Strollers, prams, wheeled walkers, walking-stick umbrellas, bags sized A3 (42 cm x 30 cm) or above, sport bags, backpacks and luggage must be checked in at the cloakroom.
Jackets and handbags may be taken into the hall.
J.S. Bach: The Art of Fugue
The Art of Fugue is a large-scale cycle of fourteen fugues and four canons and demonstrates the contrapuntal art of fugue composition in perfection. It stands alone as an unrivalled and unique masterpiece. In 1802, Bach biographer Johann Nicolaus Forkel declared that »The Art of Fugue is too highbrow for the general public.« Over time, this image of the spiritual work has changed. At the beginning of the 20th century, Alban Berg knew that it was often »considered mathematics«; he, on the other hand, was convinced that this work was »profound music«.
And for pianist Glenn Gould, there was no music that moved him more deeply than the last, unfinished fugue. Looking at the score, one cannot help but be amazed at the multitude of interwoven ideas. As one of the master’s late works, it remained unfinished. There are many rumors surrounding this as well. Did Bach fall ill while writing it? Did his eye condition prevent him from completing it? Couldn’t he have dictated the work to his workshop as he usually did? Or, as a new book by Meinolf Brüser proves, does The Art of Fugue follow in the tradition of vanitas painting, with Bach staging his own end here?
In reference to this art form, which expresses the finitude of human existence and shows humility before God, Bach deliberately ends The Art of Fugue in an incomplete state in the face of his own mortality—a sign of his awareness of the imperfection of his own compositional work. This thesis is also remarkable because The Art of Fugue is generally regarded as the conclusion of Bach’s polyphonic work, the perfection of which no one has yet been able to match.
CPE.Bach.Ensemble.Hamburg
Hibiki Oshima violin
Josephine Nobach violin
Naomi Seiler viola
Thomas Tyllack violoncello
Franziska Kober double bass
Hansjörg Albrecht harpsichord
Johann Sebastian Bach
Contrapunctus XVIII / Die Kunst der Fuge BWV 1080
Promoter: Carl-Philipp-Emanuel-Bach-Chor Hamburg e.V.
Chamber music series, lieder recitals, children's concerts and jazz events seem to be made for the Recital Hall of the Laeiszhalle, which can accommodate up to 640 guests. (Please note: The Laeiszhalle is a separate concert hall located three kilometres away from the Elbphilharmonie.)
Strollers, prams, wheeled walkers, walking-stick umbrellas, bags sized A3 (42 cm x 30 cm) or above, sport bags, backpacks and luggage must be checked in at the cloakroom.
Jackets and handbags may be taken into the hall.
Facilities for guests of the Recital Hall are located to the right of the hall entrance. Barrier-free toilets are also available.
Laeiszhalle Hamburg
Johannes-Brahms-Platz
20355 Hamburg
The Laeiszhalle can be easily reached by bus, underground and bicycle.
The nearest stops include:
Underground line U2: Gänsemarkt / Messehallen
Underground line U1: Stephansplatz
Bus 3, X35, 112: Johannes-Brahms-Platz
Bus X3: U Gänsemarkt (Valentinskamp)
Bus 4, 5, 109: Stephansplatz
StadtRAD (public city bicycle) station: Sievekingplatz / Gorch-Fock-Wall
There are bicycle stands available in front of the Laeiszhalle.
Gänsemarkt multistorey car park: Dammtorwall / Welckerstrasse
Rate per hour or part thereof: €4.50
Night rate (18:00–06:00): maximum €11
24-hour rate: maximum €30
Please note: There are several construction sites in the immediate vicinity of the Laeiszhalle which may make it difficult to get to the concert. Please therefore plan enough time for your journey to the concert.
The Laeiszhalle is a separate concert hall located three kilometres away from the Elbphilharmonie.
We suggest visitors arrive at the Laeiszhalle main entrance not later than 30 minutes before the start of the concert or event. Late seating is not guaranteed and latecomers may not be admitted to the concert hall.
The entrance of the Recital Hall is located on Gorch-Fock-Wall.
Admission times Grand Hall and Recital Hall:
Events without pre-concert talk:
Foyer: 60 minutes before the start of the event
Hall: 30 minutes before the start of the event
Events with pre-concert talk:
Foyer: 90 minutes before the start of the event
Hall: 15 minutes before the start of the talk
If a pre-concert talk is offered for this event, it is noted above under PROGRAMME.
All halls and spaces are accessible for visitors with disabilities. More information at www.elbphilharmonie.de/en/accessibility.
Photography is permitted at the Laeiszhalle for private purposes only. Please respect the privacy of other visitors and help ensure an undisturbed concert experience for all guests and artists. Employees and artists may not be photographed.
Photography, audio or video recordings of concerts and events are strictly prohibited.
Event-related video recordings or photographs for editorial or commercial purposes must be authorised by the Press Office of the Elbphilharmonie and Laeiszhalle.
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