»Bass, Bass, wir brauchen Bass« (Bass, bass, we need bass) – this line by a Hamburg rap artist appears to have been adopted as a motto by the Italian octet Ludus Gravis. Made up entirely of double bassists, it is quite possibly the world’s lowest-pitched ensemble! Ludus Gravis is not just visually impressive, however; in musical terms, too, this ambitious ensemble proves that the double bass can do much more than provide the rhythmic foundation of an orchestra. Established in 2010, Ludus Gravis’ varied repertoire includes arrangements of works from all periods of music history, as well as new compositions written especially for the ensemble. »Heavy playing« – the literal translation of their name – applies at the very most to the physical handling of their instruments. Ranging from deep growls to almost weightless sounds, they perform music covering a spectrum rarely experienced with the double bass.
Performers
Ludus Gravis Doublebass ensemble
Steffano Battaglia double bass
Paolo Di Gironimo double bass
Simone Masina double bass
Andrea Passini double bass
Giacomo Piermatti double bass
Francesco Platoni double bass
Alessandro Schillaci double bass
Daniele Roccato double bass and director
Programme
Johann Sebastian Bach
Die Kunst der Fuge BWV 1080: Contrapunctus Nr. 1 (arr. Daniele Roccato)
Giacinto Scelsi
Mantram
Gavin Bryars
Silva Caledonia
Hans Werner Henze
Trauer-Ode für Margaret Geddes (arr. Daniele Roccato)
Carlo Gesualdo da Venosa
Sparge la morte (arr. Daniele Roccato) / Bearbeitung für 5 Kontrabässe
Se vi duol il mio duolo (arr. Daniele Roccato) / Bearbeitung für 5 Kontrabässe
Io pur respiro in così gran dolore (arr. Daniele Roccato) / Bearbeitung für 5 Kontrabässe
– Interval –
John Cage
Dream (arr. Daniele Roccato)
Giacinto Scelsi
Pater Noster (arr. Daniele Roccato)
Sofia Gubaidulina
Fata Morgana: Die tanzende Sonne (arr. Daniele Roccato) / Bearbeitung für 8 Kontrabässe
Johann Sebastian Bach
Die Kunst der Fuge BWV 1080: Contrapunctus Nr. 3 (arr. Daniele Roccato)
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