Strollers, prams, wheeled walkers, walking-stick umbrellas, bags sized A3 (42 cm x 30 cm) or above, sport bags, backpacks and luggage must be checked in at the cloakroom.
Jackets and handbags may be taken into the hall.
Scheidt / Holborne / Mozart
An energetic trip through the centuries – with a brass ensemble made up of members of the Symphoniker Hamburg: An Early Baroque declaration of war from the pen of Samuel Scheidt is followed by a suite by Anthony Holborne. In the late 16th century, Holborne was a prominent figure – and at the same time suspected of being a charlatan: he claimed to be in the service of Queen Elizabeth I as a private musician. He died in London in 1602 – allegedly of a cold.
After what is probably one of Mozart’s loveliest melodies – his heartfelt motet »Ave verum corpus«, we hear a wind quintet by Viktor Ewald (1860–1935), a »part-time composer« who worked as a professor of civil engineering in St. Petersburg for 20 years. For Ewald, composing was something he did in his spare time, though one cannot hear that in his music.
The final item on tonight’s programme is a ragtime piece written by the American composer Luckey Roberts (1887–1968). Roberts must have had abnormally large hands: he is regarded as the inventor of the »stride piano style«, where the left hand has to play extremely wide chord fingering in the middle of the keyboard, and supplement it with sturdy octaves in the bass line.
Blechbläserensemble der Symphoniker Hamburg
Samuel Scheidt
Galliard Battaglia / Bearbeitung für Blechbläserensemble von Frigyes Varasdy
Anthony Holborne
Suite
Wolfgang Amadeus Mozart
Ave verum corpus / Motette KV 618
Victor Ewald
Quintett Nr. 1 op. 5
Jan Koetsier
Quintett op. 65
Leonard Bernstein
Make Our Garden Grow / Candide
Paul Nagle
Jive for Five
Luckey Roberts
Junk man Rag
Promoter: Symphoniker Hamburg
Chamber music series, lieder recitals, children's concerts and jazz events seem to be made for the Recital Hall of the Laeiszhalle, which can accommodate up to 640 guests. (Please note: The Laeiszhalle is a separate concert hall located three kilometres away from the Elbphilharmonie.)
Strollers, prams, wheeled walkers, walking-stick umbrellas, bags sized A3 (42 cm x 30 cm) or above, sport bags, backpacks and luggage must be checked in at the cloakroom.
Jackets and handbags may be taken into the hall.
Facilities for guests of the Recital Hall are located to the right of the hall entrance. Barrier-free toilets are also available.
Laeiszhalle Hamburg
Johannes-Brahms-Platz
20355 Hamburg
The Laeiszhalle can be easily reached by bus, underground and bicycle.
The nearest stops include:
Underground line U2: Gänsemarkt / Messehallen
Underground line U1: Stephansplatz
Bus 3, X35, 112: Johannes-Brahms-Platz
Bus X3: U Gänsemarkt (Valentinskamp)
Bus 4, 5, 109: Stephansplatz
StadtRAD (public city bicycle) station: Sievekingplatz / Gorch-Fock-Wall
There are bicycle stands available in front of the Laeiszhalle.
Gänsemarkt multistorey car park: Dammtorwall / Welckerstrasse
Rate per hour or part thereof: €4.50
Night rate (18:00–06:00): maximum €11
24-hour rate: maximum €30
Please note: There are several construction sites in the immediate vicinity of the Laeiszhalle which may make it difficult to get to the concert. Please therefore plan enough time for your journey to the concert.
The Laeiszhalle is a separate concert hall located three kilometres away from the Elbphilharmonie.
We suggest visitors arrive at the Laeiszhalle main entrance not later than 30 minutes before the start of the concert or event. Late seating is not guaranteed and latecomers may not be admitted to the concert hall.
The entrance of the Recital Hall is located on Gorch-Fock-Wall.
Admission times Grand Hall and Recital Hall:
Events without pre-concert talk:
Foyer: 60 minutes before the start of the event
Hall: 30 minutes before the start of the event
Events with pre-concert talk:
Foyer: 90 minutes before the start of the event
Hall: 15 minutes before the start of the talk
If a pre-concert talk is offered for this event, it is noted above under PROGRAMME.
All halls and spaces are accessible for visitors with disabilities. More information at www.elbphilharmonie.de/en/accessibility.
Photography is permitted at the Laeiszhalle for private purposes only. Please respect the privacy of other visitors and help ensure an undisturbed concert experience for all guests and artists. Employees and artists may not be photographed.
Photography, audio or video recordings of concerts and events are strictly prohibited.
Event-related video recordings or photographs for editorial or commercial purposes must be authorised by the Press Office of the Elbphilharmonie and Laeiszhalle.
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