Lucie Horsch, recorder (2G)

Rising Stars –2G+ AND PHYSICAL DISTANCE

This event has already taken place! 9 | 15 | 22 | 31
This event has already taken place! 9 | 15 | 22 | 31

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The recorder doesn’t have the very best reputation reputation among solo instruments. But virtuoso interpreters like Dorothee Oberlinger and Stefan Temmingh have done a lot to increase the instrument’s coolness factor. And it’s good news that they have found imitators such as Lucie Horsch, who coaxes sounds from her instrument that one would never have expected from the recorder. The BBC Music Magazine has praised her »fearless virtuosity and superb technique«, while the Guardian already sees the Dutch musician, who is barely 20, as one of today’s top recorder players.

Performers

Lucie Horsch recorder

Thomas Dunford lute

Programme

Conversations

Johann Sebastian Bach
Partita c-Moll BWV 997 / Bearbeitung für Blockflöte und Laute von Lucie Horsch

John Dowland
A Dream P 75 für Laute solo
Flow, My Tears F II/6

Isang Yun
Der Affenspieler / aus: Chinesische Bilder

Antonio Vivaldi
Siciliano – Allegro molto / aus: Concerto für Flautino, Streicher und Basso continuo C-Dur RV 443

François Couperin
Le Rossignol en amour / aus: Pièces de clavecin, Buch 3

Giovanni Ambrogio Dalza
Calata / aus: Intabulatura de lauto

Dario Castello
Sonata seconda

– Interval –

Lotta Wennäkoski
Arteria / Kompositionsauftrag von Het Concertgebouw Amsterdam, Kölner Philharmonie und European Concert Hall Organisation (ECHO)

Francesca Caccini
Chi desia di saper che cos’è amore / aus: Primo Libro delle Musiche

Jacques-Martin Hotteterre
Preludes / aus: L’Art de préluder

Anne Danican Philidor
Sonate für Altblockflöte und Basso continuo d-Moll

Claude Debussy
Syrinx für Blockflöte solo

Marin Marais
Les voix humaines für Laute solo / Bearbeitung für Laute solo von Thomas Dunford
Couplets de folies d-Moll / Bearbeitung für Blockflöte und Laute von Lucie Horsch


Encore:

François Couperin / Paul McCartney
Le rossignol en amour / Blackbird

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