»Barbarische Schönheit« / »Barbaric Beauty«
NDR Das Alte Werk: Il Suonar Parlante Orchestra
For this electrifying and truly »Telemannian« enterprise, Vittorio Ghielmi – viol player from Milan and founder of the ensemble Il Suonar Parlante – has invited soloist friends such as recorder player Dorothee Oberlinger and Moldavian cimbalom player Marcel Comendant to join him.
As a young band master, Georg Philipp Telemann was employed by Count Erdmann von Promnitz and wrote many orchestral suites and overtures for him. While at the court in Sorau, Telemann not only learnt the French court music, but also the everyday music in taverns and villages, where he encountered Polish and Moravian folklore.
The way these rural musicians improvised appealed to Telemann’s own tempestuous temperament. He praised them, saying »one would hardly believe that such horn pipers and fiddlers could express such wonderful ideas. An attentive person can catch enough inspiration from these players in a mere eight days to last a life time«. The young court composer praised the »true barbaric beauty« of this wild performance style. In doing so, he gave us the leitmotif for this concert, 300 years later. It will combine the music of Telemann and his contemporaries as a colourful mélange of courtly, rural and tavern atmospheres.
Performers
Il Suonar Parlante Orchestra
Dorothee Oberlinger recorder
Graciela Gibelli soprano
Alessandro Tampieri violin
Stano Palúch violin
Marcel Comendant cimbalom
Vittorio Ghielmi viola da gamba and direction
Programme
Georg Philipp Telemann
Konzert a-Moll für Blockflöte, Viola da gamba, Streicher und Basso continuo
František Jiránek
Konzert d-Moll für Violine, Streicher und Basso continuo
Johann Gottlieb Graun
Konzert a-Moll für Viola da gamba GraunWV A:XIII:14
Johann Adolf Hasse
L'augeletto in lacci stretta / Arie für Sopran, Viola da gamba, Streiche und Basso continuo aus »Didone abbandonata«
– Interval –
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