Hatis Noit
ePhil / Below Deck
The story of 1001 voices
The mighty sound of Bulgarian women’s choirs, the introspective meditation of Gregorian chorales, the shimmering songs of central African nomads, classical bel canto, and the unique voices of the Gagaku – the ancient classical music of Japan. In her music, Hatis Noit – who now appears as part of the »ePhil« series – plays with the infinite facets of female singing.
Hatis Noit was 16 years old and on a pilgrimage to Buddha’s birthplace in Nepal when she heard a nun from the Lumbini temple singing. That voice, that sound, had a hypnotic quality. In this moment of awakening, Hatis Noit became aware of the deep emotional power of the voice – an original and instinctive instrument that connects people with each other, with nature and with the cosmos.
Hatis Noit relies entirely on this effect in her tracks. Loops allow her to create phenomenal sculptures, and only occasionally do soundscapes and electronic sounds ground down the polyphonic web.
In Japanese mythology, the name »Hatis Noit« describes the stem of the lotus flower, whose blossom represents the physical world, while the roots represent the spiritual world. Hatis Noit seeks to connect these spheres.
The artist grew up in the remote region of the Shiretoko National Park (Hokkaido), and has been living in London for a number of years. Like Nils Frahm, Lubomyr Melnyk and Ólafur Arnalds at one time, she belongs to the family of the legendary label Erased Tapes.
Performers
Hatis Noit vocals
Estimated end time
21:30
Promoter: HamburgMusik
Presented by ByteFM
Location
:
Elbphilharmonie
Kaistudio 1
Located within the base section of the Elbphilharmonie building on floors 2 and 3 are the Kaistudios, home to the Elbphilharmonie’s World of Instruments and extensive music education programme. The largest Kaistudio is the Elbphilharmonie’s third concert hall – ideal for concerts, experimental music, seminars and workshops for up to 150 guests.
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Getting to the Kaistudios
All visitors enter the building via the main entrance. The Kaistudio on floors 2 and 3 are not accessible via the Tube (long escalator), but rather using the group B lifts. Please follow the signs provided in the tunnel on right-hand side of the Tube. Admission is by concert ticket only.
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Cloakroom
A cloakroom for the Kaistudio located on the second floor is offered free of charge to visitors. Jackets may be taken to the Kaistudio.
Baby carriages, wheeled walkers, walking-stick umbrellas, handbags larger than DIN A3 (42 cm x 30 cm) as well as sport bags, backpacks and suitcases must be checked in at the cloakroom. If required, wheeled walkers can be parked in the immediate vicinity of the hall entrances. Our front of house staff is happy to assist you in this regard.
Please note that you will be required to deposit your checked in items yourself and house staff is only able to partially guard the cloakroom. Checked in items are left at the owner's own risk.
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Toilet Facilities
Facilities for guests of the Kaistudio are located in the Kaistudio Foyer on the third floor.
An accessible toilet is located in the foyer on the third floor.
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Photography and video recordings
It is forbidden to take photographs or record videos during a concert or event. Video recordings and photography are permitted for private purposes only on the Plaza and in the foyers as well as before the start or following an event in the concert hall, provided that you respect the privacy of other visitors and do not interfere with regular business operations. Employees may not be photographed or filmed.
Photography, audio or video recordings of concerts and events are strictly prohibited.
Event-related video recordings or photographs for editorial or commercial purposes must be authorised by the Press Office of the Elbphilharmonie.
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Getting here
Elbphilharmonie Hamburg
Platz der Deutschen Einheit
20457 HamburgThe Elbphilharmonie can be easily reached by bus, underground, bicycle and ferry.
The nearest stops include:
Underground line U3: Baumwall
Underground line U4: Überseequartier
Bus 2, 111: Am Kaiserkai (Elbphilharmonie)
Bus 6: Auf dem Sande (Speicherstadt)
Ferry 72 (from Landungsbrücken pier): »Elbphilharmonie« pier
StadtRAD (bicycle sharing system) stations: U Baumwall (Elbphilharmonie) and Am Kaiserkai / Großer GrasbrookMultistorey car park in the Elbphilharmonie (open 24/7, 435 parking spaces):
Please note that visitors to the Elbphilharmonie should use the entrance marked »Elbphilharmonie«. The entrance »Elbphilharmonie Hotel« is reserved for »The Westin Hamburg« hotel guests.Please find more information about prices and advance booking of the discounted flat rate on this page: arrival by car
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Toilet Facilities
Foyers
Toilet facilities are located in the foyer areas of each respective hall.
Grand Hall: The central toilet facility is located on the 13th floor of the Grand Hall Foyer. Further facilities can be found on floors 11, 12 and 15. Fully accessible toilets for persons with mobility disabilities are located on floors 12 and 13.
Recital Hall: Facilities for guests of the Recital Hall are located in the Recital Hall Foyer.
Kaistudio: Facilities for guests of the Kaistudio are located in the Kaistudio Foyer on the third floor.
Plaza
Free public toilets are located on the western tip of the Plaza, adjacent to the Elbphilharmonie Shop, and are accessible via stairs.
Main Entrance
Further toilets are located behind the ticket shop at the main entrance of the Elbphilharmonie.
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Accessibility
All halls and spaces are accessible for visitors with disabilities. More information at www.elbphilharmonie.de/en/accessibility.
Lifts to the Plaza are located in the tunnel on the right-hand side of the Tube (long escalator). From the Plaza, access to the Grand and Recital Hall foyers is via lifts, also located to the right. Please note: cloakrooms for visitors to the Grand Hall are only located on the 11th floor. From there, the upper floors can be accessed via further lifts.
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Coughing, clapping, chatting – Tips for your concert visit
A concert at the Elbphilharmonie is a unique experience for both audience and artists. Guests and musicians alike rave about the precise acoustics in the Grand Hall. You can hear every note, even from the highest balcony.
Unfortunately, the opposite is also true: even presumably quiet noises from the audience are clearly audible in the entire hall. We therefore ask our visitors to take the following recommendations into consideration: Tips for your concert visit

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