Marianne Crebassa / Fazıl Say
Lieder Recital
The discovery of the French mezzosoprano Marianne Crebassa has already been celebrated on a number of major stages. The singer has attracted attention with the slightly dark timbre of her voice and through her collaboration with Fazıl Say.
Crebassa has already given striking performances of Fazıl Say’s compositions inspired by the protests in Istanbul’s Gezi Park, in which Say captures in sound the shocking images of impotence and the feelings of an uncertain future in a powerful way. Wherever he performs as a composer and unconventional interpreter, Say establishes connections between east and west, past and present, improvisation and the written form, as well as between different genres: »He is not just a brilliant pianist, he will without a doubt be known as one of the great artists of the twenty-first century.« (Le Figaro)
However, it is not only works by Fazıl Say himself that feature on this lieder recital programme in the Elbphilharmonie Recital Hall. Crebassa and Say also take the audience to France, performing rich, colourful works by Ravel, Duparc, Fauré and Debussy.
Performers
Marianne Crebassa mezzo-soprano
Fazıl Say piano
Programme
Claude Debussy
Trois Mélodies
Erik Satie
Trois Gnossiennes
Claude Debussy
La cathédrale engloutie / aus: Douze Préludes, Buch 2
Minstrels / aus: Douze Préludes, Buch 1
Maurice Ravel
Shéhérazade / Liederzyklus für Sopran und Orchester
Vocalise-Étude en forme de habanera
– Interval –
Gabriel Fauré
Cygne sur l’eau / aus: Mirages op. 113
Danseuse / aus: Mirages op. 113
Henri Duparc
Chanson triste / Trauriges Lied
Au pays où se fait la guerre
Fazıl Say
Sonate für Klavier op. 52 »Gezi Park 2«
Gezi Park 3 / Ballade für Mezzosopran, Klavier und Streichorchester op. 54 (Fassung für Mezzosopran und Klavier)
Encore:
George Gershwin / Fazıl Say
Summertime
Wolfgang Amadeus Mozart
Voi che sapete che cosa è amor (Sagt, holde Frauen) / Arie des Cherubino aus der Oper »Le nozze di Figaro« KV 492
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