Sat, 16 Nov 2024 18:00

Elbphilharmonie Kleiner Saal

Marc Ribot Quartet »Hurry Red Telephone« / Red Lily Quintet

Reflektor Marc Ribot

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This concert has already taken place! ~~€28~~

Doors open 17:00
Start 18:00
End ca. 20:30

Spiritual unity

The Marc Ribot Trio celebrated a premiere in a new line-up at the famous NYC Winter Jazzfest in 2024 – now they come with James Brandon Lewis on saxophone as support to Hamburg for the »Reflektor« Festival dedicated to Ribot. The musicians first played together in 2005 on the album »Spiritual Unity«, a homage to the legendary free jazz saxophonist Albert Ayler. Alongside Marc Ribot and drummer Chad Taylor as consistent members of the trio, at that time Henry Grimes still played on bass. He worked with Cecil Tayler, Don Cherry and Albert Ayler, amongst others, in the 1960s. In the current line-up, Hilliard Greene replaces Henry Grimes, who passed away in 2020, on double bass. With James Brandon Lewis, whose Gospel-influenced sound on tenor saxophone seamlessly blends into the eruptive sound of the band, the trio becomes a quartet.

James Brandon Lewis, as bandleader of the Red Lily Quartet, also takes centre stage in the second set of the evening. The programme »For Mahalia, with Love« is a tribute to the Gospel legend Mahalia Jackson, who made famous traditional songs, such as »Swing Low«, »Sparrow« and »Wade in the Water«. Lewis has a personal, emotional connection to the work of Mahalia Jackson: his grandmother had introduced the music to him when he was just a child. So, he also describes his arrangements as a »Three-way conversation between Mahalia, my grandmother and me.«

Programme (booklet)

Reflektor Marc Ribot (German only) (PDF, 7.8 MB)

Performers

»Hurry Red Telephone« with special guests Mary Halvorson & James Brandon Lewis

Marc Ribot guitar
Mary Halvorson guitar
James Brandon Lewis saxophone
Hilliard Greene bass
Chad Taylor drums

Red Lily Quintet

James Brandon Lewis saxophone
Kirk Knuffke trumpet
Tomeka Reid violoncello
Silvia Bolognesi bass
Lily Glick Finnegan drums

Programme

Set 1: Marc Ribot Quartet
– Interval –
Set 2: Red Lily Quintet »For Mahalia, with Love«

Series

Jazz at the Elbphilharmonie

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Festival

Reflektor Marc Ribot

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Promoter: HamburgMusik

Supported by Stiftung Elbphilharmonie

From the Mediatheque : Videos, Podcasts, Articles

Video on demand from 15 Nov 2024 : Marc Ribot’s Ceramic Dog

Kicking off his »Reflektor« Festival, guitar legend Marc Ribot presents his rock trio Ceramic Dog in the Recital Hall. #Jazz #RecitalHall #LiveStream #MarcRibot

Elbphilharmonie Talk with Marc Ribot

Legendary guitarist Marc Ribot talks about his »Reflektor« festival at the Elbphilharmonie, his love of Cuba and sneakers reserved for special occasions. #Jazz #MarcRibot #Podcast #Talk

Video on demand from 17 Nov 2024 : Listening Session with Marc Ribot

Guitarist and »Reflektor« artist Marc Ribot presents favourite recordings and special tips from his record collection. #Jazz #LiveStream #MarcRibot

Marc Ribot – A Portrait

The sound sculptor combines the rawness of punk, the cleverness of jazz and the sensitivity of an artist who hasn’t been ground smooth by life. #Jazz #MarcRibot #MusicHistory #Portrait

Location : Elbphilharmonie
Kleiner Saal

The Recital Hall, designed in contrast to the Grand Hall in the classic »shoebox« style, offers seating for up to 550 people.

Arrival time

The Elbphilharmonie is a special building situated in a special place. Allow for plenty of time for getting to the Elbphilharmonie and the way to the concert area. We suggest visitors arrive at the Elbphilharmonie Plaza not later than 30 minutes before the start of the concert or event. Late seating is not guaranteed and latecomers may not be admitted to the concert hall.

Concert tickets for the Grand and Recital Halls authorise a visit to the Plaza from two hours before the start of the concert or event. Visitors to the Kaistudios require a separate Plaza ticket to visit the Plaza.

Admission times:

Events without pre-concert talk:
Recital Hall Foyer: 60 minutes before the start of the event
Recital Hall: 30 minutes before the start of the event

Events with pre-concert talk:
Recital Hall Foyer: 90 minutes before the start of the event
Recital Hall: 15 minutes before the start of the talk

If a pre-concert talk is offered for this event, it is noted above under PROGRAMME.
Getting here

Elbphilharmonie Hamburg
Platz der Deutschen Einheit
20457 Hamburg

The Elbphilharmonie can be easily reached by bus, underground, bicycle and ferry.

The nearest stops include:
Underground line U3: Baumwall
Underground line U4: Überseequartier
Bus 2, 111: Am Kaiserkai (Elbphilharmonie)
Bus 6: Auf dem Sande (Speicherstadt)
Ferry 72 (from Landungsbrücken pier): »Elbphilharmonie« pier
StadtRAD (bicycle sharing system) stations: U Baumwall (Elbphilharmonie) and Am Kaiserkai / Großer Grasbrook

Multistorey car park in the Elbphilharmonie (open 24/7, 435 parking spaces):
Please note that visitors to the Elbphilharmonie should use the entrance marked »Elbphilharmonie«. The entrance »Elbphilharmonie Hotel« is reserved for »The Westin Hamburg« hotel guests.

Please find more information about prices and advance booking of the discounted flat rate on this page: arrival by car
Finding your seat

All visitors enter the building via the main entrance; access to the concert hall is via the Plaza, the public viewing platform on the 8th floor of the Elbphilharmonie. The Plaza can be reached from the entrance area via the Tube (long escalator) or lifts. Your tickets will be checked twice: at admissions in the main entrance area and on the Plaza in front of the staircase to the Grand or Rcital Hall. Stairs and lifts lead from the Plaza to the concert hall foyers.

The Recital Hall is situated on the 10th floor and can be accessed via a stairway or lift.
Cloakroom

The cloakrooms are located in the foyer (fee: € 2). Jackets and handbags may be taken into the hall.

Walking-stick umbrellas, bags sized A3 (42 x 30 cm) or above, luggage and other bulky items must be stored in the lockers (largest size 27 x 87 x 47 cm) located in the corridor leading to the ticket shop on the ground floor (on the right-hand side of the entrance area).

Strollers and prams can be left with the admissions personnel on the Plaza. Wheeled walkers can be handed in at the hall entrances.
Toilet Facilities

Facilities for guests of the Recital Hall are located in the Recital Hall Foyer.

An accessible toilet is located in the foyer.
Photography and video recordings

It is forbidden to take photographs or record videos during a concert or event. Video recordings and photography are permitted for private purposes only on the Plaza and in the foyers as well as before the start or following an event in the concert hall, provided that you respect the privacy of other visitors and do not interfere with regular business operations. Employees may not be photographed or filmed.

Photography, audio or video recordings of concerts and events are strictly prohibited.

Event-related video recordings or photographs for editorial or commercial purposes must be authorised by the Press Office of the Elbphilharmonie.
Accessibility

All halls and spaces are accessible for visitors with disabilities. More information at www.elbphilharmonie.de/en/accessibility.

Lifts to the Plaza are located in the tunnel on the right-hand side of the Tube (long escalator). From the Plaza, access to the Grand and Recital Hall foyers is via lifts, also located to the right. Please note: cloakrooms for visitors to the Grand Hall are only located on the 11th floor. From there, the upper floors can be accessed via further lifts.

Also the 5th floor of the Kaispeicher is fully accessible. Please use the lifts from the multi-storey car park to the 6th floor and ring the bell at the rear entrance. The toilets can be reached by lift from the 5th and 6th floors.
Coughing, clapping, chatting – Tips for your concert visit

A concert at the Elbphilharmonie is a unique experience for both audience and artists. Guests and musicians alike rave about the precise acoustics in the Grand Hall. You can hear every note, even from the highest balcony.

Unfortunately, the opposite is also true: even presumably quiet noises from the audience are clearly audible in the entire hall. We therefore ask our visitors to take the following recommendations into consideration: Tips for your concert visit