Britten: War Requiem
Hamburger Camerata / Hamburg Choirs / Frank Löhr
»My subject is War, and the pity of War,
The Poetry is in the pity…
All a poet can do today is warn.«
Benjamin Britten prefaced his War Requiem with these words. They were written by the British poet Wilfried Owen, who died as a 25-year-old in the First World War almost exactly one week before the armistice in 1918. In the »War Requiem«, premiered in 1962 in the rebuilt Coventry Cathedral, Britten combines the Latin text of the Missa pro defunctis (Requiem / Mass for the Dead) with Wilfried Owen’s poems in English. The result is an oratorio which, despite its large-scale scoring (soloists, mixed choir, boys’ choir, symphony orchestra and chamber orchestra), is not a bombastic piece, but in large parts a work of quiet mourning and remembrance of the war dead.
Performers
Hamburger Camerata
Conventus Cantorum
Bergedorfer Kammerchor
Cappella Vocale Blankenese vocal ensemble
Kammerchor Groß Flottbek
Kammerchor Niendorf
Mädchenchor Hamburg
Johanna Winkel soprano
Michael Connaire tenor
Georg Gädker baritone
conductor Frank Löhr
Programme
Benjamin Britten
War Requiem, Op. 66
Promoter: Ev.-Luth. Kirchenkreis Hamburg-West/ Südholstein
Location
:
Laeiszhalle
Großer Saal
Since 1908, the Laeiszhalle has been a meeting place for Hamburg's musical life. The neo-baroque Laeiszhalle Grand Hall accommodates over 2,000 guests. (Please note: The Laeiszhalle is a separate concert hall located three kilometres away from the Elbphilharmonie.)
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Cloakrooms
Strollers, prams, wheeled walkers, walking-stick umbrellas, bags sized A3 (42 cm x 30 cm) or above, sport bags, backpacks and luggage must be checked in at the cloakroom.
Jackets and handbags may be taken into the hall.
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Toilet Facilities
Facilities for ladies are located behind the cloakrooms on all floors. Facilities for gentlemen can be found on the landing between the floors, also located behind the cloakrooms.
A fully accessible toilet for persons with mobility disabilities is located behind the cloakroom on the ground floor (Parkett links).
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Getting here & parking
Laeiszhalle Hamburg
Johannes-Brahms-Platz
20355 HamburgThe Laeiszhalle can be easily reached by bus, underground and bicycle.
The nearest stops include:
Underground line U2: Gänsemarkt / Messehallen
Underground line U1: Stephansplatz
Bus 3, X35, 112: Johannes-Brahms-Platz
Bus X3: U Gänsemarkt (Valentinskamp)
Bus 4, 5, 109: StephansplatzStadtRAD (public city bicycle) station: Sievekingplatz / Gorch-Fock-Wall
There are bicycle stands available in front of the Laeiszhalle.Gänsemarkt multistorey car park: Dammtorwall / Welckerstrasse
Rate per hour or part thereof: €4.50
Night rate (18:00–06:00): maximum €11
24-hour rate: maximum €30Please note: There are several construction sites in the immediate vicinity of the Laeiszhalle which may make it difficult to get to the concert. Please therefore plan enough time for your journey to the concert.
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Laeiszhalle is not at the Elbphilharmonie
The Laeiszhalle is a separate concert hall located three kilometres away from the Elbphilharmonie.
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Arrival time
We suggest visitors arrive at the Laeiszhalle main entrance not later than 30 minutes before the start of the concert or event. Late seating is not guaranteed and latecomers may not be admitted to the concert hall.
The entrance of the Recital Hall is located on Gorch-Fock-Wall.
Admission times Grand Hall and Recital Hall:
Events without pre-concert talk:
Foyer: 60 minutes before the start of the event
Hall: 30 minutes before the start of the eventEvents with pre-concert talk:
Foyer: 90 minutes before the start of the event
Hall: 15 minutes before the start of the talkIf a pre-concert talk is offered for this event, it is noted above under PROGRAMME.
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Accessibility
All halls and spaces are accessible for visitors with disabilities. More information at www.elbphilharmonie.de/en/accessibility.
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Photography and video recordings
Photography is permitted at the Laeiszhalle for private purposes only. Please respect the privacy of other visitors and help ensure an undisturbed concert experience for all guests and artists. Employees and artists may not be photographed.
Photography, audio or video recordings of concerts and events are strictly prohibited.
Event-related video recordings or photographs for editorial or commercial purposes must be authorised by the Press Office of the Elbphilharmonie and Laeiszhalle.
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