Underground line U1 to Klosterstern
Bus 34 to Oberstraße
Bus 109 to Sophienterrassen
NDR Chamber Music Concert
Fuchs / Gál / Wolf
Viennese fin du siècle
Vienna in 1900: this was an exciting time, both politically and artistically, in the music metropolis. In its first chamber concert of the season, the NDR now presents the impressive diversity of the repertoire from this era. A number of surprises are in store, as well as a few subtle links between the works.
Accomplishment and success at a young age, great personal tragedy and an early death – the parallels between the biographies of Hans Rott and Hugo Wolf are striking. While Wolf swiftly earned great acclaim as a lieder composer, and also left a small collection of sophisticated and wonderfully analytical chamber music works, Rott insistently strove to master the great forms such as the symphony. However, Rott’s String Quartet is a true rarity – and clearly also indicative of a fine musician of the chamber format.
Chamber music was Robert Fuchs’s true passion, and his oeuvre holds a number of surprises in store. »Fuchs is a splendid musician. Everything is so finely, deftly and delightfully invented,« said his famous contemporary Johannes Brahms. Maria Bach is another true revelation as a composer and painter. Her Romantic »Wolga Piano Quintet« made her Vienna’s best-known female composer, and she was the subject of enthusiastic discussion in newspapers and recognised as an independent voice. After the Second World War, her musical works were largely forgotten, while her artistic oeuvre became better known.
Performers
Marietta Kratz violin
Harim Chun violin
Youngdo Kim viola
Valentin Priebus violoncello
Henning Lucius piano
Benno Ure moderation
Programme
Robert Fuchs
Klavierquartett Nr. 2 h-Moll op. 75 ()
Hans Gál
Streichquartett Nr. 1 f-Moll op. 16 (Auszüge)
Hugo Wolf
Italienische Serenade für Streichquartett G-Dur
– Interval –
Hans Rott
Streichquartett c-Moll (Auszüge)
Maria Bach
Klavierquintett a-Moll »Wolga« (Auszüge)
Promoter: NDR
Location : Rolf-Liebermann-Studio
The Rolf-Liebermann-Studio was a Jewish temple until 1938. Destroyed in the Pogrom Night, ownership of the current Rolf-Liebermann-Studio passed over to the city authorities in 1941, and later to the former Northwest German Broadcasting, which arranged its conversion into a large concert hall. With its classical music concerts, readings, matinees and jazz concerts, the studio is one of the first ports of call for the culturally aware today.
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Getting Here
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Parking
The studio can also be reached easily by car, however parking spaces in the area are very limited.
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Accessibility
The main entrance and the concert hall itself are fully accessible for visitors with limited mobility.
The hall also has an audio induction loop in place for visitors with hearing impairments. Induction is available in the following seats:
Rows B & C: Seats 13 to 24
Rows D & E: Seats 17 to 32
Row F: Seats 21 to 30
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