Strollers, prams, wheeled walkers, walking-stick umbrellas, bags sized A3 (42 cm x 30 cm) or above, sport bags, backpacks and luggage must be checked in at the cloakroom.
Jackets and handbags may be taken into the hall.
The cult Berlin band Karat celebrated its 50th anniversary in 2025. Fifty years – that’s two generations and almost a lifetime. There are only a few bands of note that can look back on such a long history. Most of them – let’s be honest – have long since become nostalgic cover bands of themselves.
Karat has taken a different path, its own path: one of constant searching, constant movement, and self-questioning. There have been a few breaks in this five-decade-long process. Musicians who had significantly shaped the band’s course and sound for years made way for new characters and new ideas. A permanent rejuvenation, a constant process of renewal. Those celebrating the band’s 50th anniversary today come from different generations and offer a wide spectrum of life experience. And yet, or rather, precisely because of this, the idea behind it has always remained young.
This unique band development as an open creative system is exemplified by the position of frontman, which Herbert Dreilich held for three decades. During this time, the band celebrated its greatest successes, and he essentially gave them a face. His son has been in his place for two decades now. He has long since silenced the skeptics and proven that he not only resembles his father physically, but has also inherited his creative energy. But Claudius Dreilich is by no means a copy. With his singing, his charisma, and his approachable extroversion, he has become an artist in his own right. Today, he is just as much the driving force behind the band as his father was for 30 years.
Karat
Claudius Dreilich vocals
Bernd Römer guitar
Martin Becker keyboard
Daniel Bätge bass
Heiko Jung drums
Greatest hits like »Über sieben Brücken«, »Der blaue Planet« and »Jede Stunde«
Promoter: MB-Konzerte
Since 1908, the Laeiszhalle has been a meeting place for Hamburg's musical life. The neo-baroque Laeiszhalle Grand Hall accommodates over 2,000 guests. (Please note: The Laeiszhalle is a separate concert hall located three kilometres away from the Elbphilharmonie.)
Strollers, prams, wheeled walkers, walking-stick umbrellas, bags sized A3 (42 cm x 30 cm) or above, sport bags, backpacks and luggage must be checked in at the cloakroom.
Jackets and handbags may be taken into the hall.
Facilities for ladies are located behind the cloakrooms on all floors. Facilities for gentlemen can be found on the landing between the floors, also located behind the cloakrooms.
A fully accessible toilet for persons with mobility disabilities is located behind the cloakroom on the ground floor (Parkett links).
Laeiszhalle Hamburg
Johannes-Brahms-Platz
20355 Hamburg
The Laeiszhalle can be easily reached by bus, underground and bicycle.
The nearest stops include:
Underground line U2: Gänsemarkt / Messehallen
Underground line U1: Stephansplatz
Bus 3, X35, 112: Johannes-Brahms-Platz
Bus X3: U Gänsemarkt (Valentinskamp)
Bus 4, 5, 109: Stephansplatz
StadtRAD (public city bicycle) station: Sievekingplatz / Gorch-Fock-Wall
There are bicycle stands available in front of the Laeiszhalle.
Gänsemarkt multistorey car park: Dammtorwall / Welckerstrasse
Rate per hour or part thereof: €4.50
Night rate (18:00–06:00): maximum €11
24-hour rate: maximum €30
Please note: There are several construction sites in the immediate vicinity of the Laeiszhalle which may make it difficult to get to the concert. Please therefore plan enough time for your journey to the concert.
The Laeiszhalle is a separate concert hall located three kilometres away from the Elbphilharmonie.
We suggest visitors arrive at the Laeiszhalle main entrance not later than 30 minutes before the start of the concert or event. Late seating is not guaranteed and latecomers may not be admitted to the concert hall.
The entrance of the Recital Hall is located on Gorch-Fock-Wall.
Admission times Grand Hall and Recital Hall:
Events without pre-concert talk:
Foyer: 60 minutes before the start of the event
Hall: 30 minutes before the start of the event
Events with pre-concert talk:
Foyer: 90 minutes before the start of the event
Hall: 15 minutes before the start of the talk
If a pre-concert talk is offered for this event, it is noted above under PROGRAMME.
All halls and spaces are accessible for visitors with disabilities. More information at www.elbphilharmonie.de/en/accessibility.
Photography is permitted at the Laeiszhalle for private purposes only. Please respect the privacy of other visitors and help ensure an undisturbed concert experience for all guests and artists. Employees and artists may not be photographed.
Photography, audio or video recordings of concerts and events are strictly prohibited.
Event-related video recordings or photographs for editorial or commercial purposes must be authorised by the Press Office of the Elbphilharmonie and Laeiszhalle.
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