Strollers, prams, wheeled walkers, walking-stick umbrellas, bags sized A3 (42 cm x 30 cm) or above, sport bags, backpacks and luggage must be checked in at the cloakroom.
Jackets and handbags may be taken into the hall.
Don’t Push the Sounds
»In Hamburg mache ich mein nächstes Programm«, meinte Marino Formenti vor kurzem im Interview. »Das heißt ›Liszt Inspections‹, das ist ein Versuch, die Figur von Liszt, vor allem mit seinen späten Werken, zu betrachten. Auch mit den vielen ganz unterschiedlichen Anstößen, die er der modernen Musik gegeben hat. Und zwar nicht nur die Atonalität – das ist bekannt, er hat ja, wie man sagt, das erste atonale Stück geschrieben. Sondern auch die Raum-Musik, auch die entwicklungslose Musik, eine Art Konzeptkunst sogar, auch Minimalismus, er hat zwei, drei fast schon minimalistische Stücke komponiert.« Unter den Händen des gebürtigen Italieners, der lange Jahre als Pianist des Klangforum Wien wirkte, entsteht ein dichtes Programm mit mannigfaltigen und erhellenden Bezügen zwischen 19. und 20. Jahrhundert – wie attraktiv doch eine zeitlose Moderne sein kann!
Marino Formenti piano
»liszt inspections 1«
Franz Liszt
Búsongva: Lento f-Moll / aus: Fünf ungarische Volkslieder S 245
György Kurtág
Doina / aus: Játékok, Heft 6
Franz Liszt
Klavierstück Nr. 2 S 189a
György Kurtág
... Waiting for Susan / aus: Játékok (Spiele), Band 6
Franz Liszt
Bagatelle sans tonalité S 216a
Gérard Pesson
Speech of Clouds / aus: »Vexierbilder II«
György Ligeti
Touches bloquées / aus: Études pour piano, Buch 1
Franz Liszt
Funérailles / aus: Harmonies poétiques et religieuses S 173
Wolfgang Rihm
Klavierstück Nr. 7
Galina Ustwolskaja
Sonate für Klavier Nr. 6
– Interval –
Franz Liszt
Au lac de Wallenstadt / aus: Années de pèlerinage, première année, Suisse S 160
Luciano Berio
Wasserklavier / Six Encores Nr. 3
Franz Liszt
En rêve S 207
György Ligeti
En suspens / aus: Études pour piano, Buch 2
Tristan Murail
Cloches d’adieu, et un sourire
Franz Liszt
Cloches du Soir / aus: L’Arbre de Noël S 186
John Adams
China Gates
Franz Liszt
In festo transfigurationis Domini S 188
Salvatore Sciarrino
Polveri Laterali
Franz Liszt
Resignazione
Morton Feldman
Piano Piece
Promoter: HamburgMusik gGmbH
Gefördert durch Nikolaus Broschek.
Chamber music series, lieder recitals, children's concerts and jazz events seem to be made for the Recital Hall of the Laeiszhalle, which can accommodate up to 640 guests. (Please note: The Laeiszhalle is a separate concert hall located three kilometres away from the Elbphilharmonie.)
Strollers, prams, wheeled walkers, walking-stick umbrellas, bags sized A3 (42 cm x 30 cm) or above, sport bags, backpacks and luggage must be checked in at the cloakroom.
Jackets and handbags may be taken into the hall.
Facilities for guests of the Recital Hall are located to the right of the hall entrance. Barrier-free toilets are also available.
Laeiszhalle Hamburg
Johannes-Brahms-Platz
20355 Hamburg
The Laeiszhalle can be easily reached by bus, underground and bicycle.
The nearest stops include:
Underground line U2: Gänsemarkt / Messehallen
Underground line U1: Stephansplatz
Bus 3, X35, 112: Johannes-Brahms-Platz
Bus X3: U Gänsemarkt (Valentinskamp)
Bus 4, 5, 109: Stephansplatz
StadtRAD (public city bicycle) station: Sievekingplatz / Gorch-Fock-Wall
There are bicycle stands available in front of the Laeiszhalle.
Gänsemarkt multistorey car park: Dammtorwall / Welckerstrasse
Rate per hour or part thereof: €4.50
Night rate (18:00–06:00): maximum €11
24-hour rate: maximum €30
Please note: There are several construction sites in the immediate vicinity of the Laeiszhalle which may make it difficult to get to the concert. Please therefore plan enough time for your journey to the concert.
The Laeiszhalle is a separate concert hall located three kilometres away from the Elbphilharmonie.
We suggest visitors arrive at the Laeiszhalle main entrance not later than 30 minutes before the start of the concert or event. Late seating is not guaranteed and latecomers may not be admitted to the concert hall.
The entrance of the Recital Hall is located on Gorch-Fock-Wall.
Admission times Grand Hall and Recital Hall:
Events without pre-concert talk:
Foyer: 60 minutes before the start of the event
Hall: 30 minutes before the start of the event
Events with pre-concert talk:
Foyer: 90 minutes before the start of the event
Hall: 15 minutes before the start of the talk
If a pre-concert talk is offered for this event, it is noted above under PROGRAMME.
All halls and spaces are accessible for visitors with disabilities. More information at www.elbphilharmonie.de/en/accessibility.
Photography is permitted at the Laeiszhalle for private purposes only. Please respect the privacy of other visitors and help ensure an undisturbed concert experience for all guests and artists. Employees and artists may not be photographed.
Photography, audio or video recordings of concerts and events are strictly prohibited.
Event-related video recordings or photographs for editorial or commercial purposes must be authorised by the Press Office of the Elbphilharmonie and Laeiszhalle.
Saved Events
Login required. If you do not have an Elbphilharmonie customer account, registering is quick and easy.