All visitors enter the building via the main entrance. The Kaistudio on floors 2 and 3 are not accessible via the Tube (long escalator), but rather using the group B lifts. Please follow the signs provided in the tunnel on right-hand side of the Tube. Admission is by concert ticket only.
Musical all-rounder
Elbphilharmonie+
Musical all-rounder
John Zorn, the saxophonist and composer from New York City, is a unique figure in the wide world of music. No one creates so much material so unrelentingly in so many sound languages as he does. Less prolific musicians might produce an album every eight years – Zorn has been releasing a new album every month for the last eight years, and none of them is alike. In mid-March, the tirelessly productive master from the Village is curating a spectacular festival of his own work in the Elbphilharmonie, the »John Zorn Reflektor«. Ten days before the festival starts, an Elbphilharmonie+ one-day seminar provides an opportunity to dive deeply into the John Zorn universe. The Hamburg-based Zorn expert Axel Zielke will be giving participants an overview of the most important projects, the various composition techniques and the conceptual approaches pursued by Zorn in his work over almost 50 years.
Programme (booklet)
Performers
Axel Zielke Vortrag
Promoter: HamburgMusik
Location
:
Elbphilharmonie
Kaistudio 1
Located within the base section of the Elbphilharmonie building on floors 2 and 3 are the Kaistudios, home to the Elbphilharmonie’s World of Instruments and extensive music education programme. The largest Kaistudio is the Elbphilharmonie’s third concert hall – ideal for concerts, experimental music, seminars and workshops for up to 150 guests.
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Getting to the Kaistudios
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Cloakroom
A cloakroom for the Kaistudio located on the second floor is offered free of charge to visitors. Jackets may be taken to the Kaistudio.
Baby carriages, wheeled walkers, walking-stick umbrellas, handbags larger than DIN A3 (42 cm x 30 cm) as well as sport bags, backpacks and suitcases must be checked in at the cloakroom. If required, wheeled walkers can be parked in the immediate vicinity of the hall entrances. Our front of house staff is happy to assist you in this regard.
Please note that you will be required to deposit your checked in items yourself and house staff is only able to partially guard the cloakroom. Checked in items are left at the owner's own risk.
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Toilet Facilities
Facilities for guests of the Kaistudio are located in the Kaistudio Foyer on the third floor.
An accessible toilet is located in the foyer on the third floor.
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Photography and video recordings
It is forbidden to take photographs or record videos during a concert or event. Video recordings and photography are permitted for private purposes only on the Plaza and in the foyers as well as before the start or following an event in the concert hall, provided that you respect the privacy of other visitors and do not interfere with regular business operations. Employees may not be photographed or filmed.
Photography, audio or video recordings of concerts and events are strictly prohibited.
Event-related video recordings or photographs for editorial or commercial purposes must be authorised by the Press Office of the Elbphilharmonie.
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Accessibility
All halls and spaces are accessible for visitors with disabilities. More information at www.elbphilharmonie.de/en/accessibility.
Lifts to the Plaza are located in the tunnel on the right-hand side of the Tube (long escalator). From the Plaza, access to the Grand and Recital Hall foyers is via lifts, also located to the right. Please note: cloakrooms for visitors to the Grand Hall are only located on the 11th floor. From there, the upper floors can be accessed via further lifts.
Also the 5th floor of the Kaispeicher is fully accessible. Please use the lifts from the multi-storey car park to the 6th floor and ring the bell at the rear entrance. The toilets can be reached by lift from the 5th and 6th floors.
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Coughing, clapping, chatting – Tips for your concert visit
A concert at the Elbphilharmonie is a unique experience for both audience and artists. Guests and musicians alike rave about the precise acoustics in the Grand Hall. You can hear every note, even from the highest balcony.
Unfortunately, the opposite is also true: even presumably quiet noises from the audience are clearly audible in the entire hall. We therefore ask our visitors to take the following recommendations into consideration: Tips for your concert visit
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