Venice ruled the Adriatic Sea for a thousand years. Its position between the Western and Eastern Roman Empires and the steady focus on trade and seafaring saw »La Serenissima« become a major power that even ruled Crete and Cyprus for a time, and that was only subjugated by Napoleon. As a result of exchanges with other regions across the Mediterranean, the city was constantly enriched by Christian, Ottoman, Jewish and Islamic culture. Jordi Savall, a Catalan master of the viola da gamba and an adept historian, and his original-sound ensemble sketch a living panorama of the associated cultural influences and developments between Europe and the Orient.
Le Concert des Nations
La Capella Reial de Catalunya
direction Jordi Savall
Byzanz und Venedig: Begegnung des Orients mit Europa.
Glockenruf / instrumental
Alleluya / Byzantinischer Choral
Fanfare / instrumental
Erotókritos / Byzantinisch / instrumental
Pax! In nomine Domini! / Kreuzfahrerlied
Danse de l'âme / Nordafrika / Überlieferung der Berber
Ton despóti / Byzantinisches Klagelied
Lied und Tanz aus Armenien / instrumental
Mowacha / Arabisch-andalusisches Lied
Efrixe i gi / Klagegebet
Chiave, chiave / instrumental
Pásan tin elpída mu / Orthodoxes Lied
Nikriz Marsch / Osmanisch
Lamentatio Sanctae Matris ecclesiae Constantinopolitanae / Motette
La Battaile de Marignan / La Guerre
Al nàhärót bavél / An den Wassern zu Babel
Vecchie letrose / Villanesca a la Napolitana
Makām-ı Uzzäl Sakîl / Osmanisch
Oid, oid ... (... las buenas nuevas de Lepanto) / Madrigal
- Pause -
Géfsasthe ke ìdete / Byzantinischer Hymnus
Claude Goudimel / Ambrosius Lobwasser
Ficht wider meine Anfechter / 35. Psalm
Sousta / Zyprischer Tanz / instrumental
Se imnúme / Russisch-orthodoxer Hymnus
Laïla Djân / Persischer Tanz
Il combattimento di Tancredi e Clorinda / aus »Madrigali guerrieri ed amorosi ..., libro ottavo«
Makām Rehavi Çember
Di queste selve venite, o Numi / aus: La senna festeggiante RV 693
Wolfgang Amadeus Mozart
Alla Turca »Türkischer Marsch« / Sonate A-Dur KV 300i
Deo gratias / Russisch-orthodoxer Hymnus
Nous sommes tous égaux / Lied der Konstitution
Johann Adolf Hasse
Per quel bel viso / Canzonetta veneziana da battello
Mia cara Anzoletta / Canzonetta veneziana da battello
La Sainte Ligue: La nuit est sombre / nach Ludwig van Beethovens 7. und 5. Sinfonie
19:00 / Elbphilharmonie Hamburg, Großer Saal
Blog & Streams
5 Historical Facts about Music in Venice
Venice has the reputation of an important centre of European music history – but why exactly?
Enjoy the View
Between the old Kaispeicher and the new glass structure is the Plaza, a public viewing platform on the 8th floor of the Elbphilharmonie. Tickets for concerts in the Grand and Recital Halls include a visit to the Plaza two hours before the start of the concert or event; all other visitors require a Plaza ticket.More about the Plaza
A Diverse Cuisine
Food & Drink
A total of six bars in the Grand Hall and Recital Hall foyers offer concertgoers a varied cuisine before the start of events and in the intervals. Restaurants, cafés, delis and further bars await visitors in the »Störtebeker Elbphilharmonie« and in »The Westin Hamburg« Hotel.More about Food & Drink
Heart of the Elbphilharmonie: the Grand Hall seats 2,000 guests in the »vineyard« style. The stage for artists and orchestras is situated at the centre of the concert hall and is surrounded by terraced seating.
Finding Your Seat
All visitors enter the building via the main entrance. Admission takes place in the entrance foyer and is by concert ticket only. The »Tube«, an 82-metre-long, curved escalator, leads visitors up to the Plaza following admission.
From the Plaza, access to the concert foyers is via stairs and lifts. The main cloakroom is situated on the 11th floor and the hall entrances are on floors 12, 13, 15 and 16. Please follow signs to the area in which your designated seat is located, as indicated on your ticket.
Are you curious to find out what kind of view of the stage different seats have? To help select your favourite seat, use your mouse to activate the representative seat views.
Coughing, Clapping, Chatting – Recommendations for Sensitive Acoustics
A concert at the Elbphilharmonie is a unique experience for both audience and artists. Guests and musicians alike rave about the precise acoustics in the Grand Hall. You can hear every note, even from the highest balcony.
Unfortunately, the opposite is also true: even presumably quiet noises from the audience are clearly audible in the entire hall. We therefore ask our visitors to take the following recommendations into consideration, because »Everything Can Be Heard Here«.
The Elbphilharmonie can be easily reached by bus, underground, bicycle and ferry.
Underground line U3: Baumwall (approx. 450 m from the Elbphilharmonie)
Underground line U4: Überseequartier (approx. 950 m from the Elbphilharmonie)
Bus 111: Am Kaiserkai (Elbphilharmonie) (approx. 150 m from the Elbphilharmonie)
City bicycle (Stadtrad) stations: Am Baumwall and Am Kaiserkai / Großer Grasbrook
There are sufficient bicycle stands available in front of the Elbphilharmonie.
Ferry 72 (from Landungsbrücken pier): »Elbphilharmonie« pier
There is limited parking available in the Elbphilharmonie and the HafenCity.
»Elbphilharmonie« multistorey car park (open 24 hours a day, 433 parking spaces):
Parking charge per hour: €4.50
Daily rate: €50.00
Please note that visitors to the Elbphilharmonie should use the entrance marked »Elbphilharmonie«. The entrance »Elbphilharmonie Hotel« is reserved for »The Westin Hamburg« hotel guests and the charge is €5.00 per hour.
Multistorey car park »Speicherstadt«: Am Sandtorkai 6, 20457 Hamburg (722 parking spaces, approx. 750 m from the Elbphilharmonie)
Überseequartier underground car park: Überseeallee 3, 20457 Hamburg (420 parking spaces, approx. 850 m from the Elbphilharmonie)
All halls and spaces are accessible for visitors with disabilities. More information at www.elbphilharmonie.de/en/accessibility.
The Elbphilharmonie is a special building situated in a special place. Allow for plenty of time for getting to the Elbphilharmonie and the way to the concert area. We suggest first-time Elbphilharmonie visitors arrive at the main entrance 30 minutes before the start of the concert or event. Late seating is not guaranteed and latecomers may not be admitted to the concert hall.
Concert tickets for the Grand and Recital Halls authorise a visit to the Plaza from two hours before the start of the concert or event. Visitors to the Kaistudios require a separate Plaza ticket to visit the Plaza.
The foyers of the Grand and Recital Halls open their doors 90 minutes before the start of the concert or event. The bars in each foyer open simultaneously.
Admission into the halls begins 30 minutes before the start of the concert or event; for events offering pre-concert talks, admission into the halls begins 60 minutes before the start of the concert.
Smoking is prohibited throughout the entire premises of the Elbphilharmonie.
Photography and Video Recordings
Photography is permitted at the Elbphilharmonie for private purposes only. Please respect the privacy of other visitors and help ensure an undisturbed concert experience for all guests and artists. Employees and artists may not be photographed.
Photography, audio or video recordings of concerts and events are strictly prohibited.
Event-related video recordings or photographs for editorial or commercial purposes must be authorised by the Press Office of the Elbphilharmonie.