Underground line U1 to Klosterstern
Bus 34 to Oberstraße
Bus 109 to Sophienterrassen
Description
The Mount Everest of piano trios, at least as far as the Romantic and Impressionist eras are concerned: this is how you could describe the program, which is composed of two works by Tchaikovsky and Ravel. Tchaikovsky’s most famous piece of chamber music, which bears the subtitle »À la mémoire d’un grande artiste« (»In memory of a great artist«), is dedicated to the memory of the piano virtuoso and teacher Nikolai Rubinstein, who died in Paris in March 1881. Tchaikovsky was so shocked that the decision to write a musical epitaph was quickly made. According to an old tradition, Tchaikovsky even depicted twelve episodes from the life of his deceased friend in the final set of variations: However, it is still not known exactly which ones.
Shadows undoubtedly also lie over Ravel’s piano trio. It was composed during the outbreak of war in August 1914 and premiered in Paris the following year, 1915. Beneath the mask of sometimes dazzling virtuosity, elegiac, even painful undertones can be felt in many passages, lending the musical expression a peculiar depth. On this evening, the audience has the opportunity to experience the first chamber music performance by the new concertmaster of the NDR Elbphilharmonie Orchestra: David Radzinsky takes on the virtuoso violin part in the two piano trios.
Performers
David Radzynski violin
Christopher Franzius violoncello
Paul Rivinius piano
Programme
Maurice Ravel
Piano Trio in A minor
Piotr I. Tschaikowsky
Piano Trio in A minor, Op. 50 »À la mémoire d’un grand artiste«
Promoter: NDR
Location : Rolf-Liebermann-Studio
The Rolf-Liebermann-Studio was a Jewish temple until 1938. Destroyed in the Pogrom Night, ownership of the current Rolf-Liebermann-Studio passed over to the city authorities in 1941, and later to the former Northwest German Broadcasting, which arranged its conversion into a large concert hall. With its classical music concerts, readings, matinees and jazz concerts, the studio is one of the first ports of call for the culturally aware today.
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Getting Here
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Parking
The studio can also be reached easily by car, however parking spaces in the area are very limited.
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Accessibility
The main entrance and the concert hall itself are fully accessible for visitors with limited mobility.
The hall also has an audio induction loop in place for visitors with hearing impairments.

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