Underground line U1 to Klosterstern
Bus 34 to Oberstraße
Bus 109 to Sophienterrassen
Clara Haberkamp Trio & Carstensen / Neset / Strønen »The Side Effects«
NDR Jazz at the Rolf-Liebermann-Studio
Not without side effects
»A remarkable artist who has a fluent touch at the piano, with a feeling for space and improvisation, and free of cheap showmanship« – this is how the prestigious Downbeat Magazine described Clara Haberkamp. The path that led the composer, bandleader and singer to become »one of Germany’s most original pianists« (Deutschlandfunk) seems to have been marked out by her family: both parents are professional jazz musicians. Her influences range from Brad Mehldau, Bud Powell and Clare Fischer to György Ligeti and Arvo Pärt. Clara Haberkamp comes to the NDR with a new trio that celebrates contrasts. After the interval, »The Side Effects« from Norway promise what their name suggests, all of them positive.
»He is my favourite musician on the planet, a monster with a golden heart. He changed my life.« Big words about Stian Carstensen from the young multi-talent Jacob Collier. Carstensen is a remarkable all-rounder himself: the accordion, the pedal steel guitar and the banjo are just a few of the instruments that he plays with unlimited virtuosity. He comes to the NDR as part of a Norwegian super-trio; the other members are Marius Neset and Thomas Strønen.
Performers
Set I
Clara Haberkamp Trio
Clara Haberkamp piano
Oliver Potratz bass
Jarle Vespestad drums
Set II
»The Side Effects«
Stian Carstensen accordion, pedal steel guitar, banjo
Marius Neset saxophone
Thomas Strønen drums
Promoter: NDR
Location : Rolf-Liebermann-Studio
The Rolf-Liebermann-Studio was a Jewish temple until 1938. Destroyed in the Pogrom Night, ownership of the current Rolf-Liebermann-Studio passed over to the city authorities in 1941, and later to the former Northwest German Broadcasting, which arranged its conversion into a large concert hall. With its classical music concerts, readings, matinees and jazz concerts, the studio is one of the first ports of call for the culturally aware today.
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Getting Here
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Parking
The studio can also be reached easily by car, however parking spaces in the area are very limited.
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Accessibility
The main entrance and the concert hall itself are fully accessible for visitors with limited mobility.
The hall also has an audio induction loop in place for visitors with hearing impairments. Induction is available in the following seats:
Rows B & C: Seats 13 to 24
Rows D & E: Seats 17 to 32
Row F: Seats 21 to 30
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