Strollers, prams, wheeled walkers, walking-stick umbrellas, bags sized A3 (42 cm x 30 cm) or above, sport bags, backpacks and luggage must be checked in at the cloakroom.
Jackets and handbags may be taken into the hall.
Nordic Concerts
Die Junge Deutsche Philharmonie ist die wichtigste Talentschmiede des einheimischen Orchesterwesens, versammelt sie doch die hervorragendsten Nachwuchsmusiker des Landes zu einem erstklassigen Klangkörper, der Konzerte auf allerhöchstem Niveau bestreitet. Unter der Leitung des formidablen Andrey Boreyko, als ehemaliger Chefdirigent der Hamburger Symphoniker noch in bester Hamburger Erinnerung, musiziert mit dem leidenschaftlichen »Impulsorchester« (so sein Selbstverständnis) nun ein durch und durch märchenhaftes Programm mit Klassikern der Moderne. Da locken Debussys hypnotisches Vorspiel zum »Nachmittag eines Fauns« und Strawinskys opulentes symphonisches Gedicht »Chant de Rossignol« nach einer Erzählung von Hans Christian Andersen. Da zeigt die Musik aber auch theatralische Qualitäten wie in Bartóks Orchestersuite aus der Pantomime »Der wunderbare Mandarin« (übrigens wegen seiner unmoralischen Handlung vom Kölner Oberbürgermeister Konrad Adenauer gleich nach der Premiere 1926 vom Spielplan genommen!). Martin Fröst muss seine Mitwirkung in diesem Konzert aus familären Gründen absagen. Wir freuen uns, an seiner Stelle Patricia Kopatchinskaja als Solistin ankündigen zu können.
Junge Deutsche Philharmonie
Patricia Kopatchinskaja violin
conductor Andrey Boreyko
Igor Strawinsky
Le chant du rossignol / Sinfonische Dichtung für Orchester
Sergej Prokofjew
Konzert für Violine und Orchester Nr. 1 D-Dur op. 19
– Interval –
Claude Debussy
Prélude à l’après-midi d’un faune
Béla Bartók
Suite aus »Der wunderbare Mandarin« op. 19 Sz 73
– Interval –
Zugabe der Solistin:
George Enescu
Impressions d’enfance für Violine und Klavier op. 28
(Ménétrier)
György Kurtág
Kafka-Fragmente für Sopran und Violine op. 24
(Ruhelos)
Jorge Sánchez-Chiong
Crin für Sologeige
– Interval –
Zugabe des Orchesters:
Sergej Prokofjew
Romeo und Julia / Ballett in vier Akten und Epilog op. 64
(Morgentanz)
(Masken)
Promoter: HamburgMusik gGmbH
Das Konzert der Jungen Deutschen Philharmonie findet statt mit freundlicher Unterstützung der Deutschen Bank.
Since 1908, the Laeiszhalle has been a meeting place for Hamburg's musical life. The neo-baroque Laeiszhalle Grand Hall accommodates over 2,000 guests. (Please note: The Laeiszhalle is a separate concert hall located three kilometres away from the Elbphilharmonie.)
Strollers, prams, wheeled walkers, walking-stick umbrellas, bags sized A3 (42 cm x 30 cm) or above, sport bags, backpacks and luggage must be checked in at the cloakroom.
Jackets and handbags may be taken into the hall.
Facilities for ladies are located behind the cloakrooms on all floors. Facilities for gentlemen can be found on the landing between the floors, also located behind the cloakrooms.
A fully accessible toilet for persons with mobility disabilities is located behind the cloakroom on the ground floor (Parkett links).
Laeiszhalle Hamburg
Johannes-Brahms-Platz
20355 Hamburg
The Laeiszhalle can be easily reached by bus, underground and bicycle.
The nearest stops include:
Underground line U2: Gänsemarkt / Messehallen
Underground line U1: Stephansplatz
Bus 3, X35, 112: Johannes-Brahms-Platz
Bus X3: U Gänsemarkt (Valentinskamp)
Bus 4, 5, 109: Stephansplatz
StadtRAD (public city bicycle) station: Sievekingplatz / Gorch-Fock-Wall
There are bicycle stands available in front of the Laeiszhalle.
Gänsemarkt multistorey car park: Dammtorwall / Welckerstrasse
Rate per hour or part thereof: €4.50
Night rate (18:00–06:00): maximum €11
24-hour rate: maximum €30
Please note: There are several construction sites in the immediate vicinity of the Laeiszhalle which may make it difficult to get to the concert. Please therefore plan enough time for your journey to the concert.
The Laeiszhalle is a separate concert hall located three kilometres away from the Elbphilharmonie.
We suggest visitors arrive at the Laeiszhalle main entrance not later than 30 minutes before the start of the concert or event. Late seating is not guaranteed and latecomers may not be admitted to the concert hall.
The entrance of the Recital Hall is located on Gorch-Fock-Wall.
Admission times Grand Hall and Recital Hall:
Events without pre-concert talk:
Foyer: 60 minutes before the start of the event
Hall: 30 minutes before the start of the event
Events with pre-concert talk:
Foyer: 90 minutes before the start of the event
Hall: 15 minutes before the start of the talk
If a pre-concert talk is offered for this event, it is noted above under PROGRAMME.
All halls and spaces are accessible for visitors with disabilities. More information at www.elbphilharmonie.de/en/accessibility.
Photography is permitted at the Laeiszhalle for private purposes only. Please respect the privacy of other visitors and help ensure an undisturbed concert experience for all guests and artists. Employees and artists may not be photographed.
Photography, audio or video recordings of concerts and events are strictly prohibited.
Event-related video recordings or photographs for editorial or commercial purposes must be authorised by the Press Office of the Elbphilharmonie and Laeiszhalle.
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