre line-up again.
In addition to the orchestra, the trio and the quartet played – with Lionel Hampton on vibraphone and Teddy Wilson on piano. Martha Tilton sang »Loch Lomond« and »Bei mir bist du schoen« – Count Basie, Buck Clayton, Lester Young and other jazz musicians joined the Goodman band for a jam session on – »Honeysuckle Rose«. The unexpected enthusiasm of the rather conservative audience swept Benny Goodman and his band off their feet, lucky for posterity that John Hammond had the concert recorded.
To this day, the album with the recordings of that evening in Carnegie Hall is one of the best-selling jazz productions ever and is reissued time and again. Even as a child, listening to these legendary recordings, Andrej Hermlin dreamed of a band like the one with which Benny Goodman celebrated his triumphs. Consequently, his next ambitious project was to re-perform the concert that made his idol Benny Goodman a legend. This performance is less about a faithful copy of the score and more about capturing the authentic atmosphere of that evening in Carnegie Hall. True-to-style suits, music stands, no electronic tricks; this is how the resurrection should succeed.
Swing Dance Orchestra
director Andrej Hermlin
Rachel Hermlin vocals
David Hermlin drums
Lorenzo Baldasso clarinet
Promoter: Hamburger Theater- und Konzert-Kontor HTK GmbH & Co. KG
Since 1908, the Laeiszhalle has been a meeting place for Hamburg's musical life. The neo-baroque Laeiszhalle Grand Hall accommodates over 2,000 guests. (Please note: The Laeiszhalle is a separate concert hall located three kilometres away from the Elbphilharmonie.)
Strollers, prams, wheeled walkers, walking-stick umbrellas, bags sized A3 (42 cm x 30 cm) or above, sport bags, backpacks and luggage must be checked in at the cloakroom.
Jackets and handbags may be taken into the hall.
Facilities for ladies are located behind the cloakrooms on all floors. Facilities for gentlemen can be found on the landing between the floors, also located behind the cloakrooms.
A fully accessible toilet for persons with mobility disabilities is located behind the cloakroom on the ground floor (Parkett links).
Laeiszhalle Hamburg
Johannes-Brahms-Platz
20355 Hamburg
The Laeiszhalle can be easily reached by bus, underground and bicycle.
The nearest stops include:
Underground line U2: Gänsemarkt / Messehallen
Underground line U1: Stephansplatz
Bus 3, X35, 112: Johannes-Brahms-Platz
Bus X3: U Gänsemarkt (Valentinskamp)
Bus 4, 5, 109: Stephansplatz
StadtRAD (public city bicycle) station: Sievekingplatz / Gorch-Fock-Wall
There are bicycle stands available in front of the Laeiszhalle.
Gänsemarkt multistorey car park: Dammtorwall / Welckerstrasse
Rate per hour or part thereof: €4.50
Night rate (18:00–06:00): maximum €11
24-hour rate: maximum €30
Please note: There are several construction sites in the immediate vicinity of the Laeiszhalle which may make it difficult to get to the concert. Please therefore plan enough time for your journey to the concert.
The Laeiszhalle is a separate concert hall located three kilometres away from the Elbphilharmonie.
We suggest visitors arrive at the Laeiszhalle main entrance not later than 30 minutes before the start of the concert or event. Late seating is not guaranteed and latecomers may not be admitted to the concert hall.
The entrance of the Recital Hall is located on Gorch-Fock-Wall.
Admission times Grand Hall and Recital Hall:
Events without pre-concert talk:
Foyer: 60 minutes before the start of the event
Hall: 30 minutes before the start of the event
Events with pre-concert talk:
Foyer: 90 minutes before the start of the event
Hall: 15 minutes before the start of the talk
If a pre-concert talk is offered for this event, it is noted above under PROGRAMME.
All halls and spaces are accessible for visitors with disabilities. More information at www.elbphilharmonie.de/en/accessibility.
Photography is permitted at the Laeiszhalle for private purposes only. Please respect the privacy of other visitors and help ensure an undisturbed concert experience for all guests and artists. Employees and artists may not be photographed.
Photography, audio or video recordings of concerts and events are strictly prohibited.
Event-related video recordings or photographs for editorial or commercial purposes must be authorised by the Press Office of the Elbphilharmonie and Laeiszhalle.
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