Strollers, prams, wheeled walkers, walking-stick umbrellas, bags sized A3 (42 cm x 30 cm) or above, sport bags, backpacks and luggage must be checked in at the cloakroom.
Jackets and handbags may be taken into the hall.
1. Internationales Musikfest Hamburg • Schubertiade
No other composer set the themes of love and seduction to music in such a nuanced manner and with such incredible intensity as Franz Schubert. Whether this is a reflection of his own (mainly unfulfilled) love life or simply of the time in which he lived – when only death was considered able to bring fulfilment and deliverance from temptation and desire – is irrelevant. What matters is that Schubert managed to convey every emotional state in the compact form of his Lieder, and expanded them into soundscapes in his three major song cycles. They include the journeyman miller who falls for the beautiful miller´s daughter, »Die schöne Müllerin«, and despairs over his unrequited love; the broken-hearted wanderer who longs for death and embarks on a »Winterreise« (Winter Journey); and the »Schwanengesang« (Swan Song) that was composed by Schubert shortly before his death. During his lifetime, his Lieder were performed at informal private gatherings called »Schubertiades« – a format to which the Hamburg International Music Festival pays tribute with these concerts. Matthias Goerne is the perfect choice to present the three great Schubert cycles on three separate evenings in the Laeiszhalle. As the Frankfurter Rundschau newspaper recently noted, »Matthias Goerne occupies a singular position with his interpretations of Schubert. Goerne sings Schubert in such a way that one has no choice but to follow him into those distant realms where romantic intuition rules.« Matthias Goerne is currently working on a series of twelve Schubert CDs, the first of which have already been released. In these recordings he is accompanied by different pianists – just as at his guest performances during the Music Festival. In Hamburg his partners are Christoph Eschenbach, the former chief conductor of the NDR Symphony Orchestra, and the acclaimed Polish pianist Piotr Anderszewski, who also has many local fans. Goerne is in no doubt as to the contemporary relevance of his undertaking: »In Schubert you find the essence of man in his entirety, in every aspect and with every desire, fear and flaw. Schubert is infinite. Infinitely profound.«
Matthias Goerne baritone
Piotr Anderszewski piano
Johann Sebastian Bach
Englische Suite Nr. 1 A-Dur BWV 806
Franz Schubert
Schwanengesang D 957
Zugabe:
Franz Schubert
Die Taubenpost / aus: Schwanengesang D 957
Promoter: HamburgMusik gGmbH / FontenayClassics Kammerkonzerte
Since 1908, the Laeiszhalle has been a meeting place for Hamburg's musical life. The neo-baroque Laeiszhalle Grand Hall accommodates over 2,000 guests. (Please note: The Laeiszhalle is a separate concert hall located three kilometres away from the Elbphilharmonie.)
Strollers, prams, wheeled walkers, walking-stick umbrellas, bags sized A3 (42 cm x 30 cm) or above, sport bags, backpacks and luggage must be checked in at the cloakroom.
Jackets and handbags may be taken into the hall.
Facilities for ladies are located behind the cloakrooms on all floors. Facilities for gentlemen can be found on the landing between the floors, also located behind the cloakrooms.
A fully accessible toilet for persons with mobility disabilities is located behind the cloakroom on the ground floor (Parkett links).
Laeiszhalle Hamburg
Johannes-Brahms-Platz
20355 Hamburg
The Laeiszhalle can be easily reached by bus, underground and bicycle.
The nearest stops include:
Underground line U2: Gänsemarkt / Messehallen
Underground line U1: Stephansplatz
Bus 3, X35, 112: Johannes-Brahms-Platz
Bus X3: U Gänsemarkt (Valentinskamp)
Bus 4, 5, 109: Stephansplatz
StadtRAD (public city bicycle) station: Sievekingplatz / Gorch-Fock-Wall
There are bicycle stands available in front of the Laeiszhalle.
Gänsemarkt multistorey car park: Dammtorwall / Welckerstrasse
Rate per hour or part thereof: €4.50
Night rate (18:00–06:00): maximum €11
24-hour rate: maximum €30
Please note: There are several construction sites in the immediate vicinity of the Laeiszhalle which may make it difficult to get to the concert. Please therefore plan enough time for your journey to the concert.
The Laeiszhalle is a separate concert hall located three kilometres away from the Elbphilharmonie.
We suggest visitors arrive at the Laeiszhalle main entrance not later than 30 minutes before the start of the concert or event. Late seating is not guaranteed and latecomers may not be admitted to the concert hall.
The entrance of the Recital Hall is located on Gorch-Fock-Wall.
Admission times Grand Hall and Recital Hall:
Events without pre-concert talk:
Foyer: 60 minutes before the start of the event
Hall: 30 minutes before the start of the event
Events with pre-concert talk:
Foyer: 90 minutes before the start of the event
Hall: 15 minutes before the start of the talk
If a pre-concert talk is offered for this event, it is noted above under PROGRAMME.
All halls and spaces are accessible for visitors with disabilities. More information at www.elbphilharmonie.de/en/accessibility.
Photography is permitted at the Laeiszhalle for private purposes only. Please respect the privacy of other visitors and help ensure an undisturbed concert experience for all guests and artists. Employees and artists may not be photographed.
Photography, audio or video recordings of concerts and events are strictly prohibited.
Event-related video recordings or photographs for editorial or commercial purposes must be authorised by the Press Office of the Elbphilharmonie and Laeiszhalle.
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