Leïla Martial / Valentin Ceccaldi & Singülar
NDR Jazz in the Rolf-Liebermann-Studio
»I don’t want to be a normal singer«, says Leïla Martial, »my goal is freedom on stage.« There, she becomes a fascinating, multifaceted being: virtuosic and playful, strong and fragile, tragic and comic. Among her influences, the »uncrowned queen of French vocal jazz« (JazzZeitung) includes singers like Sarah Vaughan, Nina Simone, or Björk, and instrumentalists like Lee Konitz, Emile Parisien, and Eric Dolphy. She is also fascinated by the songs of the Pygmies and the Inuit, »who approach music differently – to accompany their daily lives, not as a show«. By her side is Valentin Ceccaldi, one of the most original cellists in European jazz. Whether in chanson, art song, or free dialogue: Ceccaldi can transform into an orchestra – multifaceted, with gripping intensity.
When Sebastian Studnitzky, Pascal Schumacher, and Edward Perraud, known as Singülar, come together, it’s time to buckle up, lean back, and keep all antennas up. Because something truly new is being created right before your eyes and ears. Genres like jazz, classical, or electronic music are just the starting points, and instruments like piano, trumpet, vibraphone, and drums are the tools for an intense, sensual journey. Dreamily, motifs sail through the room. They are caught in free flight and transform into melodic sculptures; rhythmic sketches develop from delicate grooves to trance.
Performers
Leïla Martial vocals
Valentin Ceccaldi violoncello
Singülar
Sebastian Studnitzky piano, trumpet, live electronics
Pascal Schumacher vibraphone, live electronics
Edward Perraud drums, live electronics
Promoter: NDR
Location : Rolf-Liebermann-Studio
The Rolf-Liebermann-Studio was a Jewish temple until 1938. Destroyed in the Pogrom Night, ownership of the current Rolf-Liebermann-Studio passed over to the city authorities in 1941, and later to the former Northwest German Broadcasting, which arranged its conversion into a large concert hall. With its classical music concerts, readings, matinees and jazz concerts, the studio is one of the first ports of call for the culturally aware today.
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Getting Here
Underground line U1 to Klosterstern
Bus 34 to Oberstraße
Bus 109 to Sophienterrassen -
Parking
The studio can also be reached easily by car, however parking spaces in the area are very limited.
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Accessibility
The main entrance and the concert hall itself are fully accessible for visitors with limited mobility.
The hall also has an audio induction loop in place for visitors with hearing impairments.
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