Fri, 1 Nov 2024 19:30

Ana Vidovic, guitar

Works by Bach, Rodrigo, Piazzolla and others

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This concert has already taken place! ~~€28~~

Doors open 18:30
Start 19:30
Interval
End ca. 21:20

Guitarist without a safety net

It sounds delightfully Mediterranean, also a bit like a holiday: the »Aranjuez Concerto« by Joaquín Rodrigo – probably the most famous work of all for classical guitar. The acclaimed Croatian guitarist Ana Vidovic does not play it in its original version with orchestra however, but as a solo version, completely exposed and with no safety net from the large ensemble behind her. It proves advantageous to Vidovic that she plays on her instrument as masterly as only a few others can currently do so. She also shows her dexterity in the rest of the programme: for instance in a daring piece by Mario Castelnuovo-Tedesco, which quite rightly bears its title »Capriccio diabolico«.

Born near Zagreb, Ana Vidovic started to play the guitar at five years old and also performed internationally early on. Today, she can look back on over 1,000 performances all over the world, among them also in many famous halls like the Wiener Musikverein and the Concertgebouw in Amsterdam. Some things have not changed since the start of her career though: for instance, her great love of Johann Sebastian Bach. And so she also starts her concert with two Bach transcriptions. She plays the Partita in A Minor for solo flute and the famous Cello Suite No. 1.

Programme (booklet)

Ana Vidovic (in German) (PDF, 1.6 MB)

Prelude »guitar«: the concert introduction

Performers

Ana Vidovic guitar

Programme

Johann Sebastian Bach
Partita in A minor, BWV 1013 / adaptation for guitar by Valter Dešpalj
Suite No. 1 in G major, BWV 1007 / adaptation for guitar by Valter Dešpalj

Joaquín Rodrigo
Guitar Concerto »Concierto de Aranjuez«

– Interval –

Federico Moreno Torroba
Sonatina

Mario Castelnuovo-Tedesco
Capriccio diabolico, Op. 85 »Omaggio a Paganini«

Mauro Giuliani
Gran Sonata eroica, Op. 150

Astor Piazzolla
Verano porteño aus: Cuatro estaciones porteñas / from: Cuatro estaciones porteñas (adaptation for solo guitar)
Milonga del ángel
La muerte del ángel

Encore:

Francisco Tárrega
Recuerdos de la Alhambra for Solo Guitar

Agustín Barrios Mangoré
La catedral

Series

Guitar

Find out more

Promoter: HamburgMusik

From the Mediatheque : Videos, Podcasts, Articles

Elbphilharmonie Explains: Playing techniques on the guitar

Location : Elbphilharmonie
Kleiner Saal

The Recital Hall, designed in contrast to the Grand Hall in the classic »shoebox« style, offers seating for up to 550 people.

Arrival time

The Elbphilharmonie is a special building situated in a special place. Allow for plenty of time for getting to the Elbphilharmonie and the way to the concert area. We suggest visitors arrive at the Elbphilharmonie Plaza not later than 30 minutes before the start of the concert or event. Late seating is not guaranteed and latecomers may not be admitted to the concert hall.

Concert tickets for the Grand and Recital Halls authorise a visit to the Plaza from two hours before the start of the concert or event. Visitors to the Kaistudios require a separate Plaza ticket to visit the Plaza.

Admission times:

Events without pre-concert talk:
Recital Hall Foyer: 60 minutes before the start of the event
Recital Hall: 30 minutes before the start of the event

Events with pre-concert talk:
Recital Hall Foyer: 90 minutes before the start of the event
Recital Hall: 15 minutes before the start of the talk

If a pre-concert talk is offered for this event, it is noted above under PROGRAMME.
Getting here

Elbphilharmonie Hamburg
Platz der Deutschen Einheit
20457 Hamburg

The Elbphilharmonie can be easily reached by bus, underground, bicycle and ferry.

The nearest stops include:
Underground line U3: Baumwall
Underground line U4: Überseequartier
Bus 2, 111: Am Kaiserkai (Elbphilharmonie)
Bus 6: Auf dem Sande (Speicherstadt)
Ferry 72 (from Landungsbrücken pier): »Elbphilharmonie« pier
StadtRAD (bicycle sharing system) stations: U Baumwall (Elbphilharmonie) and Am Kaiserkai / Großer Grasbrook

Multistorey car park in the Elbphilharmonie (open 24/7, 435 parking spaces):
Please note that visitors to the Elbphilharmonie should use the entrance marked »Elbphilharmonie«. The entrance »Elbphilharmonie Hotel« is reserved for »The Westin Hamburg« hotel guests.

Please find more information about prices and advance booking of the discounted flat rate on this page: arrival by car
Finding your seat

All visitors enter the building via the main entrance; access to the concert hall is via the Plaza, the public viewing platform on the 8th floor of the Elbphilharmonie. The Plaza can be reached from the entrance area via the Tube (long escalator) or lifts. Your tickets will be checked twice: at admissions in the main entrance area and on the Plaza in front of the staircase to the Grand or Rcital Hall. Stairs and lifts lead from the Plaza to the concert hall foyers.

The Recital Hall is situated on the 10th floor and can be accessed via a stairway or lift.
Cloakroom

The cloakrooms are located in the foyer (fee: € 2). Jackets and handbags may be taken into the hall.

Walking-stick umbrellas, bags sized A3 (42 x 30 cm) or above, luggage and other bulky items must be stored in the lockers (largest size 27 x 87 x 47 cm) located in the corridor leading to the ticket shop on the ground floor (on the right-hand side of the entrance area).

Strollers and prams can be left with the admissions personnel on the Plaza. Wheeled walkers can be handed in at the hall entrances.
Toilet Facilities

Facilities for guests of the Recital Hall are located in the Recital Hall Foyer.

An accessible toilet is located in the foyer.
Photography and video recordings

It is forbidden to take photographs or record videos during a concert or event. Video recordings and photography are permitted for private purposes only on the Plaza and in the foyers as well as before the start or following an event in the concert hall, provided that you respect the privacy of other visitors and do not interfere with regular business operations. Employees may not be photographed or filmed.

Photography, audio or video recordings of concerts and events are strictly prohibited.

Event-related video recordings or photographs for editorial or commercial purposes must be authorised by the Press Office of the Elbphilharmonie.
Accessibility

All halls and spaces are accessible for visitors with disabilities. More information at www.elbphilharmonie.de/en/accessibility.

Lifts to the Plaza are located in the tunnel on the right-hand side of the Tube (long escalator). From the Plaza, access to the Grand and Recital Hall foyers is via lifts, also located to the right. Please note: cloakrooms for visitors to the Grand Hall are only located on the 11th floor. From there, the upper floors can be accessed via further lifts.
Coughing, clapping, chatting – Tips for your concert visit

A concert at the Elbphilharmonie is a unique experience for both audience and artists. Guests and musicians alike rave about the precise acoustics in the Grand Hall. You can hear every note, even from the highest balcony.

Unfortunately, the opposite is also true: even presumably quiet noises from the audience are clearly audible in the entire hall. We therefore ask our visitors to take the following recommendations into consideration: Tips for your concert visit

Ana Vidovic, guitar

Guitarist without a safety net

Programme (booklet)

Prelude »guitar«: the concert introduction

Performers

Programme

Series

From the Mediatheque : Videos, Podcasts, Articles

: Elbphilharmonie Explains: Playing techniques on the guitar

Elbphilharmonie Innerview: Sean Shibe

: Elbphilharmonie Sessions: Ana Vidovic – Vol. I

ByteFM Podcast: Gitarren-Musik in der Elbphilharmonie

Stories with the hashtag #Highlights

During your visit

Elbphilharmonie Plaza

Food and Drink

Coughing, clapping, chatting