Goldmund Quartett
Finzi: Romance / Haydn: String Quartet in F major / Sophia Jani: Fall, Glow, Dissolve / Schumann: String Quartet in A major
Classics and insider tips
Off to a flying start: in the 2019/2020 season, the European Concert Hall Organisation sent them through the great concert halls of the continent as »Rising Stars«. Now, the musicians of the Goldmund Quartet return to the Elbphilharmonie as a globally successful ensemble. In a varied programme, they combine repertoire classics with special insider tips.
The musicians, whose shared history started as early as their school days, take a look into the musical present with a composition by Sophia Jani. On behalf of the quartet, the young composer has created a lyrical and meditative work, which also appeared on the highly acclaimed »Prisma« record in April 2023. The romance of the British late romanticist Gerald Finzi might also be new to many – a melodious movement, which also loses none of its very English and soulful expression in its adaptation for string quartet.
Joseph Haydn is fondly described as the »father of the string quartet«. In just under 70 compositions, he established this supreme discipline of chamber music. The Goldmund Quartet devotes itself to his final completed string quartet, which puts forward a great urge to experiment, untamed energy and sophisticated thematic work. Even if there are still individual movements of a later quartet, this spirited F major quartet can certainly be selected as the grand finale of Haydn’s decades-long engagement with the genre.
The musicians have also brought along Schumann’s final string quartet – admittedly, the Romantic composer only put a bit of it on paper. His unique cycle with three quartets is evidence of his great fascination and in-depth study of the works of his predecessors. Disguised as a scherzo, the second movement of the usually more lively A major quartet is one of the most beautiful slow movements that Schumann wrote.
Programme (booklet)
Performers
Goldmund Quartett
Florian Schötz violin
Pinchas Adt violin
Christoph Vandory viola
Raphael Paratore violoncello
Programme
Gerald Finzi
Romance for String Orchestra, Op. 11
Joseph Haydn
String Quartet in F major, Op. 77/2
– Interval –
Sophia Jani
Fall, Glow, Dissolve
Robert Schumann
String Quartet in A major, Op. 41/3
Encore:
Pre-Concert Talk
with Oliver Wille (in German)
18:30 / Elbphilharmonie, Kleiner Saal
Supporting programme
Fri, 7 Mar 2025 19:00
Golden Ear Challenge,
Elbphilharmonie, Kaistudio 1
Promoter: HamburgMusik
Location
:
Elbphilharmonie
Kleiner Saal
The Recital Hall, designed in contrast to the Grand Hall in the classic »shoebox« style, offers seating for up to 550 people.
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Arrival time
The Elbphilharmonie is a special building situated in a special place. Allow for plenty of time for getting to the Elbphilharmonie and the way to the concert area. We suggest visitors arrive at the Elbphilharmonie Plaza not later than 30 minutes before the start of the concert or event. Late seating is not guaranteed and latecomers may not be admitted to the concert hall.
Concert tickets for the Grand and Recital Halls authorise a visit to the Plaza from two hours before the start of the concert or event. Visitors to the Kaistudios require a separate Plaza ticket to visit the Plaza.
Admission times:
Events without pre-concert talk:
Recital Hall Foyer: 60 minutes before the start of the event
Recital Hall: 30 minutes before the start of the eventEvents with pre-concert talk:
Recital Hall Foyer: 90 minutes before the start of the event
Recital Hall: 15 minutes before the start of the talkIf a pre-concert talk is offered for this event, it is noted above under PROGRAMME.
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Getting here
Elbphilharmonie Hamburg
Platz der Deutschen Einheit
20457 HamburgThe Elbphilharmonie can be easily reached by bus, underground, bicycle and ferry.
The nearest stops include:
Underground line U3: Baumwall
Underground line U4: Überseequartier
Bus 2, 111: Am Kaiserkai (Elbphilharmonie)
Bus 6: Auf dem Sande (Speicherstadt)
Ferry 72 (from Landungsbrücken pier): »Elbphilharmonie« pier
StadtRAD (bicycle sharing system) stations: U Baumwall (Elbphilharmonie) and Am Kaiserkai / Großer GrasbrookMultistorey car park in the Elbphilharmonie (open 24/7, 435 parking spaces):
Please note that visitors to the Elbphilharmonie should use the entrance marked »Elbphilharmonie«. The entrance »Elbphilharmonie Hotel« is reserved for »The Westin Hamburg« hotel guests.Please find more information about prices and advance booking of the discounted flat rate on this page: arrival by car
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Finding your seat
All visitors enter the building via the main entrance; access to the concert hall is via the Plaza, the public viewing platform on the 8th floor of the Elbphilharmonie. The Plaza can be reached from the entrance area via the Tube (long escalator) or lifts. Your tickets will be checked twice: at admissions in the main entrance area and on the Plaza in front of the staircase to the Grand or Rcital Hall. Stairs and lifts lead from the Plaza to the concert hall foyers.
The Recital Hall is situated on the 10th floor and can be accessed via a stairway or lift.
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Cloakroom
The cloakrooms are located in the foyer (fee: € 2). Jackets and handbags may be taken into the hall.
Walking-stick umbrellas, bags sized A3 (42 x 30 cm) or above, luggage and other bulky items must be stored in the lockers (largest size 27 x 87 x 47 cm) located in the corridor leading to the ticket shop on the ground floor (on the right-hand side of the entrance area).
Strollers and prams can be left with the admissions personnel on the Plaza. Wheeled walkers can be handed in at the hall entrances.
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Toilet Facilities
Facilities for guests of the Recital Hall are located in the Recital Hall Foyer.
An accessible toilet is located in the foyer.
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Photography and video recordings
It is forbidden to take photographs or record videos during a concert or event. Video recordings and photography are permitted for private purposes only on the Plaza and in the foyers as well as before the start or following an event in the concert hall, provided that you respect the privacy of other visitors and do not interfere with regular business operations. Employees may not be photographed or filmed.
Photography, audio or video recordings of concerts and events are strictly prohibited.
Event-related video recordings or photographs for editorial or commercial purposes must be authorised by the Press Office of the Elbphilharmonie.
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Accessibility
All halls and spaces are accessible for visitors with disabilities. More information at www.elbphilharmonie.de/en/accessibility.
Lifts to the Plaza are located in the tunnel on the right-hand side of the Tube (long escalator). From the Plaza, access to the Grand and Recital Hall foyers is via lifts, also located to the right. Please note: cloakrooms for visitors to the Grand Hall are only located on the 11th floor. From there, the upper floors can be accessed via further lifts.
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Coughing, clapping, chatting – Tips for your concert visit
A concert at the Elbphilharmonie is a unique experience for both audience and artists. Guests and musicians alike rave about the precise acoustics in the Grand Hall. You can hear every note, even from the highest balcony.
Unfortunately, the opposite is also true: even presumably quiet noises from the audience are clearly audible in the entire hall. We therefore ask our visitors to take the following recommendations into consideration: Tips for your concert visit

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